Companion Tales To The Mabinogi

"Tales of giants and heroes, of beautiful maidens, of the Emperor of Rome and the Emperor Arthur, of legendary history and historical legend, all told with the skill of long-trained storytellers and sensitive touch of polished writers. Such are the four tales translated here: How Culhwch got Olwen, perhaps the oldest but certainly, by far, the most exuberant of Arthurian tales, the finely crafted Dream of Maxen Wledig, Emperor of Rome, who fell in love in his sleep, the folkloric triad of The Story of Lludd and Llefelys, with its link to the legends of Merlin, and the exceedingly colourful Dream of Rhonabwy.'" This is how John K. Bollard introduces his new translation of those four native Welsh tales found in the same two medieval manuscripts as the great classic The Mabinogi. The text is beautifully illustrated by Anthony Griffiths's photographs of the locations and landscapes evoked by and specifically named in the text, reminding us of the timelessness and beauty of the stories and land they inhabit.

The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

Older research on the premodern world limited its focus on the Church, the court, and, more recently, on urban space. The present volume invites readers to consider the meaning of rural space, both in light of ecocritical readings and social-historical approaches. While previous scholars examined the figure of the peasant in the premodern world, the current volume combines a large number of specialized studies that investigate how the natural environment and the appearance of members of the rural population interacted with the world of the court and of the city. The experience in rural space was important already for writers and artists in the premodern era, as the large variety of scholarly approaches indicates. The present volume signals how much the surprisingly close interaction between members of the aristocratic and of the peasant class determined many literary and art-historical works. In a surprisingly large number of cases we can even discover elements of utopia hidden in rural space. We also observe how much the rural world was a significant element already in early-medieval mentality. Moreover, as many authors point out, the impact of natural forces on premodern society was tremendous, if not catastrophic.

This is the first comprehensive authoritative survey of Arthurian literature and traditions in the Celtic languages of Welsh, Cornish, Breton, Irish and Scottish Gaelic. With contributions by leading and emerging specialists in the field, the volume traces the development of the legends that grew up around Arthur and have been constantly reworked and adapted from the Middle Ages to the twentieth century. It shows how the figure of Arthur evolved from the leader of a warband in early medieval north Britain to a king whose court becomes the starting-point for knightly adventures, and how characters and tales are reimagined, reshaped and reinterpreted according to local circumstances, traditions and preoccupations at different periods. From the celebrated early Welsh poetry and prose tales to less familiar modern Breton and Cornish fiction, from medieval Irish adaptations of the legend to the Gaelic ballads of Scotland, Arthur in the Celtic Languages provides an indispensable, up-to-date guide of a vast and complex body of Arthurian material, and to recent research and criticism.

'Here at the turn of the leaf a horseman is riding through the space between one world and another . . .' The Mabinogi is the Welsh national epic, a collection of prose tales of war and enchantment, adventure and romance, which have long fascinated readers all over the world. Matthew Francis's retelling of the first four stories (the Four Branches of the Mabinogi) is the first to situate it in poetry and captures the magic and strangeness of this medieval Celtic world: a baby is kidnapped by a monstrous claw, a giant wades across the Irish Sea to do battle, a wizard makes a woman out of flowers, only to find she is less biddable than he expected. Permeating the whole sequence is a delight in the power of the imagination to transform human experience into works of tragedy, comedy and wonder. The Mabinogi is an important contribution to the storytelling of the British Isles. 'I have waited a life for this book: our ancient British tales re-told, in English, by a poet, as they were in their original Welsh. This is more than translation. It picks up the harp and sings.' Gillian Clarke

Although the legends of Arthur have been popular throughout Europe from the Middle Ages onwards, the earliest references to Arthur are to be found in Welsh literature, starting with the Welsh-Latin Historia Brittonum dating from the ninth century. By the twelfth century, Arthur was a renowned figure wherever Welsh and her sister languages were spoken. O. J. Padel now provides an overall survey of medieval Welsh literary references to Arthur and emphasizes the importance of understanding the character and purpose of the texts in which allusions to Arthur occur. Texts from different genres are considered together, and shed new light on the use that different authors make of the multifaceted figure of Arthur – from the folk legend associated with magic and animals to the literary hero, soldier and defender of country and faith. Other figures associated with Arthur, such as Cai, Bedwyr and Gwenhwyfar, are also discussed here.

Britain's rich and varied folklore, legends and beliefs provide an insight into the island's history. Every invader, refugee or settler has helped contribute some new element or twist to the complex pattern of our national heritage. This volume provides a comprehensive companion to legends and customs in England, Scotland, Wales and Ireland.