Contemporary Polish Ontology

This book is a collection of articles authored by renowed Polish ontologists living and working in the early part of the 21st century. Harking back to the well-known Polish Lvov-Warsaw School, founded by Kazimierz Twardowski, we try to make our ontological considerations as systematically rigorous and clear as possible – i.e. to the greatest extent feasible, but also no more than the subject under consideration itself allows for. Hence, the papers presented here do not seek to steer clear of methods of inquiry typical of either the formal or the natural sciences: on the contrary, they use such methods wherever possible. At the same time, despite their adherence to rigorous methods, the Polish ontologists included here do not avoid traditional ontological issues, being inspired as they most certainly are by the great masters of Western philosophy – from Plato and Aristotle, through St. Thomas and Leibniz, to Husserl, to name arguably just the most important.

Tadeusz Kotarbinski is one of towering figures in contemporary Polish philosophy. He was a great thinker, a great teacher, a great organizer of philosophical and scientific life (he was, among others, the rector of the Uni versi ty of t6dz, the president of the Polish Academy of Sciences, and the president of the International Institute of Philosophy), and, last but not least, a great moral authority. He died at the age of 96 on October 3, 1981. Kotarbinski was active in almost all branches of philosophy. He made many significant contributions to logic, semantics, ontology, epistemology, history of philosophy, and ethics. He created a new field, namely praxiology. Thus, using an ancient distinction, he contributed to theoretical as well as practical philoso~hy. Kotarbinski regarded praxiology as his major philosophical "child". Doubtless, praxiology belongs to practical philosophy. This collection, howewer, is mainly devoted to Kotarbinski' s theoretical philosophy. Reism - Kotarbinski' s fundamental idea of ontology and semantics - is the central topic of most papers included here; even Pszczolowski' s essay on praxiology considers its ontological basis. ,Only two papers, namely that of Zarnecka-Bialy and that of Wolenski, are not linked with reism. However, both fall under the general label "Kotarbinski: logic, semantics and ontology". The collection partly consists of earlier published papers.

This volume collects fifteen original essays on E. J. Lowe’s work on metaphysics and ontology. The essays connect Lowe’s insights with contemporary issues in metaphysics. E. J. Lowe (1950–2014) was one of the most influential analytical philosophers of the twentieth and early twenty-first century. Drawing inspiration from Aristotle's thought, E. J. Lowe treated metaphysics as an autonomous discipline concerned with the fundamental structure of reality. The chapters in this volume reflect on his path-breaking work. They deal with a wide range of metaphysical issues including four-category ontology, the causal and non-causal aspects of agency, categorial fundamentality and non-fundamentality, the existence of relations, property dualism, powers and abilities, personal identity, predication, and topological ontology. Taken together, the chapters reflect the liveliness of contemporary debates in metaphysics and the enduring impact of Lowe’s thought on them. E. J. Lowe and Ontology will be of interest to researchers and advanced students working in metaphysics and philosophy of mind.

A leading Polish philosopher of the 20th century, Roman Ingarden is principally renowned in Western culture for his work in aesthetics and the theory of literature. Jeff Mitscherling demonstrates, in this extensive work, how Ingarden's thought constitutes a major contribution to the more fundamental fields of ontology and metaphysics. Unparalleled in existing literature, Mitscherling's comprehensive survey of Ingarden's philosophy will give the reader an informed introduction to this major work of phenomenological analysis.

Here is presented for the first time a comprehensive review and analysis of the several roles played by idealization procedures in the logic, mathematics and models that lie at the heart of modern, twentieth century physics. It is only through idealization of one form or another that the objects and processes of modern physics become tractable. The essays in this volume will be of interest to all those who are concerned with the uses of models in physics, and the relationships between models and the real world. The essays in this volume cover the role of idealization in all the main areas of modern physics, ranging from quantum theory, relativity theory and cosmology to chaos theory.

An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. What’s in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czesław Miłosz, Wisława Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Białoszewski, Anna Swir, and Tadeusz Różewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. Kremer’s is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experiments—from poetic “sound postcards,” to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self.

This volume explores the work of Polish phenomenologist Roman Ingarden (1893-1970) with respect to his ontology, epistemology and aesthetics. An outstanding student of Edmund Husserl, it offers a unique tribute to one of the most important figures in contemporary philosophy. Leszek Sosnowski and Natalia Anna Michna introduce a team of renowned scholars to present new and timely readings of Ingarden's thought, placing his philosophy in a broader historical and cultural context. In doing so, they offer a cutting edge reflection on the relevance, refinement and depth of Ingarden's theory. Chapters are not only retrospective, but also set out the present and future development of philosophy inspired by his works. Reinvigorating the debate about Ingarden's phenomenological legacy and its relevance for contemporary thought, this collection of essays guides us through his place in the history of philosophy and presents new perspectives on selected aspects of his theory.