Conversion Politics And Religion In England 1580 1625

A study of conversion and its implications during the English Reformation.

With a focus on England from the accession of Elizabeth I to the mid-1620s, this book examines the practice of direct, scholarly disputation between fundamentally opposing and oftentimes antagonistic Catholic, Protestant and nonconformist puritan divines. Introducing a form of discourse hitherto neglected in studies of religious controversy, the volume works to rehabilitate a body of material only previously examined as part of the great, subjective mass of polemic produced in the wake of the Reformation. In so doing, it argues that public religious disputation - debate between opposing clergymen, arranged according to strict academic formulae - can offer new insights into contemporary beliefs, thought processes and conceptions of religious identity, as well as an accessible and dramatic window into the major theological controversies of the age. Formal disputation crossed confessional lines, and here provides an opportunity for a broad, comparative analysis. More than any other type of interaction or material, these encounters - and the dialogic accounts they produced - displayed the shared methods underpinning religious divisions, allowing Catholic and reformed clergymen to meet on the same field. The present volume asserts the significance of public religious disputation (and accounts thereof) in this regard, and explores their use of formal logic, academic procedure and recorded dialogue form to bolster religious controversy. In this, it further demonstrates how we might begin to move from the surviving source material for these encounters to the events themselves, and how the disputations then offer a remarkable new glimpse into the construction, rationalization and expression of post-Reformation religious argument.

This pioneering Handbook offers a comprehensive consideration of the dynamic relationship between English literature and religion in the early modern period. The sixteenth and seventeenth centuries were the most turbulent times in the history of the British church and, perhaps as a result, produced some of the greatest devotional poetry, sermons, polemics, and epics of literature in English. The early-modern interaction of rhetoric and faith is addressed in thirty-nine chapters of original research, divided into five sections. The first analyses the changes within the church from the Reformation to the establishment of the Church of England, the phenomenon of puritanism and the rise of non-conformity. The second section discusses ten genres in which faith was explored, including poetry, prophecy, drama, sermons, satire, and autobiographical writings. The middle section focuses on selected individual authors, among them Thomas More, Christopher Marlowe, John Donne, Lucy Hutchinson, and John Milton. Since authors never write in isolation, the fourth section examines a range of communities in which writers interpreted their faith: lay and religious households, sectarian groups including the Quakers, clusters of religious exiles, Jewish and Islamic communities, and those who settled in the new world. Finally, the fifth section considers some key topics and debates in early modern religious literature, ranging from ideas of authority and the relationship of body and soul, to death, judgment, and eternity. The Handbook is framed by a succinct introduction, a chronology of religious and literary landmarks, a guide for new researchers in this field, and a full bibliography of primary and secondary texts relating to early modern English literature and religion.

Calvinist Conformity in Post-Reformation England is the first modern full-scale examination of the theology and life of the distinguished English Calvinist clergyman Daniel Featley (1582-1645). It explores Featley's career and thought through a comprehensive treatment of his two dozen published works and manuscripts and situates these works within their original historical context. A fascinating figure, Featley was the youngest of the translators behind the Authorized Version, a protégé of John Rainolds, a domestic chaplain for Archbishop George Abbot, and a minister of two churches. As a result of his sympathies with royalism and episcopacy, he endured two separate attacks on his life. Despite this, Featley was the only royalist Episcopalian figure who accepted his invitation to the Westminster Assembly. Three months into the Assembly, however, Featley was charged with being a royalist spy, was imprisoned by Parliament, and died shortly thereafter. While Featley is a central focus of the work, this study is more than a biography. It uses Featley's career to trace the fortunes of Calvinist conformists--those English Calvinists who were committed to the established Church and represented the Church's majority position between 1560 and the mid-1620s, before being marginalized by Laudians in the 1630s and puritans in the 1640s. It demonstrates how Featley's convictions were representative of the ideals and career of conformist Calvinism, explores the broader priorities and political maneuvers of English Calvinist conformists, and offers a more nuanced perspective on the priorities and political maneuvers of these figures and the politics of religion in post-Reformation England.

A study of the political, religious and mental worlds of the Catholic aristocracy from 1550 to 1640,

Examination of the influence of James I on the religious and cultural life of England.

English Reformation culture centred on 'the word preached'. Throughout this period, the most important public pulpit was Paul's Cross. This book provides a detailed history of the Paul's Cross sermons, exploring how they were delivered and the tensions between the authorities who controlled them.

This book explores the impact of the sixteenth-century Reformation on the plays of William Shakespeare. Taking three fundamental Protestant concerns of the era – (double) predestination, conversion, and free will – it demonstrates how Protestant theologians, in England and elsewhere, re-imagined these longstanding Christian concepts from a specifically Protestant perspective. Shakespeare utilizes these insights to generate his distinctive view of human nature and the relationship between humans and God. Through in-depth readings of the Shakespeare comedies ‘The Merry Wives of Windsor’, ‘Much Ado About Nothing’, ‘A Midsummer Night’s Dream’, and ‘Twelfth Night’, the romance ‘A Winter’s Tale’, and the tragedies of ‘Macbeth’ and ‘Hamlet’, this book examines the results of almost a century of Protestant thought upon literary art.