Contemporary Fiction And Christianity

This book provides a detailed exploration of the spiritual and religious contexts and subtexts of contemporary fiction.

When Anne Abbot moves to Brewster, Olivia Marsden takes an immediate dislike to the newcomer. Anne’s perkiness really rankles, and Olivia finds the open way she talks about her faith very annoying. Overwhelmed with the prospect of making a good impression in this, her fifth town in eight years of not-so-happy marriage, Anne prays for a deep friendship and finds herself drawn to cool, aloof Olivia. One day, Olivia faces a family emergency and turns to Anne for help. In one evening, the two become fast friends. The fledgling friendship deepens when Anne is diagnosed with breast cancer. Misunderstandings, the shadow of death, and a beautiful new life play out in the alternating voices of the main characters. After Anne marks the first of an exceptional new novel series. Readers will be drawn to the intimacy of Libby and Anne's narratives and inspired by their story of friendship, forged by fire and inspired by God.

The rise of the Christian Right took many writers and literary critics by surprise, trained as we were to think that religions waned as societies became modern. In If God Meant to Interfere, Christopher Douglas shows that American writers struggled to understand and respond to this new social and political force. Religiously inflected literature since the 1970s must be understood in the context of this unforeseen resurgence of conservative Christianity, he argues, a resurgence that realigned the literary and cultural fields. Among the writers Douglas considers are Marilynne Robinson, Barbara Kingsolver, Cormac McCarthy, Thomas Pynchon, Ishmael Reed, N. Scott Momaday, Gloria Anzaldúa, Philip Roth, Carl Sagan, and Dan Brown. Their fictions engaged a wide range of topics: religious conspiracies, faith and wonder, slavery and imperialism, evolution and extraterrestrial contact, alternate histories and ancestral spiritualities. But this is only part of the story. Liberal-leaning literary writers responding to the resurgence were sometimes confused by the Christian Right’s strange entanglement with the contemporary paradigms of multiculturalism and postmodernism —leading to complex emergent phenomena that Douglas terms "Christian multiculturalism" and "Christian postmodernism." Ultimately, If God Meant to Interfere shows the value of listening to our literature for its sometimes subterranean attention to the religious and social upheavals going on around it.

The National Book Award-winning classic from the author of Underworld and Libra, soon to be a major motion picture starring Adam Driver and Greta Gerwig White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra­modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an "airborne toxic event," a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Why have so many prominent literary authors-from Philip Pullman and José Saramago to Michèle Roberts and Colm Tóibím-recently rewritten the canonical story of Jesus Christ? What does that say about our supposedly secular age? In this insightful study, Magdalena Maczynska defines and examines the genre of scriptural metafiction: novels that not only transform religious texts but also draw attention to these transformations. In addition to providing rich examples and close readings, Maczynska positions literary studies within interdisciplinary debates about religion and secularity. Her book demonstrates a surprising turn of events: even as contemporary novelists deconstruct the traditional categories of “secular” and “sacred” writing, they open up new spaces for scripture in contemporary culture.

In this thought-provoking and playful short story collection, David Foster Wallace nudges at the boundaries of fiction with inimitable wit and seductive intelligence. Wallace's stories present a world where the bizarre and the banal are interwoven and where hideous men appear in many guises. Among the stories are 'The Depressed Person,' a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World,' which reveals a woman's agonized consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men,' a dark, hilarious series of imagined interviews with men on the subject of their relations with women. Wallace delights in leftfield observation, mining the absurd, the surprising, and the illuminating from every situation. This collection will enthrall DFW fans, and provides a perfect introduction for new readers.

Twelve years ago, Claire Porter thought her entire life was over when she learned that her husband Dave was having an affair with a young college student. Following their divorce, Claire started over including changing back to her maiden name of Conway. Claire now feels pretty good about her accomplishments. She has raised a wonderful son Dakota, enjoys her work, and finally has a new love. When Dakota informs her that he is engaged, she looks forward to meeting his fiancée even as she wonders if thirty-one-year-old Sara Jennings is too old for her "little" six-foot-plus boy. Secrets never stay buried long and only God can help Claire find forgiveness when betrayal comes back to haunt her.