Chronicles Of Conan Volume 2 Rogues In The House And Other Stories

Compiling the early Conan the Barbarian stories by writer Roy Thomas and artist Barry Windsor-Smith, this collection contains some of the most powerful and compelling comic stories ever created. Following Robert E. Howard's pulp hero Conan through the early part of his life, Thomas and Windsor-Smith (then going by the name "Barry Smith") wove together pieces of the fantasy, horror, and science fiction genres, all built around the framework of Howard's original fiction. Featuring completely remastered color and text corrections, these stories have been unavailable in color since their original publication, nearly thirty years ago. A must for Conan fans and art afficionados alike.

The Cimmerian finds himself ensnared in the dark intrigues of a city-state where the powerful will stoop to any depths to keep what they have stolen. When a young, idealistic noble offers Conan a ticket to freedom in exchange for a favor, Conan leaps at the opportunity-and into a labyrinth where he must fight to keep not only his word, but his very life. A favorite of fans and critics alike, the seminal Conan story "Rogues in the House" first appeared in Weird Tales. Now, writer Timothy Truman and artist Cary Nord bring you the tale of the Red Priest, as you've never seen it before. * "Dark Horse continues to do justice to Howard's work while enhancing it quite nicely." – ComicsBulletin.com * Collects Conan #37, 38, 41-44.

The return of Conan is at hand. By the mid-1970s, Robert E. Howard's seminal sword-and-sorcery hero had cut a path through the comic book world, restored to vivid life by prolific writer Roy Thomas and his host of talented artists. Of those artists, none contributed more to Conan's legacy than the legendary John Buscema. Taking the lush and detailed realism that had already been established in the comic book series, Buscema pushed the look of Howard's creation in an entirely new direction, illustrating what would become the definitive version of Conan for an entire generation of readers. Collecting issues #27–#33 of Marvel's Conan the Barbarian series, this volume features completely remastered color.

The intense psychological portrait of a hitman—the anti-Jason Bourne—as he stalks his prey from Boston to LA. He wants you to know him, maybe even admire him, but only for his excellence in his craft. Perhaps he was even born for it. "A natural killer," his mentor—a middleman named Vespucci—said he was. He proved it with his first professional hit: a Fifth Circuit Court judge in Boston, executed with a sheet of Saran Wrap in the stairwell of her own courthouse. He's proved his merit often, usually with a Glock semiautomatic, but he's improvised too, with his bare hands, the heel of a shoe, knives, even a sewing machine. He is the consummate assassin, at the top of his form, immune to the psychological strains of his chosen profession. He is what the Russians call a Silver Bear. He calls himself Columbus. It's the name Vespucci gave him, ten years ago, when he discovered a dark, new world of fences, clients, marks, jobs, jack. Not that his real name meant much to him anyway. He never knew his father or his mother, a prostitute who became dangerously involved back in the seventies with an earnest young congressman named Abe Mann, then a rising star in the Democratic Party. The magnetic Abe Mann has since become the Speaker of the House. He is currently running for the Democratic nomination in an exhausting presidential campaign, weaving his way across the country. Columbus is not far behind. But as he pieces together his past and prepares the seamless assassination of his mark, the criminal underworld he has always ruled begins unraveling violently around him.

David Lapham (Stray Bullets) pits Robert E. Howard's original barbarian king against a terrifying magical foe from his doomed homeland of Atlantis. The Hate Witch has waited from the beginning of time for a great man of uncertain destiny, whom she can use to bring about the destruction of civilization. She believes that King Kull is that man, and she has launched an all-out assault on Valusia, slaughtering its people, in an attempt to draw him to her seat of power—the wilds of Atlantis! Kull will have to return to his savage origins if he wants to hold onto the throne in Valusia and save it from civil war! Collects issues #1-#4 of the miniseries.

Know, O Prince, that in an age undreamed of, shining kingdoms lay spread across the world like blue mantles beneath the stars. Hither came Conan the Cimmerian; black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandaled feet . . . Conan: The Hall of the Dead concludes writer Kurt Busiek's (JLA/Avengers, Astro City) critically acclaimed run, paving the way for new writer Tim Truman (Conan and the Songs of the Dead) and featuring a story by Hellboy creator Mike Mignola! Eisner award-nominated artist Cary Nord (Daredevil), and Eisner award-winning color artist Dave Stewart (Ultimate Fantastic Four, DC: The New Frontier) continue their groundbreaking run on Dark Horse's best-selling Conan series with three of the best writers in comics today. * Collects Conan #24, 25, 29, 30, 31, 33, 34

Legendary artist Joe Kubert's very first sequential Conan work and illustrations by Cary Nord, Justin Sweet, and Joseph Michael Linsner highlight this latest collection of stories from Dark Horse's ongoing Conan the Cimmerian comic -- book series. In his short career as a mercenary, young Conan has impressed both Princess Yasmela and military leader Lord Amalric, but an ambitious rogue prince arrives in Khoraja and blindsides Conan out of the comfortable, courtly situation he's found himself in. Not only is Conan's love affair with Yasmela going south, but rebel Prince Julion immediately challenges Conan's headstrong impulses and military plans, causing a rift between the battered but proud forces of Khoraja and Amalric's army of colorful mercs.

This work provides an extensive guide for students, fans, and collectors of Marvel Comics. Focusing on Marvel’s mainstream comics, the author provides a detailed description of each comic along with a bibliographic citation listing the publication’s title, writers/artists, publisher, ISBN (if available), and a plot synopsis. One appendix provides a comprehensive alphabetical index of Marvel and Marvel–related publications to 2005, while two other appendices provide selected lists of Marvel–related game books and unpublished Marvel titles.