Codex Seraphinianus

From the intriguing mind behind Codex Seraphinianus comes this beautifully illustrated tribute to the famed Neapolitan character Pulcinella (or "Punch" as he is referred to in English). This short monograph on Pulcinella is conceived as a extension of the Codex Seraphinianus, an encyclopedia filled with variations and fantasies on a theme. Pulcinellopaedia Seraphiniana contains over one hundred extraordinary graphite illustrations with scarlet accents, some of which are depicted in comic-strip style. Conceived as a musical Suite, it is divided into nine scenes with an intermission. It features the oddly surreal and globally recognized character, whose origins have been lost in the mists of the time. An ancestor of Pulcinella was certainly Maccus, the protagonist of the Atellanae Fabulae, very popular farces in ancient Rome, but it was in the early seventeenth-century that the character assumed the name and costume that we all know. Distinguished by a long nose and typically dressed in white with a black mask, Pulcinella is often depicted in various kinds of misadventures and singing about love, hunger, and money. As he famously did in the Codex, Luigi Serafini, has created Pulcinellopaedia Seraphiniana in a unique language all its own, and has filled it with fascinating and mysterious illustrations that will no doubt prompt devotees to obsessively try to decipher the artist’s intention. Written by Serafini’s imaginative coauthor and alter ego "P. Cetrulo," who represents Pulcinella himself, the book artfully presents the struggles of a rebellious antihero who must come to grips with the challenges of everyday life. Originally, a book about Pulcinella and his world appeared in 1984, after Serafini’s involvement with the 1982 Carnival of Venice, the first revival of the famous festivity after two centuries of silence. Now more than three decades later, this new edition has been extensively revised and includes a new afterword by the author. Like its predecessor, the original edition became immensely sought after and highly valuable, fetching more than one thousand dollars if book collectors were lucky enough to get their hands on a copy. All fans of Serafini’s work will treasure this volume. Rizzoli will also publish a deluxe limited edition with a signed and numbered print.

A delightful variation on the long tradition of bestiary writing, Jules Renard's short verse and prose poems have captured the imagination of readers and artists since they were originally written in 1894, with Ravel famously setting five of them to music. Presented in a new version by acclaimed translator Richard Stokes, this sumptuously produced volume will captivate and enchant new generations of readers the world over.

A facsimile of an object of unknown authorship that has been the source of study and speculation for centuries and remains undecipherable to this day.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BUZZFEED • A stunning epic that is at once a new vision of science fiction and a deeply moving love story, from the award-winning author of Redemption in Indigo “An engrossing picaresque quest, a love story, and a moving character study . . . [Karen] Lord is on a par with Ursula K. Le Guin.”—The Guardian A proud and reserved alien society finds its homeland destroyed in an unprovoked act of aggression, leaving the survivors no choice but to reach out to the indigenous humanoids of their adopted world, to whom they are distantly related. They wish to preserve their cherished way of life but discover that to protect their culture, they may have to change it forever. Now a man and a woman from opposite sides of these clashing societies must work together to save this vanishing race—and end up uncovering ancient mysteries with far-reaching ramifications. As their mission hangs in the balance, these unlikely partners—one cool and cerebral, the other fiery and impulsive—may find in each other their own destinies . . . and a force that transcends all. Includes two bonus short stories “[A] fascinating and thoughtful science fiction novel that examines] adaptation, social change, and human relationships. I’ve not read anything quite like it, which makes it that rare beast: a true original.”—Kate Elliott, author of the Crown of Stars series and The Spiritwalker Trilogy “Reads like smooth jazz comfort food, deceptively familiar and easy going down, but subtly subversive.”—Nalo Hopkinson, Los Angeles Review of Books “If you want to see science fiction doing something new and fascinating . . . then you shouldn’t sleep on The Best of All Possible Worlds.”—io9 “Rewarding science fiction for emotional grown-ups.”—Mysterious Galaxy “[A] marvelously formed universe.”—The A.V. Club “A rewarding, touching and often funny exploration of the forms and functions of human culture.”—SFX “The Best of All Possible Worlds . . . poses an interesting question: What parts of you do you fight to preserve when everything you know suddenly changes?”—Associated Press

Mark Rothko’s classic book on artistic practice, ideals, and philosophy, now with an expanded introduction and an afterword by Makoto Fujimura Stored in a New York City warehouse for many years after the artist’s death, this extraordinary manuscript by Mark Rothko (1903–1970) was published to great acclaim in 2004. Probably written in 1940 or 1941, it contains Rothko’s ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of “American art,” and much more. In his introduction, illustrated with examples of Rothko’s work and pages from the manuscript, the artist’s son, Christopher Rothko, describes the discovery of the manuscript and the fascinating process of its initial publication. This edition includes discussion of Rothko’s “Scribble Book” (1932), his notes on teaching art to children, which has received renewed scholarly attention in recent years and provides clues to the genesis of Rothko’s thinking on pedagogy. In an afterword written for this edition, artist and author Makoto Fujimura reflects on how Rothko’s writings offer a “lifeboat” for “art world refugees” and a model for upholding artistic ideals. He considers the transcendent capacity of Rothko’s paintings to express pure ideas and the significance of the decade-long gap between The Artist’s Reality and Rothko’s mature paintings, during which the horrors of the Holocaust and the atomic bomb were unleashed upon the world.

This ebook is the complete reproduction of the preserved Voynich Manuscript, formatted for high resolution color ebook reader displays. The Voynich manuscript, also known as "the world's most mysterious manuscript", is a work which dates to the early 15th century, possibly from northern Italy. It is named after the book dealer Wilfrid Voynich, who purchased it in 1912. Much of the manuscript resembles herbal manuscripts of the time period, seeming to present illustrations and information about plants and their possible uses for medical purposes. However, most of the plants do not match known species, and the manuscript's script and language remain unknown and unreadable. Possibly some form of encrypted ciphertext, the Voynich manuscript has been studied by many professional and amateur cryptographers, including American and British codebreakers from both World War I and World War II. As yet, it has defied all decipherment attempts, becoming a cause célèbre of historical cryptology. The mystery surrounding it has excited the popular imagination, making the manuscript a subject of both fanciful theories and novels. None of the many speculative solutions proposed over the last hundred years has yet been independently verified. Illustrations: The illustrations of the manuscript shed little light on the precise nature of its text but imply that the book consists of six "sections", with different styles and subject matter. Except for the last section, which contains only text, almost every page contains at least one illustration. Following are the sections and their conventional names: Herbal: Each page displays one plant (sometimes two) and a few paragraphs of text—a format typical of European herbals of the time. Some parts of these drawings are larger and cleaner copies of sketches seen in the "pharmaceutical" section. None of the plants depicted is unambiguously identifiable. Astronomical: Contains circular diagrams, some of them with suns, moons, and stars, suggestive of astronomy or astrology. One series of 12 diagrams depicts conventional symbols for the zodiacal constellations (two fish for Pisces, a bull for Taurus, a hunter with crossbow for Sagittarius, etc.). Each of these has 30 female figures arranged in two or more concentric bands. Most of the females are at least partly naked, and each holds what appears to be a labeled star or is shown with the star attached by what could be a tether or cord of some kind to either arm. The last two pages of this section (Aquarius and Capricornus, roughly January and February) were lost, while Aries and Taurus are split into four paired diagrams with 15 women and 15 stars each. Some of these diagrams are on fold-out pages. Biological: A dense continuous text interspersed with figures, mostly showing small naked women, some wearing crowns, bathing in pools or tubs connected by an elaborate network of pipes, some of them strongly reminiscent of body organs. Cosmological: More circular diagrams, but of an obscure nature. This section also has foldouts; one of them spans six pages and contains a map or diagram, with nine "islands" or "rosettes" connected by "causeways" and containing castles, as well as what may possibly be a volcano. Pharmaceutical: Many labeled drawings of isolated plant parts (roots, leaves, etc.); objects resembling apothecary jars, ranging in style from the mundane to the fantastical; and a few text paragraphs. Recipes: Many short paragraphs, each marked with a flower- or star-like "bullet".

''The Voynich Manuscript is the limit text of Western occultism. It is truly an occult book - one that no one can read.'' - Terence McKenna, ethnobotanist and mystic This complete edition of the Voynich Manuscript includes a fascinating and authoritative foreword and introduction by Dr Stephen Skinner, Dr Rafal Prinke and Dr RenÃ(c) Zandbergen, who together detail all that is currently known about this mysterious medieval manuscript, the only book in existence that has been written in this particular language and alphabet - a language that nobody can read. Drawing on their extensive knowledge of the period, of other esoteric and alchemical works and of the curious history of the Voynich, they explore its relation to magic and alchemy, and what may be guessed about the meaning of its beautiful illustrations. This information, together with the images themselves, invites readers to form their own interpretations of this most famous of enduring mysteries.The elegant design of this Watkins edition is a fitting showcase for the manuscript's strangely beautiful cryptographic script and otherworldly illustrations, which include astrological, astronomy, herbal medicine and enigmatic drawings of naked women bathing.

Just when one had started mourning the demise of avant-garde and postmodern fiction . . . here comes David Markson's latest 'novel' which is anything but a novel in any conventional sense of the term. Yet it manages to keep us enthralled . . . and even moved to tears at the end. And what a thrill it is to witness the performance, a real tour de force.''