Courtship Rite

Science fiction-roman.

This book is an attempt to show something of the ways in which the Bible and the Christian tradition intersect the language of Shakespeare. Word and Rite also focuses on the manner in which rites are efforts to illuminate mysteries: the mystery of marriage, the mystery of baptism, the mystery of confession, the mystery of the Eucharist, the mystery of funerals, and even the mystery of words, in their relation to the Word. Holy objects such as the Fountain of blood may also be considered. Maimed rites frequently occur in Shakespeare, but through ceremony there are attempts to turn mayhem into mystery--especially in comedies. In the words of the author of the Foreword to this book:" In Shakespeare word and rite are as inseparable as word and sacrament in worship...so outward signs of inward truth are linked with words of these plays and with Scripture and with the Word incarnate." This book also explores the ramifications of observing this insight.

Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles.

Argues that freedom to love, court, and marry in nineteenth-century English Canada was constrained by an intricate social, institutional, and familial framework which greatly influenced the behavior of young couples both before and after marriage.

Talk is of central importance to politics of almost every kind—it’s no accident that when the ancient Greeks first attempted to examine politics systematically, they developed the study of rhetoric. In Tropes of Politics, John Nelson applies rhetorical analysis first to political theory, and then to politics in practice. He offers a full and deep critical examination of political science and political theory as fields of study, and then undertakes a series of creative examinations of political rhetoric, including a deconstruction of deliberation and debate by the U.S. Senate prior to the Gulf War. Using the neglected arts of argument refined by the rhetoric of inquiry, Nelson traces how everyday words like consent and debate construct politics in much the same way that poets such as Mamet and Shakespeare construct plays, and he shows how we are remaking our politics even as we speak. Tropes of Politics explores how politicians take stands and political scientists probe representation, how experts become informed even as citizens become authorities, how students actually reinvent government while professors merely model politics, how senators wage war yet keep comity among themselves. The action, Nelson shows, is in the tropes: these figures of speech and images of deed can persuade us to turn from ideologies like liberalism toward spectacles about democracy or movements into environmentalism and feminism. His argument is that inventive attention to tropes can mean better participation in politics. And the argument is in the tropes—evidence itself as sights or citations, governments as machines or men, politics as hardball or softball, deliberations as freedoms or constraints, borders as fringes or friends.