Civil War Women

Given by the Madeley Estate.

North and South, black and white - the story of the War Between the States is embedded in the soul of every American. In her second book on quilts and the Civil War, Barbara Brackman introduces 9 women who lived during those turbulent times, matching each woman to a quilt that she might have made herself. 9 projects adapted from period quilts, with patterns and instructions. Excellent reference book for Civil War re-enactors; offers creative activities related to each woman’s story. Fascinating information about 9 real-life American women and their experiences during the Civil War, from abolitionist speaker Lucy Stone to freed slave Susie Taylor King to Confederate spy Belle Edmondson. Make a reproduction quilt and forge a personal link to the women of the Civil War!

"A stunning portrayal of a tragedy endured and survived by women." --David W. Blight, author of Frederick Douglass "Readers expecting hoop-skirted ladies soothing fevered soldiers' brows will not find them here...It explodes the fiction that men fight wars while women idle on the sidelines." --Washington Post "As McCurry points out in this gem of a book, many historians who view the American Civil War as a 'people's war' nevertheless neglect the actions of half the people." --James M. McPherson, author of Battle Cry of Freedom "In this brilliant exposition of the politics of the seemingly personal, McCurry illuminates previously unrecognized dimensions of the war's elemental impact." --Drew Gilpin Faust, author of This Republic of Suffering The idea that women are outside of war is a powerful myth in western culture, one that shaped the Civil War and still determines how we write about it today. Through three dramatic stories that span the course of the war, this groundbreaking reconsideration invites us to see America's bloodiest conflict for what it was: not just a brothers' war but a women's war. When Union soldiers faced the unexpected threat of female partisans, saboteurs, and spies, long held assumptions about the innocence of enemy women were suddenly thrown into question. Stephanie McCurry shows how the case of Clara Judd, imprisoned for treason, transformed the writing of Lieber's Code, leading to lasting changes in the laws of war. Black women's fight for freedom had no place in the Union military's emancipation plans. Facing a massive problem of governance as former slaves fled to their ranks, officers re-classified black women as "soldiers' wives"--whether or not they were married--placing new obstacles on their path to freedom. Finally, Women's War offers a new perspective on the epic human drama of Reconstruction through the story of one slaveholding woman, Gertrude Thomas, whose losses went well beyond the material to intimate matters of family, love, and belonging. Thomas's response mixed grief with rage, recasting white supremacy in new, still relevant, terms.

Popular images of women during the American Civil War include self-sacrificing nurses, romantic spies, and brave ladies maintaining hearth and home in the absence of their men. However, as DeAnne Blanton and Lauren M. Cook show in their remarkable new study, that conventional picture does not tell the entire story. Hundreds of women assumed male aliases, disguised themselves in men’s uniforms, and charged into battle as Union and Confederate soldiers—facing down not only the guns of the adversary but also the gender prejudices of society. They Fought Like Demons is the first book to fully explore and explain these women, their experiences as combatants, and the controversial issues surrounding their military service. Relying on more than a decade of research in primary sources, Blanton and Cook document over 240 women in uniform and find that their reasons for fighting mirrored those of men—-patriotism, honor, heritage, and a desire for excitement. Some enlisted to remain with husbands or brothers, while others had dressed as men before the war. Some so enjoyed being freed from traditional women’s roles that they continued their masquerade well after 1865. The authors describe how Yankee and Rebel women soldiers eluded detection, some for many years, and even merited promotion. Their comrades often did not discover the deception until the “young boy” in their company was wounded, killed, or gave birth. In addition to examining the details of everyday military life and the harsh challenges of -warfare for these women—which included injury, capture, and imprisonment—Blanton and Cook discuss the female warrior as an icon in nineteenth-century popular culture and why twentieth-century historians and society ignored women soldiers’ contributions. Shattering the negative assumptions long held about Civil War distaff soldiers, this sophisticated and dynamic work sheds much-needed light on an unusual and overlooked facet of the Civil War experience.

Drawing on a wealth of regimental histories, newspaper archives, and a host of previously unreported accounts, Hall shows that women served in more capacities and in greater number-perhaps several thousand-than has previously been known. They served in the infantry, cavalry, and artillery and as spies, scouts, saboteurs, smugglers, and frontline nurses. From all walks of life, they followed husbands and lovers into battle, often in male disguise that remained undiscovered until they were wounded (or gave birth), and endured the same hardships and dangers as did their male counterparts.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

This volume explores the lives and works of nine Northern women who wrote during the Civil War period, examining the ways in which, through their writing, they engaged in the national debates of the time. Lyde Sizer shows that from the 1850 publication of Uncle Tom's Cabin through Reconstruction, these women, as well as a larger mosaic of lesser-known writers, used their mainstream writings publicly to make sense of war, womanhood, Union, slavery, republicanism, heroism, and death. Among the authors discussed are Lydia Maria Child, Harriet Beecher Stowe, Sara Willis Parton (Fanny Fern), Frances Ellen Watkins Harper, Mrs. E. D. E. N. Southworth, Mary Abigail Dodge (Gail Hamilton), Louisa May Alcott, Rebecca Harding Davis, and Elizabeth Stuart Phelps. Although direct political or partisan power was denied to women, these writers actively participated in discussions of national issues through their sentimental novels, short stories, essays, poetry, and letters to the editor. Sizer pays close attention to how these mostly middle-class women attempted to create a "rhetoric of unity," giving common purpose to women despite differences in class, race, and politics. This theme of unity was ultimately deployed to establish a white middle-class standard of womanhood, meant to exclude as well as include.

These women took action in many ways: disguised as soldiers, working as field medics, as spies risking death to secure or pass along information, and more. Contextualizing sidebars and Civil War history are woven seamlessly throughout, giving students a clear overview of the war in addition to the spotlight on often overlooked women's roles. Also included are numerous historic photos, source notes, and a bibliography, making this an invaluable resource for any student's or history buff's bookshelf.