Cinema And Unconventional Warfare In The Twentieth Century

Cinematic representations of unconventional warfare have received sporadic attention to date. However, this pattern has now begun to change with the rise of insurgency and counter-insurgency in Iraq and Afghanistan, and the growing importance of jihadist terrorism in the wake of 9/11. This ground-breaking study provides a much-needed examination of global unconventional warfare in 20th-century filmmaking, with case studies from the United States, Britain, Ireland, France, Italy and Israel. Paul B. Rich examines Hollywood's treatment of counter-terrorism and counter-insurgency in the United States; British post-colonial insurgencies in Malaya and Kenya and British special operations in the Second World War; the Irish conflict before and during the Troubles; French filmmaking and the reluctance to deal with the bitter war in Algeria in the 1950s; Italian neorealism and its impact on films dealing with urban insurgency by Roberto Rossellini, Nanni Loy and Gillo Pontecorvo, and Israel and the upsurge of Palestinian terrorism. Whilst only a small number of films on these conflicts have been able to rise above stereotyping insurgents and terrorists - in some cases due to a pattern of screen orientalism - Cinema and Unconventional Warfare in the Twentieth Century stresses the positive political gains to be derived from humanizing terrorists and terrorists movements, especially in the context of modern jihadist terrorism. This is essential reading for academics, postgraduates and advanced undergraduates interested in 20th-century military history, politics and international relations, and film studies.

Cinematic representations of unconventional warfare have received sporadic attention to date. However, this pattern has now begun to change with the rise of insurgency and counter-insurgency in Iraq and Afghanistan, and the growing importance of jihadist terrorism in the wake of 9/11. This ground-breaking study provides a much-needed examination of global unconventional warfare in 20th-century filmmaking, with case studies from the United States, Britain, Ireland, France, Italy and Israel. Paul B. Rich examines Hollywood's treatment of counter-terrorism and counter-insurgency in the United States; British post-colonial insurgencies in Malaya and Kenya and British special operations in the Second World War; the Irish conflict before and during the Troubles; French filmmaking and the reluctance to deal with the bitter war in Algeria in the 1950s; Italian neorealism and its impact on films dealing with urban insurgency by Roberto Rossellini, Nanni Loy and Gillo Pontecorvo, and Israel and the upsurge of Palestinian terrorism. Whilst only a small number of films on these conflicts have been able to rise above stereotyping insurgents and terrorists - in some cases due to a pattern of screen orientalism - Cinema and Unconventional Warfare in the Twentieth Century stresses the positive political gains to be derived from humanizing terrorists and terrorists movements, especially in the context of modern jihadist terrorism. This is essential reading for academics, postgraduates and advanced undergraduates interested in 20th-century military history, politics and international relations, and film studies.

Presents an overview of more than eight hundred films featuring armed conflicts, including "All Quiet on the Western Front," "The Great Escape," "The Thin Red Line," and "Schindler's List."

Succinct accounts of 21 guerrilla conflicts in the twentieth century Wars covered include the Boer War, the Philippine War, World War I, the Russian Revolution, World War II, Vietnam, the Algerian War, the Afghan-Soviet War, and more The exploits of men like Lawrence of Arabia, Orde Wingate, Mao Zedong, and Che Guevera In war, whenever one side outnumbers and outguns the other, the outnumbered and outgunned side often resorts to guerrilla warfare to address the asymmetry and frequently achieves victory. The twentieth century produced scores of such conflicts, whether as sideshows of the world wars or as the main events in wars of revolution or liberation. Guerrilla Warfare examines twenty-one of these conflicts, shedding light on the remarkable capabilities of unconventional fighters to outlast and defeat their enemies.

"All the sizzle, chaos, noise and scariness of war is clay in the hands of ace storyteller Lynch." -- Kirkus Reviews for the World War II series Discover the secret missions behind America's greatest conflicts.Danny Manion has been fighting his entire life. Sometimes with his fists. Sometimes with his words. But when his actions finally land him in real trouble, he can't fight the judge who offers him a choice: jail... or the army.Turns out there's a perfect place for him in the US military: the Studies and Observation Group (SOG), an elite volunteer-only task force comprised of US Air Force Commandos, Army Green Berets, Navy SEALS, and even a CIA agent or two. With the SOG's focus on covert action and psychological warfare, Danny is guaranteed an unusual tour of duty, and a hugely dangerous one. Fortunately, the very same qualities that got him in trouble at home make him a natural-born commando in a secret war. Even if almost nobody knows he's there.National Book Award finalist Chris Lynch begins a new, explosive fiction series based on the real-life, top-secret history of US black ops.

New York Times Bestseller A Washington Post Notable Book (Nonfiction) Named one of the Best Books of the Year by Foreign Policy A New York Times Book Review Editors’ Choice Selection “Destined to be the classic account of what may be the oldest... hardest form of war.” —John Nagl, Wall Street Journal Invisible Armies presents an entirely original narrative of warfare, which demonstrates that, far from the exception, loosely organized partisan or guerrilla warfare has been the dominant form of military conflict throughout history. New York Times best-selling author and military historian Max Boot traces guerrilla warfare and terrorism from antiquity to the present, narrating nearly thirty centuries of unconventional military conflicts. Filled with dramatic analysis of strategy and tactics, as well as many memorable characters—from Italian nationalist Guiseppe Garibaldi to the “Quiet American,” Edward Lansdale—Invisible Armies is “as readable as a novel” (Michael Korda, Daily Beast) and “a timely reminder to politicians and generals of the hard-earned lessons of history” (Economist).

From the award-winning historian, war reporter, and author Damien Lewis (Zero Six Bravo, Judy) comes the incredible true story of the top-secret "butcher-and-bolt" black ops units Prime Minister Winston Churchill assigned the task of stopping the unstoppable German war machine. Criminals, rogues, and survivalists, the brutal tactics and grit of these "deniables" would define a military unit the likes of which the world had never seen. When France fell to the Nazis in spring 1940, Churchill declared that Britain would resist the advance of the German army--alone if necessary. Churchill commanded the Special Operations Executive to secretly develop of a very special kind of military unit that would operate on their own initiative deep behind enemy lines. The units would be licensed to kill, fully deniable by the British government, and a ruthless force to meet the advancing Germans. The very first of these "butcher-and-bolt" units--the innocuously named Maid Honour Force--was led by Gus March-Phillipps, a wild British eccentric of high birth, and an aristocratic, handsome, and bloodthirsty young Danish warrior, Anders Lassen. Amped up on amphetamines, these assorted renegades and sociopaths undertook the very first of Churchill's special operations--a top-secret, high-stakes mission to seize Nazi shipping in the far-distant port of Fernando Po, in West Africa. Though few of these early desperadoes survived WWII, they took part in a series of fascinating, daring missions that changed the course of the war. It was the first stirrings of the modern special-ops team, and all of the men involved would be declared war heroes when it was all over. The Ministry of Ungentlemanly Warfare focuses on a dozen of these extraordinary men, weaving their stories of brotherhood, comradely, and elite soldiering into a gripping narrative yarn, from the earliest missions to Anders Lassen's tragic death, just weeks before the end of the war.

Important military lessons for fighting today's insurgency in Iraq