Commonwealth

“Exquisite... Commonwealth is impossible to put down.” — New York Times #1 New York Times Bestseller | NBCC Award Finalist | New York Times Best Book of the Year | USA Today Best Book | TIME Magazine Top 10 Selection | Oprah Favorite Book | New York Magazine Best Book of The Year The acclaimed, bestselling author—winner of the PEN/Faulkner Award and the Orange Prize—tells the enthralling story of how an unexpected romantic encounter irrevocably changes two families’ lives. One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating’s christening party uninvited. Before evening falls, he has kissed Franny’s mother, Beverly—thus setting in motion the dissolution of their marriages and the joining of two families. Spanning five decades, Commonwealth explores how this chance encounter reverberates through the lives of the four parents and six children involved. Spending summers together in Virginia, the Keating and Cousins children forge a lasting bond that is based on a shared disillusionment with their parents and the strange and genuine affection that grows up between them. When, in her twenties, Franny begins an affair with the legendary author Leon Posen and tells him about her family, the story of her siblings is no longer hers to control. Their childhood becomes the basis for his wildly successful book, ultimately forcing them to come to terms with their losses, their guilt, and the deeply loyal connection they feel for one another. Told with equal measures of humor and heartbreak, Commonwealth is a meditation on inspiration, interpretation, and the ownership of stories. It is a brilliant and tender tale of the far-reaching ties of love and responsibility that bind us together.

"One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating's christening party uninvited. Before evening falls, he has kissed Franny's mother, Beverly--thus setting in motion the dissolution of their marriages and the joining of two families --

'Dazzling ... life-affirming and compulsively readable' Sunday Times 'Patchett blends wisdom and humanity jointly with the icy forensic gaze of someone not afraid to expose the frailties of human behaviour ... Read it' Jojo Moyes 'An outstanding novel ... a master of her art' Observer It is 1964: Bert Cousins shows up at Franny Keating's christening party uninvited and notices a heart stoppingly beautiful woman. When he kisses Beverly Keating, his host's wife, he sets in motion the joining of two families, whose shared fate will be defined on a day seven years later. In 1988, Franny Keating, now twenty-four, is working as a cocktail waitress in Chicago. When she meets the famous author Leon Posen one night at the bar, and tells him about her family, she unwittingly relinquishes control over their story...

The Corporate Commonwealth traces the evolution of corporations during the English Renaissance and explores the many types of corporations that once flourished. Along the way, the book offers important insights into our own definitions of fiction, politics, and value. Henry S. Turner uses the resources of economic and political history, literary analysis, and political philosophy to demonstrate how a number of English institutions with corporate associations—including universities, guilds, towns and cities, and religious groups—were gradually narrowed to the commercial, for-profit corporation we know today, and how the joint-stock corporation, in turn, became both a template for the modern state and a political force that the state could no longer contain. Through innovative readings of works by Thomas More, William Shakespeare, Francis Bacon, and Thomas Hobbes, among others, Turner tracks the corporation from the courts to the stage, from commonwealth to colony, and from the object of utopian fiction to the subject of tragic violence. A provocative look at the corporation’s peculiar character as both an institution and a person, The Corporate Commonwealth uses the past to suggest ways in which today’s corporations might be refashioned into a source of progressive and collective public action.

In the wake of Brexit, the Commonwealth has been identified as an important body for future British trade and diplomacy, but few know what it actually does. How is it organized and what has held it together for so long? How important is the Queen's role as Head of the Commonwealth? Most importantly, why has it had such a troubled recent past, and is it realistic to imagine that its fortunes might be reversed?In The Empire's New Clothes,? Murphy strips away the gilded self-image of the Commonwealth to reveal an irrelevant institution afflicted by imperial amnesia. He offers a personal perspective on this complex and poorly understood institution, and asks if it can ever escape from the shadow of the British Empire to become an organization based on shared values, rather than a shared history.

Earning comparisons to such sci-fi/fantasy greats as Frank Herbert, Isaac Asimov, and George R. R. Martin, Peter F. Hamilton is a one-of-a-kind voice in space opera. His interstellar adventures are hugely ambitious, wildly entertaining, and philosophically stimulating. Now Hamilton’s centuries-spanning Commonwealth Saga—the linked novels Pandora’s Star and Judas Unchained—is available in one epic eBook bundle. Contains a thrilling preview of Peter F. Hamilton’s upcoming novel, The Abyss Beyond Dreams, set in the same universe as the Commonwealth Saga. PANDORA’S STAR JUDAS UNCHAINED 2380. The Intersolar Commonwealth, a sphere of stars, contains more than six hundred worlds interconnected by a web of transport “tunnels” known as wormholes. At the farthest edge of the Commonwealth, astronomer Dudley Bose observes the impossible: over one thousand light-years away, a star . . . disappears. Since the location is too distant to reach by wormhole, the Second Chance, a faster-than-light starship commanded by Wilson Kime, a five-times-rejuvenated ex-NASA pilot, is dispatched to learn what has occurred and whether it represents a threat. Opposed to the mission are the Guardians of Selfhood. Shortly after the journey begins, Kime wonders if the crew of the Second Chance has been infiltrated. But soon enough he will have other worries. Halfway across the galaxy, something truly incredible is waiting: a deadly discovery whose unleashing will threaten to destroy the Commonwealth . . . and humanity itself. Praise for the Commonwealth Saga Pandora’s Star “Should be high on everyone’s reading list . . . You won’t be able to put it down.”—Nancy Pearl, NPR “An imaginative and stunning tale of the perfect future threatened . . . a book of epic proportions not unlike Frank Herbert’s Dune or Isaac Asimov’s Foundation trilogy.”—SFRevu “Recommended . . . A large cast of characters, each with his own story, brings depth and variety to this far-future saga.”—Library Journal Judas Unchained “An interstellar suspense thriller . . . sweeping in scope and emotional range.”—San Antonio Express-News “Hamilton tackles SF the way George R. R. Martin is tackling fantasy. . . . There’s a sense of wonder here that’s truly unchained.”—SF Reviews “Richly satisfying . . . wonderfully imagined . . . Hamilton adroitly leaps from the struggles of one engaging, quirky character to another.”—Publishers Weekly (starred review)

A New York Times Notable Book Acclaimed author Ann Patchett's debut novel, hailed as "beautifully written . . . a first novel that second- and third-time novelists would envy for its grace, insight, and compassion” (Boston Herald) St. Elizabeth’s, a home for unwed mothers in Habit, Kentucky, usually harbors its residents for only a little while. Not so Rose Clinton, a beautiful, mysterious woman who comes to the home pregnant but not unwed, and stays. She plans to give up her child, thinking she cannot be the mother it needs. But when Cecilia is born, Rose makes a place for herself and her daughter amid St. Elizabeth’s extended family of nuns and an ever-changing collection of pregnant teenage girls. Rose’s past won’t be kept away, though, even by St. Elizabeth’s; she cannot remain untouched by what she has left behind, even as she cannot change who she has become in the leaving.