Cosmopolitan Minds

During World War II and the early Cold War period, factors such as race, gender, sexual orientation, or class made a number of American writers feel marginalized in U.S. society. Cosmopolitan Minds focuses on a core of transnational writers—Kay Boyle, Pearl S. Buck, William Gardner Smith, Richard Wright, and Paul Bowles—who found themselves prompted to seek experiences outside of their home country, experiences that profoundly changed their self-understanding and creative imagination as they encountered alternative points of views and cultural practices in Europe, Asia, and Africa. Alexa Weik von Mossner offers a new perspective on the affective underpinnings of critical and reflexive cosmopolitanism by drawing on theories of emotion and literary imagination from cognitive psychology, philosophy, and cognitive literary studies. She analyzes how physical dislocation, and the sometimes violent shifts in understanding that result from our affective encounters with others, led Boyle, Buck, Smith, Wright, and Bowles to develop new, cosmopolitan solidarities across national, ethnic, and religious boundaries. She also shows how, in their literary texts, these writers employed strategic empathy to provoke strong emotions such as love, sympathy, compassion, fear, anger, guilt, shame, and disgust in their readers in order to challenge their parochial worldviews and practices. Reading these texts as emotionally powerful indictments of institutionalized racism and national violence inside and outside of the United States, Weik von Mossner demonstrates that our emotional engagements with others—real and imagined—are crucially important for the development of transnational and cosmopolitan imaginations.

Awarded the 2023 "René Wellek Prize for the Best Edited Essay Collection" by the American Comparative Literature Association, Migrating Minds contributes to the prominent interdisciplinary domain of Cosmopolitan Studies with 20 innovative essays by humanities scholars from all over the world that re-examine theories and practices of cosmopolitanism from a variety of perspectives. The volume satisfies the need for a stronger involvement of Comparative and World Literatures and Cultures, Translation, and Education Theories in this crucial debate, and also proposes an experimental way to explore in depth the necessity of a cosmopolitan method as well as the riches of cosmopolitan representations. The essays follow a logical progression from the situated philosophical and political foundations of the debate to interdisciplinary propositions for a pedagogy of cosmopolitanism through studies of modern and contemporary cosmopolitan cultural practices in literature and the arts and the concurrent analysis of prototypes of cosmopolitan identities. This trajectory allows readers to appreciate new historical, theoretical, aesthetic, and practical implications of cosmopolitanism that pertain to multiple genres and media, under different modes of production and reception. In the deterritorialized landscape of Migrating Minds, mental and sentimental mobility, rather than the legacy of place, is the key to an efficient, humanist response to deadening globalization.

Psychoanalytic Thinking on the Unhoused Mind illuminates the psychological underpinnings of current societal problems: homelessness, mental distress, loneliness and states of societal breakdown and exclusion. Illustrated with a broad range of clinical work as well as thoughts on art and literature, the book brings to life complex tensions between the individual psyche, the group, and wider political and cultural structures. ‘Unhoused’ states of mind are explored in rough sleepers, ex-prisoners, survivors of institutional abuse and family trauma, and people living with personality disorder, addiction, psychosis and dementia. Chapters describe outreach, assessment and long-term psychotherapy, as well as reflective practice with staff teams and care systems, and learning from consultation, supervision and policy development. New therapeutic responses to chronic risk and to resilience are developed from psychoanalytic understandings of difficulties with containment and care. The collection will be of value to psychotherapists and other mental health practitioners, as well as those working in therapeutic, residential and criminal justice settings and outreach services.

Like "Sex and the City" with a dash of sepia, "Cosmopolitan Girls" is a high-spirited debut that is sure to be the new toast of the town.

MY THREE YEARS IN MOSCOW is a good deal more than an account of diplomatic negotiations. General Smith undertook to study the whole framework of Soviet life-the people, their leaders and their institutions. In this study he had the help of a large and well-informed staff and, in addition, he has had the advantage of closer personal contact with Marshal Stalin than any other Westerner. There are vivid portraits of the men who run the Soviet Union, all the way from the members of the all-powerful Politburo to the director of a small collective farm. There are revealing discussions of the efficiency of Soviet industry and agriculture. In the course of his duties General Smith met numbers of Russians of all kinds, and his pages contain fascinating sketches of them, thus building a picture of the life of the ordinary man in a collectivized economy. The American Ambassador had his own housekeeping problems, like the incident of the supply of fresh eggs, which eventually involved ponderous governmental machinery. MY THREE YEARS IN MOSCOW is one of the important books of our time distinguished in its character and permanent in historical value. “...casts more light on the Soviet system, on Marshal Stalin and on the tortuous twists and turns of Soviet policy than anything published thus far.”—The New York Times

Volume 4 of the letters of T. S. Eliot, which brings the poet, critic, editor and publisher into his forties, documents a period of anxious and fast-moving professional recovery and personal and spiritual consolidation. Following the withdrawal of financial support by his patron Lady Rothermere, Faber & Gwyer (subsequently Faber & Faber) eventually takes over the responsibility for Eliot's literary periodical The Criterion. He supplements his income as a fledgling publisher, 'just as I did ten years ago, by reviewing, articles, prefaces, lectures, broadcasting talks, and anything that turns up.' His work as editor is internationalist above all else, and Eliot makes contact with a number of eminent and emergent writers and thinkers, as well as forging links with European reviews ('all of which have endeavoured to keep the intellectual blood of Europe circulating throughout the whole of Europe'). Eliot's responsibilities during this period extend to caring for Vivien, who returns home after months in a French psychiatric hospital and whom he looks after with anxious fortitude; and the personal correspondence with his mother closes with her death in September 1929.

Drawing on the latest debates in ecocritical theory and sustainability studies, Literature as Cultural Ecology: Sustainable Texts outlines a new approach to the reading of literary texts. Hubert Zapf considers the ways in which literature operates as a form of cultural ecology, using language, imagination and critique to challenge and transform cultural narratives of humanity's relationship to nature. In this way, the book demonstrates the important role that literature plays in creating a more sustainable way of life. Applying this approach to works by writers such as Emily Dickinson, Edgar Allan Poe, Herman Melville, William Faulkner, Toni Morrison, Zakes Mda, and Amitav Ghosh, Literature as Cultural Ecology is an essential contribution to the contemporary environmental humanities.