Colossus

Colossus unpacks the intricacies and inequalities of economic, social and political life in India's capital, Delhi.

Henry Miller’s landmark travel book, now reissued in a new edition, is ready to be stuffed into any vagabond’s backpack. Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller’s The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman’s seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the “colossus” of Miller’s book, stirs every rooster within earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are warmed in a village’s single stove, and they stay in hotels that “have seen better days, but which have an aroma of the past.”

The story of one of the most brilliant, flamboyant and historically important men who ever lived. 'A superb achievement' LITERARY REVIEW 'Combines scholarship with storytelling to bring the ancient world to life: in his masterly new CAESAR he shows us the greatest Roman as man, statesman, soldier and lover' Simon Sebag Montefiore 'Magnificent' DAILY TELEGRAPH From the very beginning, Caesar's story makes dazzling reading. In his late teens he narrowly avoided execution for opposing the military dictator Sulla. He was decorated for valour in battle, captured and held to ransom by pirates, and almost bankrupted himself by staging games for the masses. As a politician, he quickly gained a reputation as a dangerously ambitious maverick. By his early 30s he had risen to the position of Consul, and was already beginning to dominate the Senate. His affairs with noblewomen were both frequent and scandalous. His greatest skill, outside the bedroom, was as a military commander. In a string of spectacular victories he conquered all of Gaul, invaded Germany, and twice landed in Britain - an achievement which in 55BC was greeted with a public euphoria comparable to that generated by the moon landing in 1969. In just thirty years he had risen from a position of virtual obscurity to become one of the richest men in the world, with the power single-handedly to overthrow the Republic. By his death he was effectively emperor of most of the known world.

Is America an empire? Certainly not, according to our government. Despite the conquest of two sovereign states in as many years, despite the presence of more than 750 military installations in two thirds of the world’s countries and despite his stated intention "to extend the benefits of freedom...to every corner of the world," George W. Bush maintains that "America has never been an empire." "We don’t seek empires," insists Defense Secretary Rumsfeld. "We’re not imperialistic." Nonsense, says Niall Ferguson. In Colossus he argues that in both military and economic terms America is nothing less than the most powerful empire the world has ever seen. Just like the British Empire a century ago, the United States aspires to globalize free markets, the rule of law, and representative government. In theory it’s a good project, says Ferguson. Yet Americans shy away from the long-term commitments of manpower and money that are indispensable if rogue regimes and failed states really are to be changed for the better. Ours, he argues, is an empire with an attention deficit disorder, imposing ever more unrealistic timescales on its overseas interventions. Worse, it’s an empire in denial—a hyperpower that simply refuses to admit the scale of its global responsibilities. And the negative consequences will be felt at home as well as abroad. In an alarmingly persuasive final chapter Ferguson warns that this chronic myopia also applies to our domestic responsibilities. When overstretch comes, he warns, it will come from within—and it will reveal that more than just the feet of the American colossus is made of clay.

Greed. Corruption. Murder. New York in 1880 is a hell of a place to make your living. Nellie Bly arrives at age twenty-four in Manhattan, lacking connections and money, but blessed with an abundance of courage and a skill for reportage. Within ten months she lands two front-page stories on the country’s most widely-read newspaper, Joseph Pulitzer’s New York World. The pugnacious and voluble Pulitzer is so impressed that he assigns her to get to the bottom of a murder that has confounded the police—the untimely death of his friend Emma Lazarus, the controversial poet and activist. Her investigation leads to tense encounters with some of the most powerful and ruthless men of the time, in an era where elected officials are bought and sold, and where greed runs rampant on an unregulated Wall Street. Outgunned and ignoring her contemptuous all-male colleagues, Bly has only two real allies: a doctor who uses scientific techniques to establish criminal behavior, and a theater critic with unlimited access to underground New York. As the pieces fall into place, Bly uncovers layer after layer of corruption, getting closer to a dangerous core—and to the truth.

Big business has been the lever of big change over time in American life, change in economy, society, politics, and the envelope of existence--in work, mores, language, consciousness, and the pace and bite of time. Such is the pattern revealed by this historical mosaic. --From the Preface Weaving historical source material with his own incisive analysis, Jack Beatty traces the rise of the American corporation, from its beginnings in the 17th century through today, illustrating how it has come to loom colossus-like over the economy, society, culture, and politics. Through an imaginative selection of readings made up of historical and contemporary documents, opinion pieces, reportage, biographies, company histories, and scenes from literature, all introduced and explicated by Beatty, Colossus makes a convincing case that it is the American corporation that has been, for good and ill, the primary maker and manager of change in modern America. In this anthology, readers are shown how a developing "business civilization" has affected domestic life in America, how labor disputes have embodied a struggle between freedom and fraternity, how corporate leaders have faced the recurring dilemma of balancing fiduciary with social responsibility, and how Silicon Valley and Wall Street have come to dwarf Capitol Hill in pervasiveness of influence. From the slave trade and the transcontinental railroad to the software giants and the multimedia conglomerates, Colossus reveals how the corporation emerged as the foundation of representative government in the United States, as the builder of the young nation's public works, as the conqueror of American space, and as the inexhaustible engine of economic growth from the Civil War to today. At the same time, Colossus gives perspective to the century-old debate over the corporation's place in the good society. A saga of freedom and domination, success and failure, creativity and conformity, entrepreneurship and monopoly, high purpose and low practice, Colossus is a major historical achievement.

At last - the secrets of Bletchley Park's powerful codebreaking computers. This is a history of Colossus, the world's first fully-functioning electronic digital computer. Colossus was used during the Second World War at the Government Code and Cypher School at Bletchley Park, where it played an invaluable role cracking enemy codes. Until very recently, much about the Colossus machine was shrouded in secrecy, largely because the codes that were employed remained in use by the British security services until a short time ago. This book only became possible due to the declassification in the US of wartime documents. With an introductory essay on cryptography and the history of code-breaking by Simon Singh, this book reveals the workings of Colossus and the extraordinary staff at Bletchley Park through personal accounts by those who lived and worked with the computer. Among them is the testimony of Thomas Flowers, who was the architect of Colossus and whose personal account, written shortly before he died, is published here for the first time. Other essays consider the historical importance of this remarkable machine, and its impact on the generations of computing technology that followed.

“...a spine-tingling sf novel certain to wow readers who want to explore sentient AI, parallel universes, paranoia, and sustaining human consciousness for generations to come.” - Booklist For fans of psychological SF novels like THE GONE WORLD and SIX WAKES Economics professor Clay West has always explained the world through the lens of his profession. But after his girlfriend Karla takes Dying Wish—a drug that supposedly reveals the nature of reality moments before it claims your life—Clay is devastated. No amount of rationalization can explain Karla's actions. Distraught, Clay joins a mission into the dark emptiness of space where answers are promised to reside. But when the ship begins to malfunction, Clay and the surviving crew members suspect there's more to the mission than they've been told. They've been lied to, and they're drifting into dead space. Clay's memories of Karla haunt him even more than the ship's chaos, and there's something wrong with his memories: he has too many. The ship's Al tells Clay his false memories are a normal side-effect of the hibernation, but to Clay, the memories suggest something far more insidious. He's been on this ship before...