Coco Through The Looking Glass

Coco is a vivacious and enthusiastic romantic on a determined search for the one true love of her life. At about two times the age of a regular princess (or even more), she fearlessly pursues her fairy-tale ending by embracing the paradoxes and age-defying opportunities offered by the modern age. Bolstered by the notions that fifty is the new forty and divorced is the new single, she ventures into the medium of the internet, a space where all things old are excitingly renewed to search for the one. The fairyland of online dating proves to be populated by characters very much akin to those found in fairy tales of old. There are some trolls and other downright dastardly types and others of beastly appearance who turn out to be kindly. There are also some wily witches who try to trap and ensnare. Fortunately, the fairy godmothers (BFFs) mentored Coco through the Black Forest. So will she find the dashing Prince Charming and live happily ever after? Read on and see!

In Intercultural Mirrors: Dynamic Reconstruction of Identity, the authors suggest that the view of us held by culturally different people provides an essential key to self-understanding and identity remodelling. The book aims at analysing intercultural experiences on a deeper level.

“Beautifully written and refreshingly original . . . makes us see [Paris] in a different light.”—San Francisco Chronicle Book Review Swapping his native San Francisco for the City of Light, travel writer David Downie arrived in Paris in 1986 on a one-way ticket, his head full of romantic notions. Curiosity and the legs of a cross-country runner propelled him daily from an unheated, seventh-floor walk-up garret near the Champs-Elysées to the old Montmartre haunts of the doomed painter Modigliani, the tombs of Père-Lachaise cemetery, the luxuriant alleys of the Luxembourg Gardens and the aristocratic Île Saint-Louis midstream in the Seine. Downie wound up living in the chic Marais district, married to the Paris-born American photographer Alison Harris, an equally incurable walker and chronicler. Ten books and a quarter-century later, he still spends several hours every day rambling through Paris, and writing about the city he loves. An irreverent, witty romp featuring thirty-one short prose sketches of people, places and daily life, Paris, Paris: Journey into the City of Light ranges from the glamorous to the least-known corners and characters of the world’s favorite city. Photographs by Alison Harris. Praise for Paris, Paris “I loved his collection of essays and anyone who’s visited Paris in the past, or plans to visit in the future, will be equally charmed as well.”—David Lebovitz, author of The Sweet Life in Paris “[A] quirky, personal, independent view of the city, its history and its people”—Mavis Gallant “Gives fresh poetic insight into the city . . . a voyage into ‘the bends and recesses, the jagged edges, the secret interiors’ [of Paris].”—Departures

First published in 1865, Alice’s Adventures in Wonderland began as a story told to Alice Liddell and her two sisters on a boating trip in July 1862. The novel follows Alice down a rabbit-hole and into a world of strange and wonderful characters who constantly turn everything upside down with their mind-boggling logic, word play, and fantastic parodies. The sequel, Through the Looking-Glass and What Alice Found There, was published in 1871, and was both a popular success and appreciated by critics for its wit and philosophical sophistication. Along with both novels and the original Tenniel illustrations, this edition includes Carroll’s earlier story Alice’s Adventures Under Ground. Appendices include Carroll’s photographs of the Liddell sisters, materials on film and television adaptations, selections from other “looking-glass” books for children, and “The Wasp in a Wig,” an originally deleted section of Through the Looking-Glass.

Accompanies BBC TV series of same title, first broadcast in November 1989.

NATIONAL BESTSELLER Certain lives are at once so exceptional, and yet so in step with their historical moments, that they illuminate cultural forces far beyond the scope of a single person. Such is the case with Coco Chanel, whose life offers one of the most fascinating tales of the twentieth century—throwing into dramatic relief an era of war, fashion, ardent nationalism, and earth-shaking change—here brilliantly treated, for the first time, with wide-ranging and incisive historical scrutiny. Coco Chanel transformed forever the way women dressed. Her influence remains so pervasive that to this day we can see her afterimage a dozen times while just walking down a single street: in all the little black dresses, flat shoes, costume jewelry, cardigan sweaters, and tortoiseshell eyeglasses on women of every age and background. A bottle of Chanel No. 5 perfume is sold every three seconds. Arguably, no other individual has had a deeper impact on the visual aesthetic of the world. But how did a poor orphan become a global icon of both luxury and everyday style? How did she develop such vast, undying influence? And what does our ongoing love of all things Chanel tell us about ourselves? These are the mysteries that Rhonda K. Garelick unravels in Mademoiselle. Raised in rural poverty and orphaned early, the young Chanel supported herself as best she could. Then, as an uneducated nineteen-year-old café singer, she attracted the attention of a wealthy and powerful admirer and parlayed his support into her own hat design business. For the rest of Chanel’s life, the professional, personal, and political were interwoven; her lovers included diplomat Boy Capel; composer Igor Stravinsky; Romanov heir Grand Duke Dmitri; Hugh Grosvenor, the Duke of Westminster; poet Pierre Reverdy; a Nazi officer; and several women as well. For all that, she was profoundly alone, her romantic life relentlessly plagued by abandonment and tragedy. Chanel’s ambitions and accomplishments were unparalleled. Her hat shop evolved into a clothing empire. She became a noted theatrical and film costume designer, collaborating with the likes of Pablo Picasso, Jean Cocteau, and Luchino Visconti. The genius of Coco Chanel, Garelick shows, lay in the way she absorbed the zeitgeist, reflecting it back to the world in her designs and in what Garelick calls “wearable personality”—the irresistible and contagious style infused with both world history and Chanel’s nearly unbelievable life saga. By age forty, Chanel had become a multimillionaire and a household name, and her Chanel Corporation is still the highest-earning privately owned luxury goods manufacturer in the world. In Mademoiselle, Garelick delivers the most probing, well-researched, and insightful biography to date on this seemingly familiar but endlessly surprising figure—a work that is truly both a heady intellectual study and a literary page-turner. Praise for Mademoiselle “A detailed, wry and nuanced portrait of a complicated woman that leaves the reader in a state of utterly satisfying confusion—blissfully mesmerized and confounded by the reality of the human spirit.”—The Washington Post “Writing an exhaustive biography of Chanel is a challenge comparable to racing a four-horse chariot. . . . This makes the assured confidence with which Garelick tells her story all the more remarkable.”—The New York Review of Books “Broadly focused and beautifully written.”—The Wall Street Journal

Papers presented at a two day national seminar on "Globalization : a challenge to educational management."

A young widow, Alice Aron arrives on a Mediterranean island with her two young sons to visit her husband's birthplace. The place is sun-drenched and barren, its people poor, subdued by corruption, longing for independence that will not come, regarding everyone with suspicion and resentment. This is no island paradise. Within hours Alice's seven year old, Sam has disappeared. No-one admits to knowing anything. The authorities are inert and impotent, except for the unpopular detective Antoine Stuart, whose main drive to find the child seems to be his obsessive desire to nail the criminal Coco Santini, a man who is a model of violence and intimidation but against whom there is not a shred of evidence.Rumours spread that The Movement, idealistic freedom fighters turned amoral racketeers, are responsible for the abduction; or maybe Italian gangsters. In a small place ruled by ancient enmities hiding a child can be dangerous. Someone will test a loyalty too far. Lost is a riveting, tense thriller peopled with unforgettable characters in a place that comes to life before us.