Claiming The City In South African Literature

This book demonstrates the insights that literature brings to transdisciplinary urban studies, and particularly to the study of cities of the South. Starting from the claim staked by mining capital in the late nineteenth century and its production of extractive and segregated cities, it surveys over a century of writing in search of counterclaims through which the literature reimagines the city as a place of assembly and attachment. Focusing on how the South African city has been designed to funnel gold into the global economy and to service an enclaved minority, the study looks to the literary city to advance a contrary emphasis on community, conviviality and care. An accessible and informative introduction to literature of the South African city at significant historical junctures, this book will also be of great interest to scholars and students in urban studies and Global South studies.

This award-winning collection of essays about culture and identity was written from the perspective of post-apartheid South Africa. Voted best special issue of 2001 by the Council of Editors of Learned Journal.

This book addresses the way cities have given rise to key aesthetic dispositions that are central to debates in World Literature.

Located within the field of environmental humanities, this volume engages with one of the most pressing contemporary environmental challenges of our time: how can we shift our understanding and realign what water means to us? Water is increasingly at the centre of scientific and public debates about climate change. In these debates, rising sea levels compete against desertification; hurricanes and floods follow periods of prolonged drought. As we continue to pollute, canalise and desalinate waters, the ambiguous nature of our relationship with these entities becomes visible. From the paradisiac and pristine scenery of holiday postcards through to the devastated landscapes of post-tsunami news reports, images of waters surround us. And while we continue to damage what most sustains us, collective precarity grows. Breaking down disciplinary boundaries, with contributions from scholars in the visual arts, history, earth systems, anthropology, architecture, literature and creative writing, archaeology and music, this edited collection creates space for less-prominent perspectives, with many authors coming from female, Indigenous and LGBTQIA+ contexts. Combining established and emerging voices, and practice-led research and critical scholarship, the book explores water across its scientific, symbolic, material, imaginary, practical and aesthetic dimensions. It examines and interrogates our cultural construction and representation of water and, through original research and theory, suggests ways in which we can reframe the dialogue to create a better relationship with water sources in diverse contexts and geographies. This expansive book brings together key emerging scholarship on water persona and agency and would be an ideal supplementary text for discussions on the blue humanities, climate change, environmental anthropology and environmental history.

This book looks at contemporary autobiographical works by writers with African backgrounds in relation to the idea of ‘place’. It examines eight authors’ works – Helen Cooper’s The House at Sugar Beach, Sisonke Msimang’s Always Another Country, Leila Ahmed’s A Border Passage, Noo Saro-Wiwa’s Looking for Transwonderland, Douglas Rogers’s The Last Resort, Elamin Abdelmahmoud’s Son of Elsewhere, Clemantine Wamariya and Elizabeth Weil’s The Girl Who Smiled Beads and Aminatta Forna’s autobiographical writing – to argue that place is particularly central to personal narrative in texts whose authors have migrated multiple times. Spanning Liberia, Nigeria, Sierra Leone, Egypt, Rwanda, Zambia, and Zimbabwe, this book interrogates the label ‘African’ writing which has been criticized for ignoring local contexts. It demonstrates how in their works these writers seek to reconnect with a bygone ‘Africa’, often after complex experiences of political upheavals and personal loss. The chapters also provide in-depth analyses of key concepts related to place and autobiography: place and privilege, place and trauma, and the relationship between place and nation.

Until now there has been no single text that brings together the material that reveals the unfolding geography of Johannesburg, South Africa. This books describes the history of the city from its days as a mining camp to its position of premier metropolis in Africa. The present geography of Johannesburg, and the problems and dysfunctions that is hat exhibited at various stages in its history since 1886, cannot be understood without a firm grasp of what has evolved of the past 120 years.

Apartheid and Beyond offers trenchant, historically sensitive readings of writings by Coetzee, Gordimer, Fugard, Tlali, Dike, Magona, and Mda, focusing on the intimate relationship between place, subjectivity, and literary form. It also explores the way apartheid functioned in its day-to-day operations as a geographical system of control, exerting its power through such spatial mechanisms as residential segregation, bantustans, passes, and prisons. Throughout the study, Rita Barnard provides historical context by highlighting key events such as colonial occupation, the creation of black townships, migration, forced removals, the emergence of informal settlements, and the gradual integration of white cities. Apartheid and Beyond is both an innovative account of an important body of politically inflected literature and an imaginative reflection on the socio-spatial aspects of the transition from apartheid to democracy.