Cp Surfaces Colored Paper

Stunning lessons you'll simply love to draw!Why learn to work on colored papers? Because it saves time -but it also can enhance the style and mood of your colored pencil drawings. Let Amy help you understand how to work on colored surfaces using complimentary colors to make fast work of exciting, beautiful art. Choosing just the right colored paper can make your artwork sing!What's Inside:4 stunning full demosTechniques for florals, portraits and wildlife80 large step-by-step imagesStrategies to use colored surfaces to speed up your workAmy Lindenberger never disappoints - she's a most generous instructor and will soon have you creating colored pencil art on colored surfaces with mastery!

A mesmerizing surface for colored pencils... but do you feel intimidated by the idea of drawing on such a dark background? Artist Amy Lindenberger will shatter your fears. The truth is, much less colored pencil layering is required on black paper, so it goes quick and easy! Bright colors appear brighter on the extreme contrast of a black background. A colored pencil pioneer, Amy presents a comprehensive guide on how to master this exciting new surface. Book Includes: Four step-by-step tutorials PLUS an extra mini demo! Full Color images and line drawings Tips to help you avoid all mistakes on black paper

Enjoy painting with much less mess and frustration! This 5th book in our top-selling CP Surfaces series introduces you to watercolor paper, a surface you may have thought wouldn't work well with colored pencil...but it does, especially when combined with water-soluble colored pencil. Explore the joys without the clean up - and still keep the precision of colored pencils that we know you love. Watercolor paper is one of the most versatile and widely available white papers out there, and with colored pencil pioneer Amy Lindenberger as your expert guide, you will save hours and hours of trial and error as you try a new surface. 5 beautiful demos will give you the chance to put these skills to the test. You'll use Prismacolor, Faber-Castell and Derwent Inktense colored pencils to draw a wide array of subject matter.

The third in the very popular CP Surfaces series, this book provides difinitive instruction on how to use colored pencil on drafting film for stunning results. Drafting film is the most forgiving surface for colored pencil as it erases completely and with ease, so there are simply never any permanent goofs. It's also a relatively quick surface to work on, since you are limited to 2 or 3 layers. What could be better than that? How about intricate, step by step, generous instruction? That's what you'll find here. With years of teaching experience behind her, Gretchen Evans Parker knows how to break steps down into very easy to follow instruction. Anyone can complete the five beautiful demos found in this book to create frameable artwork like a pro.

Over 70 stunning paintings showcasing master colored pencil artists from all over the globe. Every featured artist also generously shares tips, techniques and insights into their personal own style. CP Treasures will absolutely become a highly treasured volume in any colored pencil artist's library.

Tea gowns, bleached damask, and yards of flannel and pillow-case lace, stereoscopes, books of gospel hymns and ballroom gems, the New Improved Singer Sewing Machine, side saddles, anti-freezing well pumps, Windsor Stoves, milk skimmers, straight-edged razors, high-button shoes, woven cane carpet beaters, spittoons, the Studebaker Road Cart, commodes and washstands, the "Fire Fly" single wheel hoe, cultivator, and plow combined, flat irons, and ice cream freezers. What man, woman, or child of the 1890s could resist these offerings of the Montgomery Ward catalogue, the one book that was read avidly, year after year, by millions of Americans on farms and in small towns across the nation? The Montgomery Ward catalogue provides one of the few irrefutably accurate pictures of what life was "really like" in the gay nineties, for it described and illustrated almost anything that anybody could possibly need or want in the way of "store-bought" goods. In fact, in that pre-department store era, it was usually the only source for such goods. Imagine if Montgomery Ward had issued an illustrated catalogue in the days of Louis XIV, or Elizabeth I, or Charlemagne: what insights would we have into the daily life of the "common folk," the farmers and shopkeeper, housewives and schoolchildren . . . what sources of information for historians and scholars, collectors and dealers, what models for artists and designers. In 1895, Montgomery Ward was the oldest, largest, and most representative mail-order house in the country. The brainchild of a former traveling salesman, it issued its first catalogue in 1872, a one-page listing of items. By 1895, the catalogue, reprinted here, had grown to 624 pages and listed some 25,000 items, almost all of them illustrated with live drawings. Montgomery Ward was by then a multi-million dollar business that profoundly affected the American economy; and since it reached the most isolated farms and backwoods cabins, its effect on American culture was almost as great. Now once again available, it is our truest, most unbiased record of the spirit of the 1890s. An introduction on the history of the Montgomery Ward Company and its catalogue has been prepared especially for this edition by Boris Emmet, Ph.D. (Johns Hopkins), a foremost expert on retail merchandising. His monumental work Catalogues and Counters has long been recognized as a landmark in the study of American economic history.

Before the Internet, Wal-Mart, and the shopping mall, there was Montgomery Ward.

"A dazzling trove for students of Americana." Time...