Collected Verse

Reproduction of the original.

Poems of home, street, love and the the wonders of life.

"... some of the best devotional verse the English language affords..." While the term "mystic" may have connotations that reach beyond traditional Christian thinking, it actually refers to a common spiritual experience that unites anyone who has fellowship with God. The poems in this book were hand-picked by Tozer and follow a logical pattern, going in line with the very nature of salvation itself and the death of Jesus on the cross, man's contemplation of his own sin, redemption, communion with God, awaiting the return of Christ, and celebrations of eternal fellowship with God in Heaven. Both intimate and exhilarating, The Christian Book of Mystical Verse is a book for anyone who seeks to worship God the Father, and who finds the rich language of Christians of old a great help in that endeavor.

The prose writings of Charles Olson (1910–1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse. The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael, a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Editors Donald Allen and Benjamin Friedlander offer helpful annotations throughout, and poet Robert Creeley, who enjoyed a long and mutually influential relationship with Olson, provides the book's introduction.