Chronicles Of A Luchador

Jesse Baron, the son of the American Championship Wrestling star known as the Angel of Death, is about to graduate from high school. His parents expect him to attend the University of Texas and study mechanical engineering, something he’s not interested in. The young man knows he would be a natural at professional wrestling, and with his father’s help he might even reach the same level of fame and success. But the Angel of Death, retired from the ACW and running a wrestling promotion and school, refuses to train his son for fear he will choose sports entertainment over a college degree. Jesse decides that once he gets settled at UT, he's going to look for another place to wrestle. To keep his father from finding out, he’ll promote himself as a masked luchador from Oaxaca, Mexico, named Mascara de la Muerte. When no one will hire him, Jesse reluctantly considers joining a lucha libre organization, even though he doesn’t speak Spanish. Will the fans and his fellow wrestlers see him as a luchador—or just a gringo with a mask? In this stand-alone sequel to his acclaimed novels, My Father, the Angel of Death and Body Slammed!, Ray Villareal continues his exploration of a teenager growing into manhood against the backdrop of the wrestling world.

His minivan is his chariot. His mower is his weapon. Enter the whimsical world of suburbia's favorite underdog. Meet the average Joe who's a father to three, a husband to one... a hero to all. When he's not fighting crime in his fighter-jet-cloaked-as-a-minivan, he teaches high school and patrols the 'hood for story material. In Suburban Luchador: The Cul-de-sac Chronicles, an ordinary guy conjures up extraordinary tales about his family, marriage, and teacher job. He's the man who's making mortgages, meatloaf, and the middle-class sexy again. This is the anthem of those who envision mowing and mopping as legendary movie scenes. These comically self-deprecating short stories will inspire you to take a fresh look at the wondrous, valiant and touching moments in everyday life. Dive into Suburban Luchador: The Cul-de-sac Chronicles and ride shotgun on a domestic road trip of epic proportions. Previously published under the title Suburban Luchador: Memoirs from Suburbia "Philip Rivera is a suburban dad who finds adventure in typical daily activities. I was fully cracking up while reading this book!" ☆☆☆☆☆ "Every single line had me either laughing uncontrollably or tugging at my heart... or both!" ☆☆☆☆☆ "Philip has a gift for the imagination and seeing the ordinary as an extraordinary adventure." ☆☆☆☆☆

An “addictive volume” of amphetamine stories from William T. Vollmann, Sherman Alexie, and more (Publishers Weekly). Speed is the most American of drugs: twice the productivity at half the cost, and equal opportunity for all. It has reinvented itself many times, from miracle cure to biker-gang scourge and everything in between. It goes by many names: crystal meth, amphetamines, Dexedrine, Benzedrine, Adderall; crank, spizz, chickenscratch, oblivious marching powder, the go-fast. And it crosses all ethnicities, genders, and geographies—from immigrants and heartlanders punching double factory shifts to clandestine border warlords; prostitutes to housewives; Hollywood celebs to the poorest Indian on the rez—and they all have plenty of stories. Here is the first contemporary collection of new short fiction dealing with the drug from an array of today’s most compelling authors. The elements of crime and tweaking, bleary-eyed zombies exist alongside heart-wrenching narratives of everyday people, the American Dream going up in flames, and even some accounts of pure joy. Featuring brand-new stories by: Sherman Alexie, William T. Vollmann, James Franco, Megan Abbott, Jerry Stahl, Beth Lisick, Jess Walter, Scott Phillips, James Greer, Tao Lin, Joseph Mattson, Natalie Diaz, Kenji Jasper, and Rose Bunch.

One of the quickest, most exciting and popular forms of professional wrestling is lucha libre from Mexico. Find out the history of the sport, what's in store for the future, what the rules of the game are, and more in this book.

A wide range of bestselling and acclaimed writers—from masters of noir to literary lights—explore the milieu of drug culture in this “eye-opening series” (New York Journal of Books). From Lee Child to William T. Vollmann, Joyce Carol Oates to Sherman Alexie, Eric Bogosian to actor James Franco, many of the finest contemporary writers of fiction weigh in on the lure and destruction of drug use, society’s ambiguous relationship to drug culture, and criminal behavior with short stories that are alternately harrowing, funny, sad, or scary—but always original and gripping. The Cocaine Chronicles edited by Gary Phillips and Jervey Tervalon Contributors include Lee Child, Laura Lippman, Ken Bruen, and Susan Straight “Urban, gritty, and raw noir.” —Harlan Coben The Speed Chronicles edited by Joseph Mattson Contributors include William T. Vollmann, Sherman Alexie, James Franco, and Megan Abbott “Deserves great praise for the audacity of the topic, the depth of the discussion, the diversity of voices, and plain, old, good storytelling.” —New York Journal of Books The Heroin Chronicles edited by Jerry Stahl Contributors include Eric Bogosian, Lydia Lunch, Ava Stander, and Gary Phillips “[An] impressive array of writers . . . these tales of chasing the dragon, with corollaries often violent and savage, will satisfy devotees of noir fiction and outsider are alike.” —Publishers Weekly The Marijuana Chronicles edited by Jonathan Santlofer Contributors include Joyce Carol Oates, Lee Child, Raymond Mungo, and Rachel Shteir “Joyce Carol Oates is in a rare class of her own . . . So, too, are other contributors to this collection, including Lee Child and the always enjoyable Raymond Mungo.” —Kirkus Reviews

The World of Lucha Libre is an insider’s account of lucha libre, the popular Mexican form of professional wrestling. Heather Levi spent more than a year immersed in the world of wrestling in Mexico City. Not only did she observe live events and interview wrestlers, referees, officials, promoters, and reporters; she also apprenticed with a retired luchador (wrestler). Drawing on her insider’s perspective, she explores lucha libre as a cultural performance, an occupational subculture, and a set of symbols that circulate through Mexican culture and politics. Levi argues that the broad appeal of lucha libre lies in its capacity to stage contradictions at the heart of Mexican national identity: between the rural and the urban, tradition and modernity, ritual and parody, machismo and feminism, politics and spectacle. Levi considers lucha libre in light of scholarship about sport, modernization, and the formation of the Mexican nation-state, and in connection to professional wrestling in the United States. She examines the role of secrecy in wrestling, the relationship between wrestlers and the characters they embody, and the meanings of the masks worn by luchadors. She discusses male wrestlers who perform masculine roles, those who cross-dress and perform feminine roles, and female wrestlers who wrestle each other. Investigating the relationship between lucha libre and the mass media, she highlights the history of the sport’s engagement with television: it was televised briefly in the early 1950s, but not again until 1991. Finally, Levi traces the circulation of lucha libre symbols in avant-garde artistic movements and its appropriation in left-wing political discourse. The World of Lucha Libre shows how a sport imported from the United States in the 1930s came to be an iconic symbol of Mexican cultural authenticity.