Color Your Own Cover Of Mrs George De Horne Vaizey S A College Girl Enhance A Beloved Classic Book And Create A Work Of Art

Color your very own version of A College Girl by Mrs. George de Horne Vaizey! Upon receiving an invitation to move in with an ailing aunt, Darsie's humdrum life is turned upside down. Darsie quickly becomes friends with an upper-crust family in town, leading to many crazy adventures. Upon learning her aunt has passed away, Darsie receives the financial aid she needs to attend college. An experience at school - and in love - changes her life. Darsie uses the newfound freedom to make her own decisions about her future. She is able to pursue her passions and make her own way in the world. In the end, Darsie's story proves that anything is possible with a bit of courage. As a part of art therapy, it has become widely recognized that coloring is an effective way to find inner balance and escape from hectic everyday life. Find your inner peace and balance while coloring beautiful complex shapes. Create an original design of one of your favorite classics! Key Features: ♥ Beautiful stress-relieving designs to color or paint on the first page of each chapter ♥ Front and back covers can be colored with multi-surface paint pens and/or markers ♥ Coloring supports relaxation and stress reduction and resembles soothing meditation ♥ Designed to bring some sunshine to your life, but also help you affect positive change ♥ A nice sized format (6" x 9") to carry, color and read Interested? Then look inside the book and convince yourself of our unique concept. **Multi-surface paint pens and/or markers are recommended for coloring the cover (matte material). You can use watercolor paint or color pencils for coloring the interior pages. As part of our mission to publish great works of literary fiction and nonfiction, Colour the Classics Publishing Corp. is extremely dedicated to bringing to the forefront the amazing works of long dead and truly talented authors.

As a developmental psychologist with a strong interest in children's re sponse to the physical environment, I take particular pleasure in writing a foreword to the present volume. It provides impressive evidence of the con cern that workers in environmental psychology and environmental design are displaying for the child as a user of the designed environment and indi cates a recognition of the need to apply theory and findings from develop mental and environmental psychology to the design of environments for children. This seems to me to mark a shift in focus and concern from the earlier days of the interaction between environmental designers and psy chologists that occurred some two decades ago and provided the impetus for the establishment of environmental psychology as a subdiscipline. Whether because children-though they are consumers of designed environments are not the architect's clients or because it seemed easier to work with adults who could be asked to make ratings of environmental spaces and comment on them at length, a focus on the child in interaction with en vironments was comparatively slow in developing in the field of environ ment and behavior. As the chapters of the present volume indicate, that situation is no longer true today, and this is a change that all concerned with the well-being and optimal functioning of children will welcome.

NATIONAL BESTSELLER • “In this highly opinionated and highly readable history, Kurlansky makes a case for why 1968 has lasting relevance in the United States and around the world.”—Dan Rather To some, 1968 was the year of sex, drugs, and rock and roll. Yet it was also the year of the Martin Luther King, Jr., and Bobby Kennedy assassinations; the riots at the Democratic National Convention in Chicago; Prague Spring; the antiwar movement and the Tet Offensive; Black Power; the generation gap; avant-garde theater; the upsurge of the women’s movement; and the beginning of the end for the Soviet Union. In this monumental book, Mark Kurlansky brings to teeming life the cultural and political history of that pivotal year, when television’s influence on global events first became apparent, and spontaneous uprisings occurred simultaneously around the world. Encompassing the diverse realms of youth and music, politics and war, economics and the media, 1968 shows how twelve volatile months transformed who we were as a people—and led us to where we are today.

This book brings together leading UK researchers in the field of arts and health, including creative arts therapies. The chapters are based on presentations originally given at a UK seminar series on scholarship and research on connections between the creative arts, health and wellbeing, funded by the Economic and Social Research Council. It will be of interest to anyone practising or researching arts and health, in both hospitals and community settings. Because of the nature of the work, the volume is cross-disciplinary in theory and multi-disciplinary in practice. As such, it will appeal to a cross-section of practitioners and thinkers. Research in the field of arts, health and wellbeing has developed considerably in recent years, and in the dialogue of this book some of the big questions for the agenda are addressed.

Why did the Victorians collect with such a vengeance and exhibit in museums? Focusing on this key nineteenth-century enterprise, Barbara J. Black illuminates British culture of the period by examining the cultural power that this collecting and exhibiting possessed. Through its museums, she argues, Victorian London constructed itself as a world city. Using the tools of cultural criticism, social history, and literary analysis, Black roots Victorian museum culture in key political events and cultural forces: British imperialism, exploration, and tourism; advances in science and changing attitudes about knowledge; the commitment to improved public taste through mass education; the growth of middle-class dominance and the resulting bourgeois fetishism and commodity culture; and the democratization of luxury engendered by the French and industrial revolutions. She covers a wide range of genres--from poetry to museum guidebooks to the triple-decker novel--and treats three London museums as case studies: Sir John Soane's house-museum, the Natural History Museum, and the exemplary South Kensington. While On Exhibit provides a fascinating analysis of Victorian society, it also reminds us how modern the Victorians were--how, in crucial ways, our culture derives from the Victorian era. Forging connections among museums, urbanism, and modernity, Black provokes us to examine cultural imperialism and the costs and advantages of cultural consensus.