Contemporary French Women Poets From Hyvrard And Baude To Tienne And Albiach

Contemporary French Women Poets offers the first full-length study, divided into two volumes, of a wide range of women's poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvrard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.

Contemporary French Women Poetsoffers the first full-length study, divided into two volumes, of a wide range of women's poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvrard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.

Contemporary French Women Poetsoffers the first full-length study, divided into two volumes, of a wide range of women's poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.

Although many practice the art, contemporary French women poets generally have been vastly underrepresented in periodicals and anthologies. In the only anthology to feature avant-garde French women poets exclusively, Gavronsky shows how Kaplan, Grangaud, Portugal, Lapeyrère, Giraudon, and Risset differ from their American counterparts. Before presenting his translations of the poems, Gavronsky gives each poet the opportunity to define herself in terms of major influences on her poetry, distinctive traits in her writing, major themes in her work, and the influence of gender on her art. The poets also speculate about the relative underrepresentation of women poets in French periodicals and anthologies as well as about the form poetry might take in the twenty-first century. The poems in this volume are simultaneously delightful, informative, and combative. They typify, according to Gavronsky, some of the main currents of a poetics in the making, a poetics little known in the United States. In reaffirming women's involvement with poetry, Gavronsky believes that he has "reconnected today's work with an immemorial tradition that, in France, clearly goes back to [the] Middle Ages."

Contemporary French Women Poets offers the first full-length study, divided into two volumes, of a wide range of women's poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.

Thirty voices in the feminine offers a considerable range of critical studies devoted to thirty-four contemporary women writers from France. Québec and Acadia: Beauvoir, Ernaux, Yourcenar, Hébert, Duras, Sarraute, Maillet, Cixous, Chawaf, Albiach, Redonnet, Atlan, Sallenave, Monette, Le Dantec, Tellermann, Risset, Hyvrard, Detambel, Reyes, Lejeune, Alonso, Farhoud, Pelletier, Billetdoux, Teyssiéras, Zins, Turcotte, Sebbar, Nimier, Mailhot, D'Amour, Hinschberger, Namiand. The authors of the studies, from Canada, USA, England and Holland, offer a variety of critical approaches to the work at hand; textual alertness or close analysis frequently is in evidence, however, whether discussion tends to the sociological, the psychological, the interdisciplinary or the stylistic, and all the studies reveal of necessity a profound belief in the great intrinsic and extrinsic value of the literature dealt with, the pertinence of its swarming and challenging feminine consciousness, the power of its often radically rethought form and mode.