Crashing The Idols

If prophets are called to unveil and expose the illegitimacy of those principalities masquerading as "the right" and purportedly using their powers for "the good," then Will D. Campbell is one of the foremost prophets in American religious history. Like Clarence Jordan and Dorothy Day, Campbell incarnates the radical iconoclastic vocation of standing in contraposition to society, naming and smashing the racial, economic, and political idols that seduce and delude. Despite an action-packed life, Campbell is no activist seeking to control events and guarantee history's right outcomes. Rather, Campbell has committed his life to the proposition that Christ has already set things right. Irrespective of who one is, or what one has done, each human being is reconciled to God and one another, now and forever. History's most scandalous message is, therefore, "Be reconciled!" because once that imperative is taken seriously, social constructs like race, ethnicity, gender, and nationality are at best irrelevant and at worst idolatrous. Proclaiming that far too many disciples miss the genius of Christianity's good news (the kerygma) of reconciliation, this Ivy League-educated preacher boldly and joyfully affirms society's so-called least one, cultivating community with everyone from civil rights leaders and Ku Klux Klan militants, to the American literati and exiled convicts. Except for maybe the self-righteous, none is excluded from the beloved community. For the first time in nearly fifty years, Campbell's provocative Race and Renewal of the Church is here made available. Gayraud Wilmore called Campbell's foundational work "an unsettling reading experience," but one that articulates an unwavering "confidence in the victory which God can bring out of the weakness of the church."

Includes passages translated into English.

If prophets are called to unveil and expose the illegitimacy of those principalities masquerading as "the right" and purportedly using their powers for "the good," then Will D. Campbell is one of the foremost prophets in American religious history. Like Clarence Jordan and Dorothy Day, Campbell incarnates the radical iconoclastic vocation of standing in contraposition to society, naming and smashing the racial, economic, and political idols that seduce and delude. In this anthology Campbell diagnoses a problem afflicting much of the church today. Zealous to make a difference in the world by acquiring the power of legislation and enforcement, Christians employ society's political science rather than the scandalous politics of Jesus. Although well-intentioned, Christians are, Campbell laments, mistakenly "up to our steeples in politics." Campbell's prescription is for disciples simply to incarnate the reconciliation that Christ has achieved. Rather than crafting savvy strategies and public policies, "Do nothing," Campbell counsels. "Be reconciled!" Yet his encouragement to "do nothing" is no endorsement of passivity or apolitical withdrawal. Rather, Campbell calls for disciples to give their lives in irrepressible resistance against all principalities and powers that would impede or deny our reconciliation in Christ--an unrelenting prophetic challenge leveled especially at institutional churches, as well as Christian colleges and universities. In sermons, difficult-to-access journal articles, and archival manuscripts, Campbell then develops what reconciliation looks like. Being the church, for example, means identifying with, and advocating for, society's "least one"-including violent offenders, disenfranchised minorities, and even militant bigots. In fact, in Campbell's ordo the scorned sectarian and disinherited denizen is often closer to the peculiar Christian genius than are society's well-healed powerbrokers. Disciples seeking to discern their calling can hardly do better than taking direction from this "bootleg," pulpitless preacher.

This collection of essays and sermons by Rodney Kennedy and Kyle Childress is focused on honoring the memory of Will Campbell--the prophet from the South who made a vocation of destroying sacred cows. The essays and sermons attempt to be true to the spirit of Will Campbell's devotion to the gospel above all else. It should not be surprising that the essays and sermons are about the business of deconstructing more sacred cows while lifting up the truth claims of the gospel.

A Best Book of the Year at The Atlantic Los Angeles Times Bestseller "[An] absorbing and revealing book. . . . nestling in the fruitful terrain between memoir and criticism." —Geoff Dyer, author of Out of Sheer Rage Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment. In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor’s first literary idol, someone whose own passage through Hollywood had, allegedly, broken him. Freshly divorced, professionally flailing, and reeling from his mother’s cancer diagnosis, Specktor was feeling unmoored. But rather than giving in or “cracking up,” he embarked on an obsessive journey to make sense of the mythologies of “success” and “failure” that haunt the artist’s life and the American imagination. Part memoir, part cultural history, part portrait of place, Always Crashing in the Same Car explores Hollywood through a certain kind of collapse. It’s a vibrant and intimate inspection of failure told through the lives of iconic, if under-sung, artists—Carole Eastman, Eleanor Perry, Warren Zevon, Tuesday Weld, and Hal Ashby, among others—and the author’s own family history. Through this constellation of Hollywood figures, he unearths a fascinating alternate history of the city that raised him and explores the ways in which curtailed ambition, insufficiency, and loss shape all our lives. At once deeply personal and broadly erudite, it is a story of an art form (the movies), a city (Los Angeles), and one person’s attempt to create meaning out of both. Above all, Specktor creates a moving search for optimism alongside the inevitability of failure and reveals the still-resonant power of art to help us navigate the beautiful ruins that await us all.

Libby I found Killian drunk and sprawled out on my lawn like some lost prince. With the face of a god and the arrogance to match, the pest won’t leave. Sexy, charming, and just a little bit dirty, he’s slowly wearing me down, making me crave more. He could be mine if I dare to claim him. Problem is, the world thinks he’s theirs. How do you keep an idol when everyone is intent on taking him away? Killian As lead singer for the biggest rock band in the world, I lived a life of dreams. It all fell apart with one fateful decision. Now everything is in shambles. Until Liberty. She’s grouchy, a recluse —and kind of cute. Scratch that. When I get my hands on her, she is scorching hot and more addictive than all the fans who’ve screamed my name. The world is clamoring for me to get back on stage, but I’m not willing to leave her. I’ve got to find a way to coax the hermit from her shell and keep her with me. Because, with Libby, everything has changed. Everything.

Argues that United States' creative class is fighting for survival and explains why this should matter to all Americans.

In post-modern America, aThe Christian Religiona is seen as backward, stale, and not politically correct. Many churches have attempted to adapt by blending into the liberal landscape. They compromise their message, which results in a diluted Gospel or aEasy-Believism.a It burdens no one with conformity to outdated notions such as discipleship, morality, and self-denial. The adherents to this Cheap Grace blend into society very well and do not appear to be any different than their secular neighbors. Christ does not call people to be areligiousa pew-sitters. He came to seek and save the lost. Those who respond to His call are His disciples. Walking the Walk by Faith presents Christas Gospel and the steps to becoming a true disciple of Christ, who walks in the spirit. The true disciple of Christ does not conform to society, but will stand out with a character that is just like His.