Convent Life In Colonial Mexico

"A valuable and logical step in the progression of critical studies on convent writing. . . . We have moved from seeing women writers as working at the margins to seeing them as writing subjects."—Latin American Research Review "Consider[s] nuns not as merely secular or religious writers, but through the lens of interdisciplinary study, as multifaceted historical agents. . . . The importance of the kind of innovative theoretical work undertaken by this text . . . cannot be over-emphasized, and will offer a both provocative and illuminating read to scholars in a broad range of disciplines."—Journal of International Women’s Studies "Kirk reconstructs aspects of the lives of colonial nuns through close-up readings of select manuscripts and, additionally, of published primary sources. . . . A lively and provocative addition to the literature on colonial Mexico that offers new insights into the dynamics of religious community."—Bulletin of Latin American Research "A thought-provoking contribution to our understanding of community-building among colonial Latin American women."—A Contracorriente "A timely scholarly contribution to the field of gender and religion. . . . Presents a fresh look at convent literature by specifically analyzing alliances, friendships, and communities."—Colonial Latin American Historical Review "An interesting and ambitious study of the discourses associated with convent life in Mexico."—Catholic Historical Review

"First peoples: new directions in ethnic studies"

Brides of Christ is a study of professed nuns and life in the convents of colonial Mexico.

"In Madre Maria's prose, a down-to-earth treatment of daily life both on a provincial hacienda and in a cloistered convent moves into passages rendering deep mystical absorption. As a charismatic woman living according to Counter Reformation guidelines in the New World, Maria de San Jose, through her writings, illuminates how class, race, gender - even birth order and convent prestige - helped shape the roles people played in society and the ways in which they contributed to community belief and identity." --Book Jacket.

"Diaz has done a very good job of acknowledging precursive and pioneering works in history, literature, and ethnic studies while establishing her own critical originality. Her occupation of a cultural studies viewpoint is in contrast to previous studies by both historians and literary critics, supporting her conclusions and opening new lines of dialogue."--Jennifer L. Eich, author of The Other Mexican Muse: Sor Maria Anna Agueda de San Ignacio (1695-1756).

"Offering a pioneering interpretation of the "crowned nun" portrait, this book explores how visual culture contributed to local identity formation in Mexico"--

Spain's attempt to establish a "New Spain" in Mexico never fully succeeded, for Spanish institutions and cultural practices inevitably mutated as they came in contact with indigenous American outlooks and ways of life. This original, interdisciplinary book explores how writing by and about colonial religious women participated in this transformation, as it illuminates the role that gender played in imposing the Spanish empire in Mexico. The author argues that the New World context necessitated the creation of a new kind of writing. Drawing on previously unpublished writings by and about nuns in the convents of Mexico City, she investigates such topics as the relationship between hagiography and travel narratives, male visions of the feminine that emerge from the reworking of a nun's letters to her confessor into a hagiography, the discourse surrounding a convent's trial for heresy by the Inquisition, and the reports of Spanish priests who ministered to noble Indian women. This research rounds out colonial Mexican history by revealing how tensions between Spain and its colonies played out in the local, daily lives of women.

Each of the book's five chapters evokes a colonial Mexican cultural and intellectual sphere: the library, anatomy and medicine, spirituality, classical learning, and publishing and printing. Using an array of literary texts and historical documents and alongside secondary historical and critical materials, the author Stephanie Kirk demonstrates how Sor Juana used her poetry and other works to inscribe herself within the discourses associated with these cultural institutions and discursive spheres and thus challenge the male exclusivity of their precepts and precincts. Kirk illustrates how Sor Juana subverted the masculine character of erudition, writing herself into an all-male community of scholars. From there, Sor Juana clearly questions the gender politics at play in her exclusion, and undermines what seems to be the inextricable link previously forged between masculinity and institutional knowledge. Sor Juana Inés de la Cruz and the Gender Politics of Knowledge in Colonial Mexico opens up new readings of her texts through the lens of cultural and intellectual history and material culture in order to shed light on the production of knowledge in the seventeenth-century colonial Mexican society of which she was both a product and an anomaly.