Class Joyride

One of three thrilling companion novels, set in the universe of the new Doctor Who spin-off show, Class, created by #1 New York Times bestselling novelist Patrick Ness, author of The Rest of Us Just Live Here and the Carnegie Medal-winning A Monster Calls. Young people across the city are acting crazy. But they aren’t the ones in control… Poppy is a quiet girl, right up until she steals a car and drives it through a shop window. Max is a nice guy, but then he kills his whole family. Just for fun. Amar always seems so happy, so why is he trying to jump to his death from the school roof? No one can figure out why teenagers are behaving so strangely—and dangerously. Stories of impossible car accidents, random attacks, even cold blooded murder make Miss Quill’s class sit up and take notice. Kids are going berserk, and some of them are even dying. Then Ram wakes up in a body he doesn’t recognize, and if he doesn’t figure out why, he may well be next.

“Lahr creates a book worthy of its title: It is a living celebration of theater itself.”—Caryn James, New York Times Book Review Joy Ride throws open the stage door and introduces readers to such makers of contemporary drama as Arthur Miller, Tony Kushner, Wallace Shawn, Harold Pinter, David Rabe, David Mamet, Mike Nichols, and August Wilson. Lahr takes us to the cabin in the woods that Arthur Miller built in order to write Death of a Salesman; we walk with August Wilson through the Pittsburgh ghetto where we encounter the inspiration for his great cycle; we sit with Ingmar Bergman at the Kunglinga Theatre in Stockholm, where he attended his first play; we visit with Harold Pinter at his London home and learn the source of the feisty David Mamet’s legendary ear for dialogue. In its juxtaposition of biographical detail and critical analysis, Joy Ride explores with insight and panache not only the lives of the theatricals but the liveliness of the stage worlds they have created.

Presents instructions for creating Android applications for mobile devices using Java.

The book analyzes American literature about middle or upper class characters who voluntarily descend the class ranks to experience vital contact by living or associating, temporarily, with the poor. The motivations of these characters--and historical figures such as John Reed and Walter Wyckoff--range from straightforward bohemian slumming among the exotics to more complex and psychologically wrought investigations of cross-class empathy. The study begins by charting downclasing processes in works of canonical nineteenth-century authors, including Melville, Hawthorne, James, Howells and Jewett. It then undertakes an original analysis of John Reed's involvement with the 1913 Paterson silk workers' strike as a context for understanding Ernest Poole's (now forgotten, but then best-selling) fictionalization of the strike in his novel, The Harbor . In other richly historicized chapters, it analyzes distillations of class radicalism in several works by Upton Sinclair, in the early drama of Eugene O'Neill, and in feminist novels of the 1910s by Elia Peattie and Clara Laughlin. The concluding chapter looks at sophisticated treatments of vital contact in fiction of the 1930s by Dos Passos, Steinbeck and Richard Wright. The book provides Americanists with important new ways of thinking about various forms of class identification as they developed in the nineteenth and early twentieth centuries.

Who says opposites don't attract? It's been several years since Carly Vega's parents were deported. Carly lives with her older brother, studies hard, and works the graveyard shift at a convenience store to earn enough to bring her parents back from Mexico. Arden Moss used to be the star quarterback at school. He used to date popular blondes and have fun pranking with his older sister. But now all that's changed, and Arden needs a new accomplice. Especially one his father, the town sheriff, will disapprove. All Carly wants, at first, is to stay under the radar and do what her family expects. All Arden wants is to not do what his family expects. When their paths cross, they each realize they've been living according to the wishes of others. Carly and Arden's journey toward their true hearts - and one another-- is funny, romantic, and sometimes harsh. Just like real life.

"Joy Ride! The Stars and Stories of Philly’s Famous Uptown Theater" is the exclusive, behind-the-scenes, inside story of iconic disc jockey Georgie Woods" spectacular R&B shows at Philadelphia’s Uptown Theater, and how the controlled creative chaos at the majestic movie house inspired "The Philly Sound." Told by the people who actually lived it, "Joy Ride!" is the fi rst comprehensive history on the Uptown, which was once a mandatory stop on the legendary "chitlin' circuit." It features the intimate, amusing, outrageous and sometimes scandalous stories of dozens of decorated entertainers, including 11 Rock and Roll Hall of Famers. All agree that like Georgie Woods' soulful theme song that opened his R&B extravaganzas, every show at the Uptown Theater was a "Joy Ride!"

Scott wakes one morning to find he no longer has the family he thought he had. And no one understands. Except Jason. This is Scott's story of the year and events that changed him forever.