Counterplay

When corrupt, would-be mayor Andrew Kane escapes from prison, he has plans on killing Butch Karp and his family by joining forces with a terrorist group and organizing a major attack in New York City.

This book offers insight into one of the most problematic and universal issues within multiplayer videogames: antisocial and oppositional play forms such as cheating, player harassment, the use of exploits, illicit game modifications, and system hacking, known collectively as counterplay. Using ethnographic research, Alan Meades not only to gives voice to counterplayers, but reframes counterplay as a complex practice with contradictory motivations that is anything but reducible to simply being hostile to play, players, or commercial videogames. The book offers a grounded and pragmatic exploration of counterplay, framing it as an unavoidable by-product of interaction of mass audiences with compelling and culturally important texts.

"Counterplay explores the inner world of a chess player and examines how we attempt to make meaning from the game and the forms of life that surround it. Desjarlais's personal account skillfully illustrates the absorbing, enchanting, and exacting qualities of chess, while also highlighting the penury, disillusion and pettiness that regretfully permeate the game."—Jonathan Rowson, PhD, Grandmaster and British Chess Champion (2004-2006) "This book is replete with deeply researched and closely observed details, small dramas, intriguing insights, compelling anecdotes and potted biographies—all interwoven with great authorial skill and intelligence. This is a superb introduction to the 'lifeworld' of chess that affords glimpses into the psychology of players and touches on the social and political dimensions of competitive chess. In every chapter, Desjarlais offers alluring suggestions as to what kinds of satisfaction different people find in playing chess."—Michael D. Jackson, author of The Palm at the End of the Mind

"Chess gets a hold of some people, like a virus or a drug," writes Robert Desjarlais in this absorbing book. Drawing on his lifelong fascination with the game, Desjarlais guides readers into the world of twenty-first-century chess to help us understand its unique pleasures and challenges, and to advance a new "anthropology of passion." Immersing us directly in chess’s intricate culture, he interweaves small dramas, closely observed details, illuminating insights, colorful anecdotes, and unforgettable biographical sketches to elucidate the game and to reveal what goes on in the minds of experienced players when they face off over the board. Counterplay offers a compelling take on the intrigues of chess and shows how themes of play, beauty, competition, addiction, fanciful cognition, and intersubjective engagement shape the lives of those who take up this most captivating of games.

Tanenbaum's last novel, Fury, ended with a breathtaking cliff-hanger. Now readers can enjoy the exciting conclusion -- bursting with more suspenseful twists -- in his latest, Counterplay. When betrayal results in the cold-blooded murder of a busload of schoolchildren to accomplish the escape from custody of vicious sociopath Andrew Kane, New York District Attorney Butch Karp finds himself embroiled in a raging quest for vengeance that could cost him, his family, and thousands of others their lives. With an intensive manhunt ongoing for the fugitive Kane, Karp and long-time colleague Ray Guma open a cold case and pursue murder charges against wealthy Manhattan power broker/banker Emil Stavros, whose socialite wife disappeared nearly fifteen years earlier. Meanwhile, Karp's wife, Marlene Ciampi, has let her fascination with her husband's lesser-known family comprised of Russian gangsters pull her into a dangerous world of Islamic terrorists, Chechen rebels, and Russian agents engaged in nefarious events straight out of today's real-world headlines. Yet again, Robert K. Tanenbaum writes a masterful thriller involving the most memorable -- and "un-put-downable" -- stories of corruption and courtroom confrontations. Counterplay, the latest book in the bestselling Butch Karp/Marlene Ciampi series, proves to be another full-bodied, riveting page-turner with yet another cliff-hanger not soon to be forgotten.

Where do we end up when we enter the time machine that is the digital game? One axiomatic truth of historical research is that the past is the time-space that eludes human intervention. Every account made of the past is therefore only an approximation. But how is it that strolling through ancient Alexandria can feel so real in the virtual world? Claims of authenticity are prominent in discussions surrounding the digital games of our time. What is historical authenticity and does it even matter? When does authenticity or the lack thereof become political? By answering these questions, the book illuminates the ubiquitous category of authenticity from the perspective of historical game studies.

This volume was first published by Inter-Disciplinary Press in 2013. This volume brings together perspectives on videogames and interactive entertainment from film and media studies, Russian studies, health, philosophy and human-computer interaction, among others. It includes theoretically and practically-informed explorations of the nature of games, their design and development, and their communities and culture.

Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations. The book understands "global" as a mode of comparative thinking and argues for considering various forms of digital literature—the popular, the avant-garde, and the participatory—as realizing and producing global thought in the twenty-first century. Attending to issues of both political and aesthetic representation, the book includes a diverse group of contributors and a wide-ranging corpus of texts, composed in a variety of languages and regions, including East and South Asia, parts of Europe, Latin America, North America, Australia, and Western Africa. The book’s contributors adopt an array of interpretive approaches to make visible new connections and possibilities engendered by cross-cultural encounters. Among other topics, they reflect on the shifting conditions for production and distribution of literature, participatory cultures and technological affordances of Web 2.0, the ever-changing dynamics of global and local forces, and fundamental questions, such as, "What do we mean when we talk about literature today?" and "What is the future of literature?"