Classics Romantics Moderns

Drawing from the works of influential figures in art and literature, the author traces the development of romanticism from classicism and the emergence of the modern ego.

Winner of the 2010 Guardian First Book Award: a groundbreaking reassessment of English cultural life in the thirties and forties. In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops. Alexandra Harris tells a different story: eclectically, passionately, wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern” need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest. A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen, and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.

While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-award-winning book, Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that the modern need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus émigré, László Moholy-Nagy, was beguiled into taking photographs for Betjemans nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.

Examining Romanticism's pan-European circulation of people, ideas, and texts, this history re-analyses the period and Britain's place in it.

This 2002 volume offers translations of major works of classic and romantic German aesthetics.

(Faber Piano Adventures ). Consists of carefully selected repertoire from the Baroque, Classical, Romantic, and Modern periods. Contents: KRIEGER: Minuet in A minor * DUNCOMBE: Fanfare in C Major * LULLY: Minuet in D minor * ANNA MAGDALENA BACH NOTEBOOK: Musette in D Major * Minuet in G Major * Minuet in G minor (PETZOLD) * March in D Major (C.P.E. BACH) * J.C. BACH: Solfeggio in D Major * GOSSEC: Tambourin * HASLINGER: Sonatina in C Major * HAYDN: German Dance in D Major * Minuet in G Major * Allegro in F Major * CLEMENTI: Sonatina in C Major, Op. 36, No. 1 * DIABELLI: Sonatina in G Major, 1st Movement, Op. 168, No. 2 * Rondo for Four Hands, Op. 163, No. 6 * BEETHOVEN: Two German Dances * LEOPOLD MOZART: Allegro in A Major * GURLITT: A Little Flower * BURGMULLER: Arabesque, Op. 100, No. 2 * Ballade, Op. 100, No. 15 * Harmony of the Angels, Op. 100, No. 21 * SCHUMANN: Wild Rider, Op. 68, No. 8 * Melody, Op. 68, No. 1 * ELLMENREICH: Spinning Song, Op. 14, No. 4 * HELLER: Avalanche, Op. 45, No. 2 * REINECKE: Gavotte, Op. 183, No. 1 * REBIKOV: Chinese Figurine * Playing Soldiers, OP. 31, No. 4 * FABER: The Moons of Jupiter * MCKAY: Song of the Range Rider * Cowboy Song * JACOBY: Sonatina