Christmas Postcards

Old-fashioned holiday charm abounds with these collectibles and their colorful portraits of ruddy-cheeked children and Santas. A joy to send or keep, reproduced directly from rare originals of 1900-30.

Santa Claus, that most magical of fellows whose very name evokes the spirit of the season, is one of the holiday's most beloved icons. His mere presence manages to narrow generation gaps, brighten cold, dark December days, and elicit the spirit of giving in people everywhere.

Delightfully nostalgic scenes from vintage sources include: children preparing for Halloween and awaiting Santa, patriotic portraits of Lincoln and Washington, sentimental valentines, plus other holiday greetings. 24 cards.

This is a comprehensive history of the world's midwinter gift-givers, showcasing the extreme diversity in their depictions as well as the many traits and functions these characters share. It tracks the evolution of these figures from the tribal priests who presided over winter solstice celebrations thousands of years before the birth of Christ, to Christian notables like St. Martin and St. Nicholas, to a variety of secular figures who emerged throughout Europe following the Protestant Reformation. Finally, it explains how the popularity of a poem about a "miniature sleigh" and "eight tiny reindeer" helped consolidate the diverse European gift-givers into an enduring tradition in which American children awake early on Christmas morning to see what Santa brought. Although the names, appearance, attire and gift-giving practices of the world's winter solstice gift-givers differ greatly, they are all recognizable as Santa, the personification of the Christmas and Midwinter festivals. Despite efforts to eliminate him by groups as diverse as the Puritans of seventeenth century New England, the Communist Party of the twentieth century Soviet Union and the government of Nazi Germany, Santa has survived and prospered, becoming one of the best known and most beloved figures in the world.

Nothing says "Merry Christmas" like greetings from Santa Claus! Antique cards, most from the turn of the 20th century, offer a unique and jolly way to extend best holiday wishes.

Informed by both new and old media theory, materialist approaches to the study of everyday objects, and a series of close readings that chart the critical history of postcard use in the fiction and correspondence of Ernest Hemingway, Ring Lardner, James Joyce, and Wilfred Owen, this book locates and attempts to rediscover lost, misplaced, and neglected postcard materialities, as they relate to the archiving, editing, publishing, and fictional repurposing of postcards across Anglo-American Literary Modernism (1880-1939). It argues that postcards need to be recognized as important early twentieth-century communication technologies and distinctly modernist textualities, composed of multimedia, recto–verso intertextualities. Moreover, their material limitations encourage users to inscribe messages often in fragmented language forms and innovative cultural shorthands (a.k.a. postcardese). This study redresses the ongoing, widespread scholarly neglect of signifying postcard materialities in modernist studies and the editorial silencing of postcard features in collections of published author correspondence. It also stresses that for these four literary figures of modernism, the material choice of a postcard for communicating is always as much the (meta)message, as any of the signifying materialities they carry uploaded onto their platforming surfaces.

In the early 20th century, postcards were one of the most important and popular expressions of holiday sentiment in American culture. Millions of such postcards circulated among networks of community and kin as part of a larger American postcard craze. However, their uses and meanings were far from universal. This book argues that holiday postcards circulated primarily among rural and small town, Northern, white women with Anglo-Saxon and Germanic heritages. Through analysis of a broad range of sources, Daniel Gifford recreates the history of postcards to account for these specific audiences, and reconsiders the postcard phenomenon as an image-based conversation among exclusive groups of Americans. A variety of narratives are thus revealed: the debates generated by the Country Life Movement; the empowering manifestations of the New Woman; the civic privileges of whiteness; and the role of emerging technologies. From Santa Claus to Easter bunnies, flag-waving turkeys to gun-toting cupids, holiday postcards at first seem to be amusing expressions of a halcyon past. Yet with knowledge of audience and historical conflicts, this book demonstrates how the postcard images reveal deep divides at the height of the Progressive Era.