Constantine The African And Al Ibn Al Abb S Al Ma S

Modern study of the Hospitallers, of other military-religious orders, and of their activities both in the Mediterranean and in Europe has been deeply influenced by the work of Anthony Luttrell. To mark his 75th birthday in October 2007 twenty-three colleagues from ten different countries have contributed to this volume. The first section focuses on the crusading period in the Holy Land, considering the Hospital in Jerusalem, relations with the Assassins, finances, indulgences, transportation and the careers of the brothers and knights. The second and third sections move to the later Middle Ages, when the Hospitallers had their centre on Rhodes, and military and charitable activities in the East had to be supported with men and money from the West. The papers in the second section consider the Hospitallers on Rhodes, relations between Rhodes and the West and plans for crusades, while the third section includes papers on the Hospitallers in the Iberian Peninsula and in Hungary, the territorial administration of the Order of Montesa in Valencia, a plan to transfer the headquarters of the Teutonic Order from Prussia to Frisia, and a Hospitaller reconsideration of warfare and learning on the eve of the council of Trent. The final paper proposes new definitions and guidelines for future work on the military-religious orders. The authors include both well-known experts and younger scholars who promise to follow in the footsteps of Anthony Luttrell and to continue research into the Hospitallers and their fellow orders, these peculiar European communities avant la lettre.

How do people use music to heal themselves and others? Are the healing powers of music universal or culturally specific? The essays in this volume address these two central questions as to music?s potential as a therapeutic source. The contributors approach the study of music healing from social, cultural and historical backgrounds, and in so doing provide perspectives on the subject which complement the wealth of existing literature by practitioners. The forms of music therapy explored in the book exemplify the well-being that can be experienced as a result of participating in any type of musical or artistic performance. Case studies include examples from the Bolivian Andes, Africa and Western Europe, as well as an assessment of the role of Islamic traditions in Western practices. These case studies introduce some new, and possibly unfamiliar models of musical healing to music therapists, ethnomusicologists and anthropologists. The book contributes to our understanding of the transformative and healing roles that music plays in different societies, and so enables us better to understand the important part music contributes to our own cultures.

This is the first extensive account of philosophical psychology of perception from ancient to early modern times. The book aims to shed light on the developments in the theories of sense-perception in medieval Arabic and Latin philosophy, their ancient background and traditional and new themes in early modern thought. Particular attention is paid to the philosophically significant parts of the theories. The articles concentrate on the so-called external senses and related themes.

Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The chapters assess the strengths and weaknesses of comparative practice in the history of art, and consider the larger issue of the place of comparative in how art history may develop in the future. The contributors represent a comprehensive range of period and geographic command from antiquity to modernity, from China and Islam to Europe, from various forms of art history to archaeology, anthropology and material culture studies. Art history is less a single discipline than a series of divergent scholarly fields ? in very different historical, geographic and cultural contexts ? but all with a visual emphasis on the close examination of objects. These fields focus on different, often incompatible temporal and cultural contexts, yet nonetheless they regard themselves as one coherent discipline ? namely the history of art. There are substantive problems in how the sub-fields within the broad-brush generalization called 'art history' can speak coherently to each other. These are more urgent since the shift from an art history centered on the western tradition to one that is consciously global.

While premodern poets and preachers viewed leprosy as a “disease of the soul,” physicians in the period understood it to be a “cancer of the whole body.” In this innovative study, medical historian Luke Demaitre explores medical and social perspectives on leprosy at a time when judicious diagnosis could spare healthy people from social ostracization and help the afflicted get a license to beg. Extending his inquiry from the first century to late in the eighteenth century, Demaitre draws on translations of academic treatises and archival records to illuminate the professional standing, knowledge, and conduct of the practitioners who struggled to move popular perceptions of leprosy beyond loathing and pity. He finds that, while not immune to social and cultural perceptions of the leprous as degenerate, and while influenced by their own fears of contagion, premodern physicians moderated society's reactions to leprosy and were dedicated to the well-being of their patients.

His most important contribution, an encyclopedia he called the Pantegni (The Complete Art), was translated and adapted from the Complete Book of the Medical Art by the Persian physician ?Ali ibn al-?Abb?s al-Ma??s? (d. 982). This monograph focuses on the oldest manuscript of the Pantegni,Theorica, which represents a work-in-progress with numerous unusual features.00This study, for the first time, identifies Monte Cassino as the origin of this oldest Pantegni manuscript, and asserts that it was made during Constantine?s lifetime. It further demonstrates how a skilled team of scribes and scholars assisted the translator in the complex process of producing this Latin version of the Arabic text. .

Long before Muhammed preached the religion of Islam, the inhabitants of his native Arabia had played an important role in world history as both merchants and warriors Arabia and the Arabs provides the only up-to-date, one-volume survey of the region and its peoples, from prehistory to the coming of Islam Using a wide range of sources - inscriptions, poetry, histories, and archaeological evidence - Robert Hoyland explores the main cultural areas of Arabia, from ancient Sheba in the south, to the deserts and oases of the north. He then examines the major themes of *the economy *society *religion *art, architecture and artefacts *language and literature *Arabhood and Arabisation The volume is illustrated with more than 50 photographs, drawings and maps.