Colin Mccahon

The Spirit of Colin McCahon provides a vivid historical contextualisation of New Zealand’s premier modern artist, clearly explaining his esoteric religious themes and symbols. Via a framework of visual rhetoric, this book explores the social factors that formed McCahon’s religious and environmental beliefs, and justifications as to why his audience often missed the intended point of spiritual his discourse – or chose to ignore it. The Spirit of Colin McCahon tracks the intricate process by which the artist’s body of work turned from optimism to misery, and explains the many communicative techniques he employed in order to arrest suspicion towards his Christian prophecy. More broadly, The Spirit of Colin McCahon outlines a model of analysis for the intersection of art and religion, and the place of images as rhetorical devices within Antipodean culture. The emerging field of religion and visual culture is important not only to students of New Zealand art history, but also to a growing field of appreciation for the communicative power of images. This book provides a helpful model for examining art and literature as social and religious tools, and advances the importance of visual rhetoric within studies of art and social expression.

The first of an extraordinary two-volume work chronicling forty-five years of painting by New Zealand's most important artist, Colin McCahon.Colin McCahon (1919&–1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings and abstraction, the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years.In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer and curator Peter Simpson chronicles the evolution of McCahon's work over the artist's entire forty-five-year career.Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles and other illustrative material.This will be the definitive work on New Zealand's leading artist for many years to come.

The second of an extraordinary two-volume work chronicling forty-five years of painting by our most important artist, Colin McCahon. Colin McCahon (1919–1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings, abstraction, and the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer, and curator Dr Peter Simpson chronicles the evolution of the artist's work over McCahon's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons, and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three-hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles, and other illustrative material. These books will be the definitive work on New Zealand's leading artist for many years to come.

The second of an extraordinary two-volume work chronicling forty-five years of painting by our most important artist, Colin McCahon. Colin McCahon (1919-1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings, abstraction, and the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer, and curator Dr Peter Simpson chronicles the evolution of the artist's work over McCahon's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons, and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three-hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles, and other illustrative material. These books will be the definitive work on New Zealand's leading artist for many years to come.

In August 2002 the Stedelijk Museum of Art in Amsterdam opened a major travelling exhibition of Colin McCahon's most important paintings, those that deal with the main concerns of the artist; his questioning of faith and his exploration of the landscape. This book has been prepared to accompany the exhibition. book has a detailed chronology of McCahon's life and career, and a comprehensive bibliography on the artist.

In this work of creative non-fiction, Martin Edmond illuminates the life and work of Colin McCahon and his own relationship with the art and the man. Edmond explores key issues for both author and subjectthe attractions of the bottle, the role of faith and religion, the illuminating power of the imagination, the hold of family relationships.

Presenting viewers with new insight into the meanings of Colin McCahon’s paintings, this biography traces the artist’s life and work, from his student days at King Edward Technical College in Dunedin through learning from Toss Woollaston and on to his adult life working at the Auckland Art Gallery and Elam School of Fine Art. Analyzing key aspects of the paintings—the role of the bible, the idea of the promised land, and the use of words and numbers—this consideration provides a fresh understanding of the subject, exploring his various studios, his involvement with the theater, and his life at home. Penned by a trusted friend, this narrative draws on a personal relationship and on many years of discussion on the relevance of McCahon's creations, offering a vivid new portrait of New Zealand’s most distinguished artist.