Copping Out

A Chicago journalist reveals how pervasive police misconduct, brutality, and corruption are changing the perspective of the criminal justice system and eroding the morals of the American people. In this shocking yet fascinating volume, an award-winning Chicago journalist goes behind the headlines to provide a far-reaching analysis of brutality, vice, and corruption among men and women who have sworn to serve and protect. This timely book draws on actual cases to examine the widespread phenomenon of corruption inside law enforcement agencies. It looks at the effort of criminal elements and gangs to infiltrate police departments and the criminal justice system, and it discusses how vigilante justice is encouraged by claims of police misconduct. Of particular importance to readers, the book also exposes the trickle-down effect of police corruption as it affects American values and society as a whole. But the news is not all bad. Police departments across the nation are fighting back against abuse of power, and the author sheds light on the escalating battle they are waging against rogue police officers involved in criminal activity. Through Stanford's investigative work and firsthand interviews with leading law enforcement professionals, readers will be privy to the backstory of the struggle of police commands to insulate their departments against the criminality and corruption so prevalent today.

Gill Burke is the toughest cop in New York, and he gets results. That is, until the mob decide he's too dangerous and pull strings, seeing him dishonourably removed from the force. But Gill is still the only cop who knows how the mob operate, and when their top people start to be put out of business - violently - Gill is persuaded by a DA, who's running scared, to put his badge back on and find the killer. Gill's investigation has hardly begun when he becomes involved with Helen, who is on the syndicate's payroll, and Helga, a Swedish blonde. But even with these diversions, Gill finds himself trapped in a bloody vendetta, pitted against a faceless assassin whose aim is destruction ...

“I say that even later someone will remember us.”—Sappho, Fragment 147, sixth century, BC Sappho’s prediction came true; fragments of work by the earliest woman writer in Western literate history have in fact survived into the twenty-first century. But not without peril. Sappho’s writing remains only in fragments, partly due to the passage of time, but mostly as a result of systematic efforts to silence women’s voices. Sappho’s hopeful boast captures the mission of this anthology: to gather together women engaged in the art of persuasion—across differences of race, class, sexual orientation, historical and physical locations—in order to remember that the rhetorical tradition indeed includes them. Available Means offers seventy women rhetoricians—from ancient Greece to the twenty-first century—a room of their own for the first time. Editors Joy Ritchie and Kate Ronald do so in the feminist tradition of recovering a previously unarticulated canon of women’s rhetoric. Women whose voices are central to such scholarship are included here, such as Aspasia (a contemporary of Plato’s), Margery Kempe, Margaret Fuller, and Ida B. Wells. Added are influential works on what it means to write as a woman—by Virginia Woolf, Adrienne Rich, Nancy Mairs, Alice Walker, and Hélène Cixous. Public “manifestos” on the rights of women by Hortensia, Mary Astell, Maria Stewart, Sarah and Angelina Grimké, Anna Julia Cooper, Margaret Sanger, and Audre Lorde also join the discourse. But Available Means searches for rhetorical tradition in less obvious places, too. Letters, journals, speeches, newspaper columns, diaries, meditations, and a fable (Rachel Carson’s introduction to Silent Spring) also find places in this room. Such unconventional documents challenge traditional notions of invention, arrangement, style, and delivery, and blur the boundaries between public and private discourse. Included, too, are writers whose voices have not been heard in any tradition. Ritchie and Ronald seek to “unsettle” as they expand the women’s rhetorical canon. Arranged chronologically, Available Means is designed as a classroom text that will allow students to hear women speaking to each other across centuries, and to see how women have added new places from which arguments can be made. Each selection is accompanied by an extensive headnote, which sets the reading in context. The breadth of material will allow students to ask such questions as “How might we define women’s rhetoric? How have women used and subverted traditional rhetoric?” A topical index at the end of the book provides teachers a guide through the rhetorical riches. Available Means will be an invaluable text for rhetoric courses of all levels, as well as for women’s studies courses.

In this enchanting contemporary romance, sure to delight readers of Rachel Gibson and Susan Elizabeth Phillips, a close encounter of the sexy kind leads a plain Jane to discover her wild side. Chloe Sinclair has never been bad . . . until she stumbles—literally—into the arms of a gorgeous stranger. To make matters worse, the morning after, her world is rocked completely off its axis when the sensual dreamboat turns out to be the man brought in to save the TV station where she works. Sterling Prescott is hard-driven, gorgeous as hell, and determined to turn the struggling KTEX into a success. But all bets are off when the shameless wildcat that disappeared on him last night walks back into his life—acting like a squeaky-clean librarian. Life gets truly complicated, however, when Sterling decides to win more than the station—and to show Chloe that being sexy isn’t a sin.

Learn the language of Nebraska . . .and 49 other states With more entries than any other reference of its kind,McGraw-Hill’s Dictionary of American Idioms and Phrasal Verbs shows you how American English is spoken today. You will find commonly used phrasal verbs, idiomatic expressions, proverbial expressions, and clichés. The dictionary contains more than 24,000 entries, each defined and followed by one or two example sentences. It also includes a Phrase-Finder Index with more than 60,000 entries.

In the female empowering world of Terrene, a world very much like our own, but where young girls can have real power, a new story has arisen. Set on the beautiful Queensland coast in northeast Australia, four thirteen-year-old girls - and a boy this time - are all riders of the waves: they each have the power to call up a seahorse drawn from the crystal blue waters of the Coral Sea. But a life on the ocean waves leaves them all at sea when Petra Kerr, the Oil Baroness, starts pumping illegal oil in the area, threatening the precious ecosystem. It’s up to twins Melbourne and Sydney Fisher, Indonesian cousin Memberi Bambang, and friends Adelaide Brewer and native Australian Darwin Tonkin, to find a way to stop her. Their safe plan seems to be working - until Petra Kerr learns who they are, and decides to stop them before they can stop her. Like its predecessor Cloud Fighters, this is a top-of-the-line story aimed at middle-graders and young teens.

Acclaimed, best-selling Haruki Murakami's debut short novels, newly re-translated and in one English-language volume for the first time--with a new introduction by the author. After almost thirty years out of print, the first major works of fiction by international best-selling author Haruki Murakami--the novellas Pinball, 1973 and Hear the Wind Sing--are finally together in one volume, in all-new English translations. Centering around two young men--an unnamed narrator and his friend and former roommate, the Rat--these short works are powerful, at times surreal, stories of loneliness, obsession, and eroticism. Filled with all the hallmarks of Murakami's later books, they are a fascinating insight into a great author's beginnings, and remarkable works of fiction in their own right. In addition to the new translations, our edition also includes an exclusive essay by Murakami in which he explores and explains his decision to become a writer. Prequels to the much-beloved classics A Wild Sheep Chase and Dance Dance Dance, these early novellas are essential reading for Murakami lovers and contemporary fiction lovers, alike.

When Harvard-trained sociologist Peter Moskos left the classroom to become a cop in Baltimore's Eastern District, he was thrust deep into police culture and the ways of the street--the nerve-rattling patrols, the thriving drug corners, and a world of poverty and violence that outsiders never see. In Cop in the Hood, Moskos reveals the truths he learned on the midnight shift. Through Moskos's eyes, we see police academy graduates unprepared for the realities of the street, success measured by number of arrests, and the ultimate failure of the war on drugs. In addition to telling an explosive insider's story of what it is really like to be a police officer, he makes a passionate argument for drug legalization as the only realistic way to end drug violence--and let cops once again protect and serve. In a new afterword, Moskos describes the many benefits of foot patrol--or, as he calls it, "policing green."