Coyote Frontier

The saga of Earth’s first space colonists continues as the Hugo Award-winning author of Coyote and Coyote Rising presents a riveting novel of their struggle to create a new civilization light-years away from the world—and the problems they thought they left behind…

When Hawk leaves Earth for the planet of Coyote, the last refuge for humankind, he must venture into the world of the hjadd, an alien race, to uncover the truth about the strange connection that exists between the two groups.

Exploring the cultural and literary borderlands between Native American, postcolonial, and postmodern theories of cultural representation, Carlton Smith explicates Frederick Jackson Turner's famous frontier thesis in terms of the repressed Other. Through readings of six important contemporary works by innovative writers, Smith provides rich insight into "minority" versions of the frontier.

The continuing epic of Earth's first space colonists--and their fight against a repressive government to reclaim their world in the name of freedom.

The New York Times best-selling account of how coyotes--long the target of an extermination policy--spread to every corner of the United States Finalist for the PEN/E.O. Wilson Literary Science Writing Award "A masterly synthesis of scientific research and personal observation." -Wall Street Journal Legends don't come close to capturing the incredible story of the coyote In the face of centuries of campaigns of annihilation employing gases, helicopters, and engineered epidemics, coyotes didn't just survive, they thrived, expanding across the continent from Alaska to New York. In the war between humans and coyotes, coyotes have won, hands-down. Coyote America is the illuminating five-million-year biography of this extraordinary animal, from its origins to its apotheosis. It is one of the great epics of our time.

For most North Americans--Canadians as well as Americans--the term "Western" evokes images of the frontier, brave sheriffs and ruthless outlaws, good cowboys and bad Indians. As Arnold E. Davidson shows in this groundbreaking study, a number of Canada's most interesting and experimental Western writers parody, reverse, or otherwise defuse the paraphernalia of the classic U.S. Western. Lacking both a real and imagined frontier--Canadian settlers rode trains into the new territory, already policed by Mounties--the writers of Canadian Westerns were set a different task from their American counterparts and were subsequently freed to create some of the most complex and engrossing fiction yet produced in Canada. Davidson details the evolution of the U.S. and Canadian Western forms, tracing the divergence between the two as Canadian writers responded to their unique historical circumstances by reinventing the West as well as the Western and establishing a new literary landscape where author and reader could work out new possibilities of being. Surveying a range of texts by Canada's most innovative writers, with special attention to women writers and Native stories of Coyote, he provides close readings of novels by Howard O'Hagan, Sheila Watson, Robert Kroetsch, Aritha van Herk, Anne Cameron, Peter Such, W. O. Mitchell, Beatrice Culleton, and Thomas King. A unique study, Coyote Country offers at one and the same time a theory of Canadian Western fiction, a history of crosscultural paradigms of the West as manifested in novels, and an intensive reading of some of Canada's best literature.

A journey to the high plains of the northern United States captures the essence of the true west, depicting the ranchers, the Native Americans, and the majesty of the natural world.