Colonial Mixed Blood

COLONIAL MIXED BLOOD The navies built by the Arabs and King Solomon plied the oceans long ago. The Portuguese, Dutch, and British followed suit, and eventually the oceans were mastered. The colonial age came into being and brought with it increased movements of people and the mixing of genes. In Colonial Mixed Blood, author Allan Russell Juriansz, who was born in Sri Lanka, provides an account of this occurrence with reference to the Portuguese, Dutch, and British who colonized Sri Lanka for the period of the past five hundred years. The story begins in Riga, Latvia, in the late 1400s and centres on the Ondatjes and the Juriansz clan, their love story, their immersion in Christianity, and their struggles to survive the forces of colonialism and find happiness. A blend of history and fiction, Colonial Mixed Blood provides a background of the religious forces at work during this time in Europe and outlines the genealogy and life experiences of Juriansz’s family as part of the colonial activity of the Dutch East India Company in Sri Lanka. They inherited an adventurous spirit from their first Dutch ancestors, and this spirit inspired their diaspora. But it was one hundred and fifty years of intense British influence that transformed them into loyal British subjects.

On the southern frontier in the eighteenth and early nineteenth centuries, European men--including traders, soldiers, and government agents--sometimes married Native women. Children of these unions were known by whites as "half-breeds." The Indian societies into which they were born, however, had no corresponding concepts of race or "blood." Moreover, counter to European customs and laws, Native lineage was traced through the mother only. No familial status or rights stemmed from the father. "Mixed Blood" Indians looks at a fascinating array of such birth- and kin-related issues as they were alternately misunderstood and astutely exploited by both Native and European cultures. Theda Perdue discusses the assimilation of non-Indians into Native societies, their descendants' participation in tribal life, and the white cultural assumptions conveyed in the designation "mixed blood." In addition to unions between European men and Native women, Perdue also considers the special cases arising from the presence of white women and African men and women in Indian society. From the colonial through the early national era, "mixed bloods" were often in the middle of struggles between white expansionism and Native cultural survival. That these "half-breeds" often resisted appeals to their "civilized" blood helped foster an enduring image of Natives as fickle allies of white politicians, missionaries, and entrepreneurs. "Mixed Blood" Indians rereads a number of early writings to show us the Native outlook on these misperceptions and to make clear that race is too simple a measure of their--or any peoples'--motives.

The history of race in North America is still often conceived of in black and white terms. In this book, A. B. Wilkinson complicates that history by investigating how people of mixed African, European, and Native American heritage—commonly referred to as "Mulattoes," "Mustees," and "mixed bloods"—were integral to the construction of colonial racial ideologies. Thousands of mixed-heritage people appear in the records of English colonies, largely in the Chesapeake, Carolinas, and Caribbean, and this book provides a clear and compelling picture of their lives before the advent of the so-called one-drop rule. Wilkinson explores the ways mixed-heritage people viewed themselves and explains how they—along with their African and Indigenous American forebears—resisted the formation of a rigid racial order and fought for freedom in seventeenth- and eighteenth-century societies shaped by colonial labor and legal systems. As contemporary U.S. society continues to grapple with institutional racism rooted in a settler colonial past, this book illuminates the earliest ideas of racial mixture in British America well before the founding of the United States.

A major reassessment of the development of race and subjecthood in the British Atlantic Focusing on Jamaica, Britain’s most valuable colony in the Americas by the mid-eighteenth century, Brooke Newman explores the relationship between racial classifications and the inherited rights and privileges associated with British subject status. Weaving together a diverse range of sources, she shows how colonial racial ideologies rooted in fictions of blood ancestry at once justified permanent, hereditary slavery for Africans and barred members of certain marginalized groups from laying claim to British liberties on the basis of hereditary status.

Mixed Race Amnesia is an ambitious and critical look at how multiraciality is experienced in the global north. Drawing on a series of interviews, acclaimed geographer Minelle Mahtani explores some of the assumptions and attitudes people have around multiraciality. She discovers that, in Canada at least, people of mixed race are often romanticized as being the embodiment of a post-racial future – an ideal that is supported by government policy and often internalized by people of mixed race. As Mahtani reveals, this superficial celebration of multiraciality is often done without any acknowledgment of the freight and legacy of historical racisms. Consequently, a strategic and collective amnesia is taking place – one where complex diasporic and family histories are being lost while colonial legacies are being reinforced. Mahtani argues that in response, a new anti-colonial approach to multiraciality is needed, and she equips her readers with the analytical tools to do this.

Mixed-blood urban Native peoples in Canada are profoundly affected by federal legislation that divides Aboriginal peoples into different legal categories. In this pathfinding book, Bonita Lawrence reveals the ways in which mixed-blood urban Natives understand their identities and struggle to survive in a world that, more often than not, fails to recognize them. In ?Real? Indians and Others Lawrence draws on the first-person accounts of thirty Toronto residents of Native heritage, as well as archival materials, sociological research, and her own urban Native heritage and experiences. She sheds light on the Canadian government?s efforts to define Native identity through the years by means of the Indian Act and shows how residential schooling, the loss of official Indian status, and adoption have affected Native identity. Lawrence looks at how Natives with ?Indian status? react and respond to ?nonstatus? Natives and how federally recognized Native peoples attempt to impose an identity on urban Natives. Drawing on her interviews with urban Natives, she describes the devastating loss of community that has resulted from identity legislation and how urban Native peoples have wrestled with their past and current identities. Lawrence also addresses the future and explores the forms of nation building that can reconcile the differences in experiences and distinct agendas of urban and reserve-based Native communities.

"Using archival records from the colonies where intermixture was most common in North America, and records from English colonies in the Caribbean, Wilkinson is able to follow the stories of those identified as 'mixed blood,' highlighting those people caught between monoracial categories. Wilkinson shows how the position of 'mixed people' complicated colonial systems of servitude and slavery, and that the struggle for freedom by people of blended ancestry and their families prevented colonial elites from firmly establishing a concrete socioracial order. He argues that there is a better framework than the one-drop rule for understanding early mixed-race ideologies in the English colonies. He uses the term hypodescent, indicating how a person of mixed ethnoracial ancestry is often associated with their socially inferior lineage, yet their legal or socioracial status may be elevated based on their proximity to European heritage or racial whiteness. This book combines intellectual, social, and cultural history to show how the complicated socioracial order in the colonies never fit neatly with a legal status of either bound or free"--

In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe "Indian Territory" that will contain and neutralize Indians. Countering this colonial "Territory" is what Owens defines as "Frontier," a dynamic, uncontainable, multi-directional space within which cultures meet and even merge. Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and D'Arcy McNickle to N. Scott Momaday, Leslie Silko, James Welch, and Gerald Vizenor. In his analysis of Indians in film he scrutinizes distortions of Indians as victims or vanishing Americans in a series of John Wayne movies and in the politically correct but false gestures of the more recent Dances With Wolves. As Owens moves through his personal landscape in Oklahoma, Mississippi, California, and New Mexico, he questions how human beings collectively can alter their disastrous relationship with the natural world before they destroy it. He challenges all of us to articulate, through literature and other means, messages of personal and environmental — as well as cultural—survival, and to explore and share these messages by writing and reading across cultural boundaries.