Commentary And Authority In Mesopotamia And Qumran

How did the written word serve as an authoritative source in the ancient world? What does it mean that some works became so popular as to merit dedicated interpretive commentaries? And does any direct relationship exist between the various methods of interpretation and styles of composition in these commentaries? The present work sets out to provide some solid answers to such questions. At the heart of this book stands a comparative analysis of ancient cuneiform commentary texts from mid-to-late first millennium Mesopotamia and early Jewish commentaries—known as pesharim—from the turn of the common era found in caves near Khirbet Qumran. Though some aspects of Mesopotamian hermeneutics may have influenced Jewish exegesis, likely through Jewish Aramaic scribes, the actual Mesopotamian practice of composing commentary texts exerted little-to-no influence on the compositional techniques of the pesharim. Nevertheless, many textual difficulties in the Qumran pesharim can be explained as the result of an accretion of interpretations over an extended period of time—a practice detailed in the textual record of the Mesopotamian commentaries. What is more, these commentaries reveal important evidence about both the way in which and the extent to which such works functioned as authoritative sources. As a result, this book advocates a shift away from discussing textual authority in simple binary terms, both in ancient and modern contexts, to functional descriptions of literary authority.

In Pesher and Hypomnema Pieter B. Hartog compares ancient Jewish commentaries on the Hebrew Bible with papyrus commentaries on the Iliad. Hartog shows that members of the Qumran movement adopted classical commentary writing and adapted it to their own needs.

Essays that engage the scholarship of Shaye J. D. Cohen The essays in Strength to Strength honor Shaye J. D. Cohen across a range of ancient to modern topics. The essays seek to create an ongoing conversation on issues of identity, cultural interchange, and Jewish literature and history in antiquity, all areas of particular interest for Cohen. Contributors include: Moshe J. Bernstein, Daniel Boyarin, Jonathan Cohen, Yaakov Elman, Ari Finkelstein, Charlotte Elisheva Fonrobert, Steven D. Fraade, Isaiah M. Gafni, Gregg E. Gardner, William K. Gilders, Martin Goodman, Leonard Gordon, Edward L. Greenstein, Erich S. Gruen, Judith Hauptman, Jan Willem van Henten, Catherine Hezser, Tal Ilan, Richard Kalmin, Yishai Kiel, Ross S. Kraemer, Hayim Lapin, Lee I. Levine, Timothy H. Lim, Duncan E. MacRae, Ivan Marcus, Mahnaz Moazami, Rachel Neis, Saul M. Olyan, Jonathan J. Price, Jeffrey L. Rubenstein, Michael L. Satlow, Lawrence H. Schiffman, Daniel R. Schwartz, Joshua Schwartz, Karen Stern, Stanley Stowers, and Burton L. Visotzky. Features: A full bibliography of Cohen’s published works An essay on the contributions of Cohen

This is the first major commentary in English on Pesher Habakkuk for forty years. It elucidates the nature of 1QpHab as the earliest commentary on the prophecy of Habakkuk by a detailed study of the biblical quotation and sectarian interpretation. This commentary provides a new edition of the scroll, including new readings, and detailed palaeographical, philological, exegetical and historical notes and discussion. It shows that the pesherist imitates the allusive style of the oracles of Habakkuk and also draws on lexemes, phrases, and themes from other biblical texts and Jewish sources. It shows that the pesherist identified the Kittim with the Romans who conquered Judaea in 63 BCE, and suggests that the scroll refers to several righteous and wicked figures, including the last Hasmonean high priests.

The present volume explores the ever-evolving understandings and diverse manifestations of the Hebrew notion of torah in early Jewish and Christian literature and the different roles torah played within those communities, whether in Judea or in the Hellenistic and early Roman diaspora. This collection of essays is purposefully wide-ranging, with contributors exploring and rethinking some of the most basic scholarly assumptions and preconceptions about the nature of torah in light of new critical approaches and methodologies with the goal of seeing how different vantage points and different conclusions can better address the complexity of the topic and better reflect the ambiguity and fluidity inherent in the concept of torah itself. Contributors include Gabriele Boccaccini, Francis Borchardt, Calum Carmichael, Federico Dal Bo, Lutz Doering, Oliver Dyma, Paula Fredriksen, Robert G. Hall, Magnar Kartveit, Anne Kreps, David Lambert, Michael Legaspi, Jason A. Myers, Juan Carlos Ossandón Widow, Anders Klostergaard Petersen, Patrick Pouchelle, Jeremy Punt, Michael L. Satlow, Joachim Schaper, William Schniedewind, Elisa Uusimäki, Jacqueline Vayntrub, Jonathan Vroom, James W. Watts, Benjamin G. Wright III, and Jason M. Zurawski.

Scholars working with ancient scrolls seek ways to extract maximum information from the multitude of fragments. Various methods were applied to that end on the Dead Sea Scrolls as well as on other ancient texts. The present book augments these methods to a full-scale protocol, while adapting them to a new computerized environment. Fundamental methodological issues are illuminated as part of the discussion, and the potential margin of error is provided on an empirical basis, as practiced in the sciences. The method is then exemplified with regard to the scroll 4Q418a, a copy of a wisdom composition from Qumran.

Blanks, Space, Print, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.