Christmas Number

The perfect quiz book to get you in the Christmassy mood, to play at the office Christmas lunch or to pop into a stocking. In Britain, it's estimated that 800 million of what traditional Christmas treat are eaten each year? Which actor gives the voiceover at the beginning of Love Actually? True or False: Queen Elizabeth II wore a Santa hat for her 1996 Christmas Day televised speech. We Brits can't get enough of a quiz - and never has this been more true at Christmastime. So if you're stumped for office party small talk, trying to make it through Christmas dinner with the in-laws, or simply a quiz connoisseur after puzzles with some festive flair, you can't go wrong with the VERY BRITISH PROBLEMS CHRISTMAS QUIZ BOOK. Inside you'll find all sorts of tickly teasers, complex conundrums, worrisome word searches and much more on topics ranging from nostalgic Christmas adverts and beloved TV specials to toys through the ages and everyone's favourite holiday snacks. Best enjoyed with a cup of tea and a mince pie. *** Praise for Very British Problems 'Had us guffawing into our Earl Grey tea' Bella 'My favourite twitter account at the moment is Very British Problems (@soverybritish) . . . it makes me laugh out loud' Tom Hiddleston 'Hilarious' Daily Express 'Temple pays affectionate and comic homage to the sheer quirkiness of being British' Good Book Guide

In a career that spanned over forty years, Ella Hepworth Dixon (1857-1932) was alternately journalist, critic, essayist, short story writer, novelist, editor of a women's magazine, dramatist, and autobiographer. After an initial popularity, however, Ella Hepworth Dixon's work, like that of the majority of her contemporaries, remained largely unread for decades. In her new study, Valerie Fehlbaum sheds light on Dixon's life and work, and provides profound insight not only into Dixon herself but into the multifaceted character of the 'New Woman' writer that Dixon typified. The figure of the New Woman as representing new-found intellectual, social, and political freedom came to the fore towards the end of the nineteenth century when the term 'woman' was being interrogated on every imaginable level. In heated debates about woman's nature, primary questions such as 'what is a woman?' and 'what does a woman want?' were accompanied by subsidiary controversies about the precise role she should play in society. Fehlbaum's re-evaluation of Dixon's varied literary output enhances our understanding of this period of radical change for women, and shows that Ella Hepworth Dixon's writing remains as lively and pertinent today as it was when it was first published.