Contexts For Frank Mcguinness S Drama

Contexts for Frank McGuinness's Drama is the most complete consideration of the playwright yet published, including discussion of his original stage work through Gates of Gold (2002) and highlighting the connections between McGuinness's creativity and the biographical, geographical, social, and literary factors that have shaped his world."

Dismemberment in Drama / Dismemberment of Drama is an essay collection which considers the dramatic possibility contained in the images and narratives of dismemberment frequently recurring on the western stage. The Classical Tragedies of Sophocles and Euripides, the Romanticism of Kleist, the surrealism of Artaud, and the contemporary drama of Suzan-Lori Parks and Marina Carr are just some of the fractured and fragmented bodies analyzed in this collection. Both individually and in concert the contributors ask what a dismembered body means. Such an inquiry allows them to confront dismemberment as a theoretical category which understands such twentieth-century innovations as the Theatre of Cruelty, the Epic Theatre, the Open Theater, and documentary theatre as part of a long dramatic tradition. Dismemberment in drama examines the tenuous bond between representation and the object being represented by highlighting the dismemberment of drama as a form that occurs during drama’s repeated theorizations of its own enactment. There is a conflict between disintegration and unity inherent in mimesis, theatrical phenomenology, and performance.

How does the act of performance speak to the concept of commemoration? How and why does commemorative theatre operate as a conceptual, historical and political site from which to interrogate ideas of nationalism and nationhood? This volume explores how theatre and performance create a stage for acts of commemoration, considering crises of hate, nationalism and migration, as well as political, racial and religious bigotry. It features case studies drawn from across Europe, the Middle East, Asia, Africa and Latin America. The book's four parts each explore commemoration through a different theoretical lens and present a new set of dramaturgies for research and study. While Section 1 offers a critical survey of 20th- and 21st-century discourses, Section 2 uncovers the commemorative practices underpinning contemporary dramaturgy and applies these practices to plays and performance pieces. These include works by Martin Lynch, Frank McGuinness, Sanja Mitrovic, Theater RAST, Les SlovaKs Dance Collective, Estela Golovchenko, Wajdi Mouawad, Áine Stapleton, CoisCéim, ANU Productions, Aubrey Sekhabi, and Indian and African dance practices. The final sections investigate how individual and collective memory and performances of commemoration can become tools for propaganda and political agendas.

This second collection of Frank McGuinness contains his beautifully lyrical plays from 1989 to 1999. The Bird Sanctuary is published here for the first time. The collection also includes Mary and Lizzie, Someone Who'll Watch Over Me and Dolly West's Kitchen, and is introduced by the author. Mary and Lizzie 'An extraordinary, outlandish script . . . Intriguing and sharply irreverent.' Time Out Someone Who'll Watch Over Me 'Frank McGuinness's brilliant play, Someone Who'll Watch Over Me, not only penetrates the minds of three disparate man who fetch up as hostages in Lebanon, but also evokes a terrifyingly unnatural situation with remarkable conviction.' Sunday Express Dolly West's Kitchen 'No play has ever looked into Ireland's past and found there its future with the mix of wit and wisdom, death and despair, life and love, that characterises every line and every corner and every moment of Dolly West's Kitchen.' Spectator

This book examines theatre within the context of the Northern Ireland conflict and peace process, with reference to a wide variety of plays, theatre productions and community engagements within and across communities. The author clarifies both the nature of the social and political vision of a number of major contemporary Northern Irish dramatists and the manner in which this vision is embodied in text and in performance. The book identifies and celebrates a tradition of playwrights and drama practitioners who, to this day, challenge and question all Northern Irish ideologies and propose alternative paths. The author's analysis of a selection of Northern Irish plays, written and produced over the course of the last thirty years or so, illustrates the great variety of approaches to ideology in Northern Irish drama, while revealing a common approach to staging the conflict and the peace process, with a distinct emphasis on utopian performatives and the possibility of positive change.

A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film

Though widely lauded as one of the most creative and challenging forces in Irish theatre Frank McGuinnessâ (TM)s plays have often met with a tempestuous reception. This new work details the significance of key productions of his plays in the context of Irelandâ (TM)s culture and society. Charting McGuinnessâ (TM)s development as a dramatist from The Factory Girls through to Gates of Gold it combines cultural, political and theatrical analysis to position McGuinness as the most significant Irish playwright of his generation. Textual analysis supports considerations of theatrical performance to show how visual art, stagecraft, sculpture and song are central to our understanding of McGuinnessâ (TM)s theatre. Drawing forth the range of sexual, familial and national identities found in McGuinnessâ (TM)s work this book shows the significance of symbols in theatre that often seeks to confuse the simplicities of absolutes in order to show the complexities of difference. Wide-ranging, theoretically astute and written in a lucid and engaging style, Celebrating Confusion will appeal to all readers who are interested in Irish Theatre and its intersection with the politics and culture of contemporary Ireland.

This first collection by Frank McGuinness contains plays from the 1980s, including his major work of that decade, Observe the Sons of Ulster Marching Towards the Somme, a powerful and profoundly moving study of a group of Ulster Protestant volunteers in the Great War. The book also contains Carthaginians, set in a Derry graveyard in the aftermath of the Bloody Sunday killings, Innocence, McGuinness's vigorous drama based on the life of Caravaggio, The Factory Girls and Baglady.