Christmas On The Nile

Two ruthless organisations. Two continents. One spectacular Season Two Finale. Sherlock and Lucy must defeat two ruthless organisations, on two continents, in this 'Season Two Finale' of the Sherlock and Lucy series. Their clever archenemy, the evil Lord Sonneborne, will fight them to the bitter end. But the Baker Street team is equally determined. Their own lives, and the life of Lucy's mother, are at stake, in a struggle to change the future of the British Empire. Who will prevail? A fun and fast-paced take on a classic Sherlock who-done-it, complete with thrilling twists, hairpin turns, and an ending that will keep readers guessing to the very last page. Christmas on the Nile stays faithful to the spirit of the original series, but offers new characters and a fresh take on the beloved classics.

Italian cinema is now regarded as one of the great cinemas of the world. Historically, however, its fortunes have varied. Following a brief moment of glory in the early silent era, Italian cinema appeared to descend almost into irrelevance in the early1920s. A strong revival of the industry which gathered pace during the 1930s was abruptly truncated by the advent of World War II. The end of the war, however, initiated a renewal as films such as Roma città aperta (Rome Open City), Sciuscià (Shoeshine, 1946), and Ladri di biciclette (Bicycle Thieves, 1948), flagbearers of what soon came to be known as Neorealism, attracted unprecedented international acclaim and a reputation that only continued to grow in the following years as Italian films were feted worldwide. Ironically, they were celebrated nowhere more than in the United States, where Italian films consistently garnered the lion's share of the Oscars, with Lina Wertmüller becoming the first woman to ever be nominated for the Best Director award. This second edition of Historical Dictionary of Italian Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on major movements, directors, actors, actresses, film genres, producers, industry organizations and key films. This book is an excellent resource for students, researchers, and anyone wanting to know more about Italian Cinema.