Collected Works Of Paul Valery Volume 11

This collection of Valéry's occasional pieces—speeches, interviews, articles—shows him very much as the public figure, the first in demand when an "occasion" needed a prominent person. Included are his speech before the French Academy on his reception into that body; his address welcoming Marshal Petain to membership in the French Academy; a witty and appealing commencement address to the young ladies of a private school; memorial addresses honoring Emile Verhaeren and Henri Bremond; an article on the "Future of Literature," and an incisive piece on the eponymous heroine of Racine's Phèdre. Because Valéry spoke on many current educational and social problems in France, Occasions will be of considerable interest to students of modern European history as well as to those concerned with French literature and drama. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Valéry's essays on Leonardo, Poe, Mallarmé, and with these the "Teste Cycle," were that part of his work most central to his thought. The extensive selection included from his Notebooks is evidence of his enduring interest in these figures. The essays are, in fact, the only work with marginal glosses, Valéry's notations showing how he went back, amending and amplifying his original ideas. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is an informal collection of essays and speeches on the writers who in one way or another counted for Valéry in the shaping of his mind or in his affections and interests: Descartes, Voltaire, Stendhal, Goethe, Villon, Nietzsche, Pascal, Proust, Huysmans, Pierre Louÿs, Nerval, Rilke, Bergson, and others. The volume presents, in an appendix, the first publication in English of any extensive selection from Valéry's personal notebooks--the Cahiers. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Includes some of Valéry's finest strokes of imagination, Broken Stories; some of his wittiest observations, Mixtures, Poems in the Rough; and even two of his great poems, Parables and The Angel—all written in the form of prose. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"As a cultural history of post-Enlightenment Europe, this is an important book. As a teacher of culture courses, I know there is little available that is even close in terms of excitement, breadth, and innovation."--Russell A. Berman, Stanford University "As a cultural history of post-Enlightenment Europe, this is an important book. As a teacher of culture courses, I know there is little available that is even close in terms of excitement, breadth, and innovation."--Russell A. Berman, Stanford University

Every 3rd issue is a quarterly cumulation.

Our lives are saturated by color. We live in a world of vivid colors, and color marks our psychological and social existence. But for all color’s inescapability, we don’t know much about it. Now authors David Scott Kastan and Stephen Farthing offer a fresh and imaginative exploration of one of the most intriguing and least understood aspects of everyday experience. Kastan and Farthing, a scholar and a painter, respectively, investigate color from numerous perspectives: literary, historical, cultural, anthropological, philosophical, art historical, political, and scientific. In ten lively and wide-ranging chapters, each devoted to a different color, they examine the various ways colors have shaped and continue to shape our social and moral imaginations. Each individual color becomes the focal point for a consideration of one of the extraordinary ways in which color appears and matters in our lives. Beautifully produced in full color, this book is a remarkably smart, entertaining, and fascinating guide to this elusive topic.

We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects—such as one’s own body—situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists. Peter Schwenger deftly weaves together philosophical and psychoanalytical theory with artistic practice. Concerned in part with the act of collecting, The Tears of Things is itself a collection of exemplary art objects—literary and cultural attempts to control and possess things—including paintings by Georgia O’Keeffe and René Magritte; sculpture by Louise Bourgeois and Marcel Duchamp; Joseph Cornell’s boxes; Edward Gorey’s graphic art; fiction by Virginia Woolf, Georges Perec, and Louise Erdrich; the hallucinatory encyclopedias of Jorge Luis Borges and Luigi Serafini; and the corpse photographs of Joel Peter Witkin. However, these representations of objects perpetually fall short of our aspirations. Schwenger examines what is left over—debris and waste—and asks what art can make of these. What emerges is not an art that reassembles but one that questions what it means to assemble in the first place. Contained in this catalog of waste is that ultimate still life, the cadaver, where the subject-object dichotomy receives its final ironic reconciliation. Peter Schwenger is professor of English at Mount St. Vincent University in Halifax, Nova Scotia. He is the author of Fantasm and Fiction: On Textual Envisioning, Letter Bomb: Nuclear Holocaust and the Exploding Word, and Phallic Critiques: Masculinity and Twentieth-Century Literature.