Cowboy High Style

A tribute to the artistic and entrepreneurial spirit of Thomas Molesworth--a Wyoming furniture maker who, 60 years ago, outfitted famous western lodges and dude ranches--this fascinating book also introduces contemporary craftspeople who are leading the pack in today's Western revival. 140 photographs

Cowboy Style highlights today's Western furnishings-from meticulous leather-wrapped armoires to hand-carved mantelpieces depicting a trout stream or local wildlife. An extraordinary commitment of time plus a pure passion and singular creative vision are the hallmarks of the fine furnishings of the contemporary West. Today's artisans are creating works that are fresh, beautiful, meticulously crafted, sometimes nostalgic, often humorous, and always celebratory of both the region and its traditions. In Cowboy Style, Ewald interviews dozens of today's craftsmen, including Jimmy and Lynda Covert, Peter M. Fillerup, Mike Patrick, and Chris Chapman, and explores Cowboy d cor for every room in the house! " . . . Dozens of full-color photographs take you into the homes of people who love the West and have furnished their living quarters with the finest western craftsmanship available." - -American Cowboy Magazine "An excellent place to start. . . Ewald breaks down Western decor by individual U.S.-based designers that contributed to the look." -Toronto Star

Western furnishings today range from meticulous leather-wrapped armoires to hand-carved mantelpieces depicting a trout stream or local wildlife. An extraordinary commitment of time plus a pure passion and singular creative vision are the hallmarks of the fine furnishings of the contemporary West. Today's artisans are creating works that are fresh, beautiful, meticulously crafted, sometimes nostalgic, often humorous, and always celebratory of both the region and its traditions. This is COWBOY CHIC. Hardback; 150

This survey of EuroAmerican fashion and style includes a detailed, thoroughly illustrated chronology of women’s, men’s, and children’s dress since 1800. Each chapter covers in detail virtually all categories of clothing, including day attire, evening dress, outerwear, sportswear and swimwear, undergarments, sleepwear, accessories, footwear, hats, hairstyles and grooming, and more. Over 1,000 illustrations visually document the past 200 years of fashion and style. Each era is introduced with an overview of the history and cultural developments that impacted modern fashion.

When fashion reporter Lacey Smithsonian moved to Washington, D.C., from rugged, small town Sagebrush, Colorado, she thought she’d never look back. But when her former boyfriend, cattle rancher Cole Tucker, is arrested for the murders of three women, Lacey digs her cowboy boots out of her closet and hops on the next plane. She is certain of Tucker’s innocence, until he abducts her during a daring courthouse escape. Is Tucker capable of murder, too? Or is there a larger conspiracy in the small town? Lacey needs to rustle up all the help she can get for this case before her old flame is snuffed out for good...

These "New Westers", Johnson reveals, line-dance and two-step, listen to Garth Brooks and George Strait, drink beer from long-neck bottles, wear clothes ordered from Sheplers, watch rodeo on ESPN, play Wild West arcade games, eat fajitas and tacos in stuccoed Mexican cafes, collect Western art and Native American crafts, and vacation in and move to the West. "New Westers" rewrite the history and biography of the West. They reimagine the West in Cowboy sagas and poetry, Native American novels, Mexican-American drama, nature writing, revisionist films, eclectic visual artwork, and neo-traditional music. They flock to movies like Thelma and Louise, Unforgiven, and Dances with Wolves, watch mini-series like Lonesome Dove, and read bestsellers like The Crossing and All The Pretty Horses. "New Westers" are men and women who may or may not have ever hitched up a horse but who crave connection with the West. At the end of a century of urbanization, technological change, and cultural confusion, they seek a more natural home, a fuller and wider sense of place, and a deeper and more colorful personal identity. They also want to revive the dream of the mythic West - but on different terms. They overrun the Old West and yet strive to preserve it, raising troubling new concerns about the differences between the mythic and the real, between traditional and contemporary cultural influences.