Cosmopolitan Patriots

"This truly transnational history reveals the important role of Americans abroad in the Age of Revolution, as well as providing an early example of the limits of American influence on other nations. From the beginning of the French Revolution to its end at the hands of Napoleon, American cosmopolitans like Thomas Jefferson, Gouverneur Morris, Thomas Paine, Joel Barlow, and James Monroe drafted constitutions, argued over violent means and noble ends, confronted sudden regime changes, and negotiated diplomatic crises such as the XYZ Affair and the Louisiana Purchase." "Eager to report on what they regarded as universal political ideals and practices, Americans again and again confronted the particular circumstances of a foreign nation in turmoil. In turn, what they witnessed in Paris caused these prominent Americans to reflect on the condition and prospects of their own republic. Thus, their individual stories highlight overlooked parallels between the nation-building process in both France and America, and the two countries' common struggle to reconcile the rights of man with their own national identity." --Book Jacket.

This work is both a critical response to the abuse and misuse of Paul’s words on unity and a proposal to read them as a way to care about “others.”

After the terrorist attacks on the Pentagon and the World Trade Center, American flags appeared everywhere. Is patriotism a good response at a time of national crisis? What does it mean for us to think of ourselves as a nation first? With our connections to the world growing stronger and more vital than ever, Martha C. Nussbaum argues that we should distrust conventional patriotism as parochial and instead see ourselves first of all as "citizens of the world." Sixteen prominent writers and thinkers respond, including Benjamin R. Barber, Sissela Bok, Nathan Glazer, Robert Pinsky, Elaine Scarry, Amartya Sen, and Michael Walzer. NEW DEMOCRACY FORUM A series of short paperback originals exploring creative solutions to our most urgent national concerns. The series editors (for Boston Review), Joshua Cohen and Joel Rogers, aim to foster politically engaged, intellectually honest, and morally serious debate about fundamental issues-both on and off the agenda of conventional politics.

This is a groundbreaking work which links the novels of modernist, contemporary, and postcolonial authors to rethink the political nature of cosmopolitanism.

The Common Good and Christian Ethics rethinks the ancient tradition of the common good in a way that addresses contemporary social divisions, both urban and global. David Hollenbach draws on social analysis, moral philosophy, and theological ethics to chart new directions in both urban life and global society. He argues that the division between the middle class and the poor in major cities and the challenges of globalisation require a new commitment to the common good and that both believers and secular people must move towards new forms of solidarity.

In twelve critical and interdisciplinary essays, this text examines the relationship between the fantastic in novels, movies and video games and real-world debates about nationalism, globalization and cosmopolitanism. Topics covered include science fiction and postcolonialism, issues of ethnicity, nation and transnational discourse. Altogether, these essays chart a new discursive space, where postcolonial theory and science fiction and fantasy studies work cooperatively to expand our understanding of the fantastic, while simultaneously expanding the scope of postcolonial discussions.

During the years leading up to World War I, America experienced a crisis of civic identity. How could a country founded on liberal principles and composed of increasingly diverse cultures unite to safeguard individuals and promote social justice? In this book, Jonathan Hansen tells the story of a group of American intellectuals who believed the solution to this crisis lay in rethinking the meaning of liberalism. Intellectuals such as William James, John Dewey, Jane Addams, Eugene V. Debs, and W. E. B. Du Bois repudiated liberalism's association with acquisitive individualism and laissez-faire economics, advocating a model of liberal citizenship whose virtues and commitments amount to what Hansen calls cosmopolitan patriotism. Rooted not in war but in dedication to social equity, cosmopolitan patriotism favored the fight against sexism, racism, and political corruption in the United States over battles against foreign foes. Its adherents held the domestic and foreign policy of the United States to its own democratic ideals and maintained that promoting democracy universally constituted the ultimate form of self-defense. Perhaps most important, the cosmopolitan patriots regarded critical engagement with one's country as the essence of patriotism, thereby justifying scrutiny of American militarism in wartime.

This volume analyzes mediated articulations of “cosmopatriotism” in East and South-East Asian popular cultures and arts. Cosmopatriots navigate between a loyalty to the home country and a sense of longing for and belonging to the world. Rather than searching for the truly globalized cosmopolitans, the authors of this collection look for the postcolonial, rooted cosmopolitans who insist on thinking and feeling simultaneously beyond and within the nation. The cultural sites they discuss include Hong Kong, Indonesia, China, Singapore, the United States, South Korea and Australia. They show how media from both sides of the arbitrary divide between high art and popular culture – including film, literature, the fine arts, radio, music, television and mobile phones – function as vehicles for the creation and expression of, or reflection upon, intersections between patriotism and cosmopolitanism.