Complete Book Of Traditional Country Autoharp Picking Style

One of Meg Peterson's finest books. This comprehensive text presents all of the strums and techniques needed to play back-up and melody on autoharp. Contains excellent teaching on various strum and fingerpicking styles. In addition, arrangements are included on 57 country favorites.

One of Meg Peterson's finest books. This comprehensive text presents all of the strums and techniques needed to play back-up and melody on autoharp. Contains excellent teaching on various strum and fingerpicking styles. In addition, arrangements are included on 57 country favorites.

A step-by-step, self-instruction method. Includes care of the autoharp, playing positions, chord changes, back-up strums, arpeggio strums, melody picking, rhythm picking, and much more! Each song teaches something new and each strum pattern is built on the previous one. When you have practiced each selection and perfected each strum, you will have the necessary foundation to go on to more advanced styles and more intricate picking. the songs in the book are arranged for the 15-chord instrument, since it is the most popular for beginning students.

From the introduction: "It has been the author’s attempt to present, in a concise form, an introduction to the country style of playing the Autoharp. The styles presented have been kept as general as possible so the student can apply the techniques to any specific artist he wishes to study. Once the student has mastered the material in this book, he will have no difficulty in studying various traditional artists, or, on the other hand, supplementing his repertoire by his own arrangements and compositions. The major difficulty in preparing a book such as this is to invent a notation that is easier to read than the autoharp is to play. I have retained the musical notation because it gives the “ shape” of the melody. In addition, music reading skill will be necessary for working from other printed sources. The music is supplemented by simple notation which indicates how the autoharp is to be played. I would like to thank Mr. Mayne Smith for fruitful discussions in regard to the notation used in this book."

The Autoharp Owner's Manual covers autoharp maintenance,conversions, tuning and string schedules (both diatonic and chromatic), buildingyour own instrument, playing techniques, evaluating instruments, chord bar setups, amplification, history, and much more. Each subject is addressed by a current premier musician/builder. The articles in this book have been taken frompast issues of Autoharp Quarterly and have been updated to address current innovations, problems, and instruments. It is a must have for every autoharp player

The most complete, authoritative text available on autoharp. Teacher and author Meg Peterson presents a colorful array of songs and styles as well as a myriad of strum patterns in an easy-to-understand manner. This self-teaching course features Meg's highly acclaimed system for teaching melody solo performance on the autoharp. Each of its 48 lessons builds on the one before it, with a reference section included for those who wish to learn about music notation, theory, harmony, transposition, and chord substitution. There are 122 practice songs and many more suggested ones. Also included is information on tuning, changing strings, and altering chord position on the instrument. the CD is a stereo teaching tape with vocal instruction and performance demonstrating many of the strum patterns and tunes in the book at full tempo with a singer.

This collection of 35 Celtic tunes represents ten different performance styles from Ireland, Scotland, Wales and Brittany. the majority of these pieces are dance tunes such as the jigs and reels popular at Irish sessions, the informal gatherings of musicians in pubs, community halls, and homes. Although relatively new to the session ensemble, the autoharp bears a distinct resemblance to the Irish folk harp. Fittingly, this collection includes harp tunes by famed Irish harpist Turlough O'Carolan as well as other slow airs. All of the pieces in this book have been arranged to be played on any standard 15 or 21-bar chromatic autoharp in either melodic or rhythmic (backup) style. A melody line with suggested chord accompaniment is included so other instrumentalists can easily join in. the book's companion CD includes performances of all 35 selections, ably illustrating the rhythmic and stylistic nuances of this engaging music. In notation and tablature.

The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.