Consuming Ancient Egypt

Consuming Ancient Egypt examines the influence of Ancient Egypt on the everyday lives of contemporary people, of all ages, throughout the world. It looks at the Egypt tourist sees, Egypt in film and Egypt as the inspiration for opera. It asks why so many books are published each year on Egyptological subjects at all levels, from the austerely academic to the riotous celebrations of Egypt as a land of mystery, enchantment and fantasy. It then considers the ways in which Ancient Egypt interacts with the living world, in architecture, museum going, the acquisition of souvenirs and reproductions, design, and the perpetual appeal of the mummy. The significance of Egypt as an adjunct to (and frequently the subject of) marketing in the consumer society is examined. It reveals much about Egypt's immemorial appeal and the psychology of those who succumb to its magic.

Consuming Ancient Egypt examines the influence of Ancient Egypt on the everyday lives of contemporary people, of all ages, throughout the world. It looks at the Egypt tourist sees, Egypt in film and Egypt as the inspiration for opera. It asks why so many books are published each year on Egyptological subjects at all levels, from the austerely academic to the riotous celebrations of Egypt as a land of mystery, enchantment and fantasy. It then considers the ways in which Ancient Egypt interacts with the living world, in architecture, museum going, the acquisition of souvenirs and reproductions, design, and the perpetual appeal of the mummy. The significance of Egypt as an adjunct to (and frequently the subject of) marketing in the consumer society is examined. It reveals much about Egypt's immemorial appeal and the psychology of those who succumb to its magic.

How to cook and eat like the ancient Egyptians, from the author of My Egyptian Grandmothers Kitchen.

The study of Egypt as the fount of all wisdom and stronghold of hermetic lore, already strong in antiquity, Hornung (Egyptology, U. of Basel) calls Egyptosophy. Though it was soundly rebuffed by Egyptology, based on conventional science and history, he thinks its continuing impact on western culture deserves scholarly attention. He reviews the various occult traditions and their expression during various eras. The original Esoterische Agypten was published by C. H. Beck'sche Verlagsbuchhandlung, Munich, in 1999, and translated by David Lorton, who has also translated Hornung's earlier books for Cornell. Annotation copyrighted by Book News, Inc., Portland, OR.

Egypt looms large in the Western imagination. Whether it is our attraction to pharaonic art, the pyramids or practices of mummification, Egypts unique understanding of materiality speaks to us across space and time. Is it because the ancient Egyptians fetishized material objects that we find their culture captivating today? And what exactly do Egyptian remains tell us about biography, embodiment, memory, materiality, and the self? Object Worlds in Ancient Egypt takes New Kingdom Egypt (1539-1070 BC) as its starting point and considers how excavated objects reveal the complex ways that ancient Egyptians experienced their material world. From life to death, the material world instantiated, reflected and influenced social life and existence for ancient Egyptians. Thus, in Meskells unique approach to the materiality and sensuousness of subjects and objects, we uncover the philosophical, spiritual and human meanings embedded in these cultural artefacts. Meskells book explores the fundamental existential questions that not only preoccupied ancient Egyptians, but continue to fascinate people today. What is the essence of persons and things? How might we understand the situated experiences of material life, the constitution of the object world and its shaping of human experience? How might objects successfully mediate between worlds? In the final analysis, Meskell moves forward through time and examines the consumption and appreciation of these Egyptian material objects in the contemporary world. Materiality is our physical engagement with the world, our medium for inserting ourselves into the fabric of that world and our way of constituting and shaping culture in an embodied and external sense. From that perspective it is very much the domain of anthropology and archaeology.Drawing on a wide range of objects, artefacts, and artwork, from Valley of the Kings through to Las Vegas, Meskell provides an elegant analysis of the aesthetics of ancient Egyptian material culture

A social history of what kinds of foods the Ancient Egyptians ate, how they ate it, and how their lives were conditioned by the Nile River.

Dress, eat, write and play just like the Ancient Egyptians, Romans, Aztecs and Vikings with this informative history series. From making an Egyptian water clock to sipping Aztec hot chocolate, playing the Viking game of hneftafl or standing in a Roman soldiers sandals, each brilliant hands on project brings history to life.