Color Form Light

Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.

Activities help students learn about light and colors.

"Light and Color" is a short, educative and entertaining course book about the world of light and color. It can be a quick start for art students who are interested in knowing more. What is color and who colors the world? Why is the sky blue? Why is fire yellow? What causes the intense color of sapphires and emeralds? What do diamonds and the rainbow have in common? Is there a connection between the colors of autumn and flamingo birds? These and many more questions are answered in this book which was written by a passionate physics teacher especially for high school students passionate about the arts. About the author: Constantin D. Cerbu has been a physics teacher for almost 30 years, passionate about education and teaching children and teenagers about the wonders of physics. This is his second published book, but the first one dedicated to his art school students and also to all people who are passionate about the wonders of light and colors.

Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and applies it to the make-up artist. This book is suitable for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. It explains why we see color, how to categorize and identify color, relationships between colors, and it relates these concepts to beauty and special effects make-up. The book teaches the reader how to mix flesh tones by using only primary colors, and explains how these colors in paints and make-up are sourced and created. It also discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick. Ideas and techniques are also described for painting prosthetics, in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications.

Meeting the need for a reliable publication on the topic and reflecting recent breakthroughs in the field, this is a comprehensive overview of color quality of solid-state light sources (LED-OLED and laser) and conventional lamps, providing academic researchers with an in-depth review of the current state while supporting lighting professionals in understanding, evaluating and optimizing illumination in their daily work.

From products we use to clothes we wear, and spaces we inhabit, we rely on colour to provide visual appeal, data codes and meaning. Color and Design addresses how we understand and experience colour, and through specific examples explores how colour is used in a spectrum of design-based disciplines including apparel design, graphic design, interior design, and product design. Through highly engaging contributions from a wide range of international scholars and practitioners, the book explores colour as an individual and cultural phenomenon, as a pragmatic device for communication, and as a valuable marketing tool. Color and Design provides a comprehensive overview for scholars and an accessible text for students on a range of courses within design, fashion, cultural studies, anthropology, sociology and visual and material culture. Its exploration of colour in marketing as well as design makes this book an invaluable resource for professional designers. It will also allow practitioners to understand how and why colour is so extensively varied and offers such enormous potential to communicate.