Contemporary Literature From Northeast India

The Northeast Indian borderlands, a cultural crossroads between South, Southeast and East Asia, constitute an important post-colonial exception to the narratives of nation, troubling the common perception of India as an ostensibly liberal regime. This book is the first to consider the representations of the effects of political terror and survival in contemporary literature from Northeast India. Fictions from this polyglot region offer alternative representations that show the post-colonial nation-state to engage in acts of aggression that parallel colonial regimes. The militarization of everyday life and the subsequent growth of cultures of impunity has left a lasting impact on ordinary existence in this border zone. Like in the much more widely discussed case of Kashmir, the governance of the Northeast region is not characterized so much by the management of life, the domain of what Michel Foucault calls biopolitics, but rather around the preponderance and distribution of death, what the postcolonial critic Achille Mbembe calls necropolitics. Not surprisingly, along with Mbembe’s theorizations, the influential works of the Italian philosopher, Giorgio Agamben, on 'bare life' have provided fruitful pathways to a study of the sovereign politics of death and political terror in this region. The author draws upon the conceptual literature on political terror and sovereign power through a reading of Anglophone fictions alongside Assamese fictional narratives (all published after 1990), but shifts the onus from the 'why' of violence to the 'how' of lived experience. An original study of contemporary survivalist fictions that explores survival under conditions of civil and military threat, this book is a valuable contribution to the field of contemporary global literature focusing on cartographies of death and sovereign terror and postcolonial literature.

This book brings together essays on North East India from across disciplines to explore new understandings of the colonial and contemporary realities of the region. Departing from the usual focus on identity and politics, it offers fresh representations from history, social anthropology, culture, literature, politics, performance and gender. Through the lens of modern practices, the essays in this volume engage with diverse issues, including state-making practices, knowledge production and its politics, history writing, colonialism, role of capital, institutions, changing locations of orality and modernity, production and reception of texts, performances and literatures, social change and memory, violence and gender relations, along with their wider historical, geographical and ideational mappings. In the process, they illustrate how the specificities of the region can become useful sites to interrogate global phenomena and processes — for instance, in what ways ideas and practices of modernity played an important role in framing the region and its people. Further, the volume underlines the complex ways in which the past came to be imagined, produced and contested in the region. With its blend of inter-disciplinary approach, analytical models and perspectives, this book will be useful to scholars, researchers and general readers interested in North East India and those working on history, frontiers and borderlands, gender, cultural studies and literature.

This book showcases the diverse literary traditions from India's Northeast and their shared connections and lineages. It critically analyses a selection of literary works from authors and poets from this region and the hegemonies of language, ethnicity and politics that have framed these voices. A region with rich cultural and ethnolinguistic diversity, the literature from Northeast India is representative of varied histories, languages, socio-cultural and religious practices. The book highlights the distinct use of language, forms, cultural symbols and metaphors which articulates the unique experiences of conflict, beauty and culture in this area. Focussing on the translingual and transcultural aspects of these literary works it examines the dynamics between literature, language and their socio-cultural influences. The book pays attention to themes of representation, identity and power to showcase voices and perspectives of dissent, criticism and introspection. It explores contemporary critical approaches to literature from the Northeast, by re-examining the idea of the centre and the periphery and the position of subaltern literary voices. This book will be of interest to students and researchers of literature, language, cultural studies, postcolonial studies and South Asian studies.

The book is a very detailed work on the relationship between movements for autonomy by indigenous peoples (the so-called ‘tribes’) and violence in Assam, in northeast India. The book addresses some of the reasons for the failure of ethnic conflict management and for the frequent emergence of violence in the region. In particular, the historical description of movements by the Dimasas, Misings and Bodos is well compiled and provides a good summary for the readers. At the same time, the work offers a good understanding of ethnic violence in contemporary India. The volume offers some new research data based on comparative analysis of different trajectories followed by three important movements among Assam’s ethnic minorities. While the pieces of the argument are based on the existing literature on ethnic violence and contentious politics, they are effectively connected to materials drawn from northeast India. Furthermore, the book raises significant concerns on the debates on crafting of decentralised institutions and executive opportunities that may facilitate ethnic accommodation thereby reducing the likelihood of such groups to pursue their goals through channels that are radical or extreme.

Explores the possibility of a new search enabling a 'discovery' of Northeast India from within.

Covering almost 60 years (since early 1950s) of literary activity, this two-volume anthology includes fiction, poetry, and essays by some of the leading writers from North-East India, comprising the states of Arunachal Pradesh, Assam, Manipur, Meghalaya, Mizoram, Nagaland, and Tripura. Offering a judicious selection of writers from three generations of the post-Independence era, the state-wise arrangement allows a comparative analysis of the development of literature in the region. Alongside established practitioners, the anthology includes pioneering works that show a new awareness about the emerging social and intellectual concerns in the region. This volume includes 32 pieces by 31 writers representing some of the best fiction writing from the region. Contemporary issues such as violence perpetrated by various militant outfits and in the form of counter-insurgency operations by the armed forces and human endurance in the light of these are some of the dominant themes of fiction writing included in this volume. Divided into seven sections, in this volume we come across some of the most celebrated practitioners of the genre. In Lummer Dai and Yeshe Dorjee Thongchi, we find the first generation of fiction writers from Arunachal Pradesh, who through their writings sensitively questioned the values represented by the traditional institutions that gave little space to the voices of the youth and the women. Alongside these master architects features Mamang Dai, a contemporary literary voice from the region. Including some new translations commissioned especially for the project, the volume comes with a comprehensive Introduction by Tilottoma Misra that traces the roots of the literature of the North-East.

The Routledge Companion to Northeast India is a trans-disciplinary and comprehensive compendium of a vital yet under-researched region in South Asia. It provides a unique guide to prevailing themes, theories, arguments, and history of Northeast India by discussing its life-forms – human and not – languages, landscapes, and lifeways in all its diversity and difference. The companion contains authoritative entries from leading specialists from and on the region and offers clear, concise, and illuminating explanations of key themes and ideas. A hands-on, practical, and comprehensive guide to Northeast India, this companion fills a significant gap in the literature and will be an invaluable teaching, learning, and research resource for scholars and students of Northeast India Studies, South Asian and Southeast Asian societies, culture, politics, humanities, and the social sciences in general.

This book brings you a wealth of stories, in words and images, from a part of India known as the Northeast, a term that is widely contested for the ways in which it homogenizes a region of great diversity. It is also a term that has come to be a marker of identity and solidarity by many who are of the region. Here, 21 writers and artists look at the idea of ‘work’ — from street hawking to beer brewing, from mothering to dung collection — and describe their lives or those of others with humour and compassion. Parismita Singh’s wonderful compilation of the works of women asks: what are the different ways of telling a story? What if we were to attempt these tellings through poetry and portraits and essays, older traditions like textile art and applique and new genres like hashtag poetry tapped into a smartphone? Where would it take us, what would the world look like?