Contemporary Religions In China

Folk and popular religion is a very significant part of Chinese religious life, especially in rural areas. Contemporary Religions in China focuses on the religious activities of the lay people of contemporary China and their ideas of what it means to be "religious" and to practice "religion". Throughout, the discussion is illustrated with case studies, textboxes, images, thought questions, and further reading, which help to capture what religion is like, how and why it is practiced, and what ‘religion’ means for everyday people across China in the twenty-first century. Contemporary Religions in China is an ideal introduction to religion in China for undergraduate students of religion, Chinese studies, and anthropology.

A comprehensive introduction to the resurgence of religion in China and Taiwan since the end of the Cultural Revolution and a wide-ranging examination of the impact of religious traditions on Euro-Americans and Chinese immigrants in present-day North America. Chinese Religions in Contemporary Societies is an accessible, multidimensional introduction to religions in present-day China and Taiwan as well as an in-depth exploration of how religious traditions and practices have been adopted by Americans and Chinese immigrants in North America. The work covers the period since the Cultural Revolution but places its focus on the contemporary global context. Written by religious studies expert James Miller and eight acclaimed scholars, this handy one-volume reference answers the demand for a comprehensive yet highly readable work on Chinese religions and their various forms. The work breaks down the complexities of religious traditions, highlighting key issues, themes, and movements, such as the legacy of shamanism in popular Chinese and Taiwanese religion, qigong in contemporary China, and the interpretations and practices of Chinese traditions and rituals in North America. Filling a significant gap in the literature, the handbook demonstrates the impact of social, political, and cultural factors on Chinese religion and identifies the forces behind the prevalence, adaptation, and transformation of Chinese religious practices from a global perspective.

This book provides a wide-ranging and in-depth survey of contemporary religious practices in China. It explains how recent economic reforms and concurrent relaxation of religious polices have created fertile ground for the revitalization of a wide range of religious practices and relates this to larger issues of social and cultural continuity and change.

This volume focuses on the intersection of religion and media in China, bringing interdisciplinary approaches to bear on the role of religion in the lives of individuals and greater shifts within Chinese society in an increasingly media-saturated environment. With case studies focusing on Mainland China (including Tibet), Hong Kong and Taiwan, as well as diasporic Chinese communities outside Asia, contributors consider topics including the historical and ideological roots of media representations of religion, expressions of religious faith online and in social media, state intervention (through both censorship and propaganda), religious institutions’ and communities’ use of various forms of media, and the role of the media in relations between online/offline and local/diaspora communities. Chapters engage with the major religious traditions practiced in contemporary China, namely Buddhism, Daoism, Confucianism, Christianity, Islam, and new religious movements. Religion and the Media in China serves as a critical survey of case studies and suggests theoretical and methodological tools for a thorough and systematic study of religion in modern China. Contributors to the volume include historians of religion, sinologists, sociologists, political scientists, anthropologists, and media and communication scholars. The critical theories that contributors develop around key concepts in religion—such as authority, community, church, ethics, pilgrimage, ritual, text, and practice—contribute to advancing the emerging field of religion and media studies.

Informative and eye-opening, the Handbook on Religion in China provides a uniquely broad insight into the contemporary Chinese variations of Buddhism, Islam and Christianity. In turn, China's own religions and transmissions of rites and systems of divination have spread beyond China, a progression that is explored in detail across 19 chapters, written by leading experts in the field.

Recent events—from strife in Tibet and the rapid growth of Christianity in China to the spectacular expansion of Chinese Buddhist organizations around the globe—vividly demonstrate that one cannot understand the modern Chinese world without attending closely to the question of religion. The Religious Question in Modern China highlights parallels and contrasts between historical events, political regimes, and cultural movements to explore how religion has challenged and responded to secular Chinese modernity, from 1898 to the present. Vincent Goossaert and David A. Palmer piece together the puzzle of religion in China not by looking separately at different religions in different contexts, but by writing a unified story of how religion has shaped, and in turn been shaped by, modern Chinese society. From Chinese medicine and the martial arts to communal temple cults and revivalist redemptive societies, the authors demonstrate that from the nineteenth century onward, as the Chinese state shifted, the religious landscape consistently resurfaced in a bewildering variety of old and new forms. The Religious Question in Modern China integrates historical, anthropological, and sociological perspectives in a comprehensive overview of China’s religious history that is certain to become an indispensible reference for specialists and students alike.

Recent events—from strife in Tibet and the rapid growth of Christianity in China to the spectacular expansion of Chinese Buddhist organizations around the globe—vividly demonstrate that one cannot understand the modern Chinese world without attending closely to the question of religion. The Religious Question in Modern China highlights parallels and contrasts between historical events, political regimes, and cultural movements to explore how religion has challenged and responded to secular Chinese modernity, from 1898 to the present. Vincent Goossaert and David A. Palmer piece together the puzzle of religion in China not by looking separately at different religions in different contexts, but by writing a unified story of how religion has shaped, and in turn been shaped by, modern Chinese society. From Chinese medicine and the martial arts to communal temple cults and revivalist redemptive societies, the authors demonstrate that from the nineteenth century onward, as the Chinese state shifted, the religious landscape consistently resurfaced in a bewildering variety of old and new forms. The Religious Question in Modern China integrates historical, anthropological, and sociological perspectives in a comprehensive overview of China’s religious history that is certain to become an indispensible reference for specialists and students alike.

Globalization and the Making of Religious Modernity in China, co-edited by Thomas Jansen, Thoralf Klein and Christian Meyer, investigates the transformation of China’s religious landscape under the impact of global influences since 1800. The interdisciplinary case studies analyze the ways in which processes of globalization are interlinked with localizing tendencies, thereby forging transnational relationships between individuals, the state and religious as well as non-religious groups at the same time that the global concept ‘religion’ embeds itself in the emerging Chinese ‘religious field’ and within the new academic disciplines of Religious Studies and Theology. The contributions unravel the intellectual, social, political and economic forces that shaped and were themselves shaped by the emergence of what has remained a highly contested category. The contributors are: Hildegard Diemberger, Vincent Goossaert, Esther-Maria Guggenmos, Thomas Jansen, Thoralf Klein, Dirk Kuhlmann, LAI Pan-chiu, Joseph Tse-Hei Lee, Christian Meyer, Lauren Pfister, Chloë Starr, Xiaobing Wang-Riese, and Robert P. Weller.