Cornelia Hahn Oberlander

Cornelia Hahn Oberlander is one of the most important landscape architects of the twentieth century, yet despite her lasting influence, few outside the field know her name. Her work has been instrumental in the development of the late-twentieth-century design ethic, and her early years working with architectural luminaries such as Louis Kahn and Dan Kiley prepared her to bring a truly modern—and audaciously abstract—sensibility to the landscape design tradition. In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts—one of Vancouver’s most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal. Oberlander is a progenitor of some of the most significant currents informing landscape architecture today, particularly in the area of ecological focus. In her thorough biography, Herrington draws much-deserved attention to one of the truly important figures in landscape architecture.

Tells the remarkable story of Cornelia Hahn Oberlander, who, at a young age and in the wake of Hitler's persecution of the Jews, pursued her dream of becoming a landscape architect, struggling to carve out a place for herself in a male-dominated profession.

Trees in the City provides an introduction to the process of humanizing the cityscape and guide to planting trees in city conditions. This book focuses on four basic concepts. First, trees play an essential role in human's urban life. Second, people must become aware of the environmental, esthetic, social, and political importance of trees. Third, trees need to be integrated with the pattern and function of urban activity. Finally, the design, placement, and maintenance of trees on city streets are the responsibility of everyone in the community. The topics discussed include a short history of trees in the city; environmental and esthetic relation of trees, human, and the city; tree choices and features; and designing a city street—models, problems, and matrixes. This publication is beneficial to landscape architects and individuals interested in tree planting in urban areas.

Robert Brown helps us see that a "thermally comfortable microclimate" is the very foundation of well-designed and well-used outdoor places. Brown argues that as we try to minimize human-induced changes to the climate and reduce our dependence on fossil fuels-as some areas become warmer, some cooler, some wetter, and some drier, and all become more expensive to regulate-good microclimate design will become increasingly important. In the future, according to Brown, all designers will need to understand climatic issues and be able to respond to their challenges. Brown describes the effects that climate has on outdoor spaces-using vivid illustrations and examples-while providing practical tools that can be used in everyday design practice. The heart of the book is Brown's own design process, as he provides useful guidelines that lead designers clearly through the complexity of climate data, precedents, site assessment, microclimate modification, communication, design, and evaluation. Brown strikes an ideal balance of technical information, anecdotes, examples, and illustrations to keep the book engaging and accessible. His emphasis throughout is on creating microclimates that attend to the comfort, health, and well-being of people, animals, and plants. Design with Microclimate is a vital resource for students and practitioners in landscape architecture, architecture, planning, and urban design.

Phenomenology, Materiality, Cybernetics, Palimpsest, Cyborgs, Landscape Urbanism, Typology, Semiotics, Deconstruction - the minefield of theoretical ideas that students must navigate today can be utterly confusing, and how do these theories translate to the design studio? Landscape Theory in Design introduces theoretical ideas to students without the use of jargon or an assumption of extensive knowledge in other fields, and in doing so, links these ideas to the processes of design. In five thematic chapters Susan Herrington explains: the theoretic groundings of the theory of philosophy, why it matters to design, an example of the theory in a work of landscape architecture from the twentieth and twenty-first centuries, debates surrounding the theory (particularly as they elaborate modern and postmodern thought) and primary readings that can be read as companions to her text. An extensive glossary of theoretical terms also adds a vital contribution to students’ comprehension of theories relevant to the design of landscapes and gardens. Covering the design of over 40 landscape architects, architects, and designers in 111 distinct projects from 20 different countries, Landscape Theory in Design is essential reading for any student of the landscape.

In 30:30 Landscape Architecture, 30 of the most renowned landscape architects explore the work of the 30 of the world's top emerging architects with more than 500 illustrations. This book captures the essence of how the world is designed around us. A global and influential group of landscape architects will divulge fascinating details about their work - including their inspirations and design processes - as well as debate the key issues for landscape architects today and in the future. This up-to-date overview of contemporary landscape architecture offers students, practitioners and enthusiasts an inspiring and insightful look at global landscape architecture today. Catherine Mosbach, George Hargreaves, Martha Schwartz and Adrian Geuze as well as the best and brightest of the next generation of designers engage with a diverse range of projects, demonstrating both the importance and creativity of landscape architecture. A truly global list of landscape architects from 20 countries working in Chile, Mexico, USA, Canada, UK, China, South Korea, Japan, Australia, Sweden, Spain, France, Germany, and the Netherlands.

Eppich House 2 tells the story, through gorgeous images and Arthur Erickson?s own words, of how a unique collaboration with 'dream clients' resulted in his most striking residence.One glimpse of the cascading steel beams mirrored in the reflecting pond and it's clear that the Hugo and Brigitte Eppich house is a singular achievement, a daring experiment that embodies Erickson's West Coast modernist ideas about site, material, and form.Erickson's first steel residence explores both the structural and aesthetic possibilities of the material, with curved beams, dyed cladding, and milled furnishings designed by Francisco Kripacz-all features that would have been near impossible on a regular commission. But after seeing the first Eppich House, built for Hugo's twin brother Helmut, Hugo entrusted Erickson with creating and furnishing the entire house, inside and out-another first for Erickson-and made available the Eppic brothers' steel fabricating plants, which built virtually every component of the home.Architecture expert Greg Bellerby weaves into his essay extensive interviews with Erickson, Eppich, and architect Nick Milkovich, as well as contributions from Cornelia Oberlander, the home's landscape designer, to tell the fascinating story of an uncommon vision, realized in steel and glass