Creation Stories

An accessible exploration of how diverse cultures have explained humanity's origins through narratives about the natural environment Drawing from a vast array of creation myths--Babylonian, Greek, Aztec, Maya, Inca, Chinese, Hindu, Navajo, Polynesian, African, Norse, Inuit, and more--this short, illustrated book uncovers both the similarities and differences in our attempts to explain the universe. Anthony Aveni, an award-winning author and professor of astronomy and anthropology, examines the ways various cultures around the world have attempted to explain our origins, and what roles the natural environment plays in shaping these narratives. The book also celebrates the audacity of the human imagination. Whether the first humans emerged from a cave, as in the Inca myths, or from bamboo stems, as the Bantu people of Africa believed, or whether the universe is simply the result of Vishnu's cyclical inhales and exhales, each of these fascinating stories reflects a deeper understanding of the culture it arose from as well as its place in the larger human narrative.

An illustrated collection of twenty-five myths from various parts of the world explaining the creation of the world.

IN THE BEGINNING: CREATION MYTHS FROM AROUND THE WORLD is a beautifully illustrated and informative collection of creation stories from 15 cultures, using indigenous sources. These stories demonstrate that creation is ongoing, everywhere and always, and that all of us are creators all of the time. This engaging book of images and stories is ultimately about creativity in all its forms. Originally an exhibition, IN THE BEGINNING has appeared in museums, galleries, churches, and schools in several U.S. cities. An audio version of the book, in which the myths are read by Amy Walker, is available from Findhorn Press.

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For much of the last half of the twentieth century, W. G. Lambert devoted much of his research energy and effort to the study of Babylonian texts dealing with Mesopotamian ideas regarding creation, including especially Enuma Elish. This volume, which appears almost exactly 2 years after Lambert’s death, distills a lifetime of learning by the world’s foremost expert on these texts. Lambert provides a full transliteration and translation of the 7 tablets of Enuma Elish, based on the known exemplars, as well as coverage of a number of other texts that bear on, or are thought to bear on, Mesopotamian notions of the origin of the world, mankind, and the gods. New editions of seventeen additional “creation tales” are provided, including “Enmesharra’s Defeat,” “Enki and Ninmah,” “The Slaying of Labbu,” and “The Theogony of Dunnu.” Lambert pays special attention, of course, to the connection of the main epic, Enuma Elish, with the rise and place of Marduk in the Babylonian pantheon. He traces the development of this deity’s origin and rise to prominence and elaborates the relationship of this text, and the others discussed, to the religious and political climate Babylonia. The volume includes 70 plates (primarily hand-copies of the various exemplars of Enuma Elish) and extensive indexes.

What is reality? Is reality both mind and matter, body and soul, as taught by Western religions such as Judaism, Christianity, and Islam? This is dualism, the approach of philosophers from Plato to Descartes. Or is reality only matter, as taught by many modern scientists and philosophers? This is materialism, the approach of philosophers from Hobbes to Marx. Or is reality only mind, as taught by Eastern religions and Western mystics. This is the approach of philosophers from Berkeley to Whitehead. The beginning of Genesis allows for multiple translations and interpretations. We will read the creation story in Genesis from the point of view of each of these three approaches—dualism, materialism, and idealism. In doing so, we will tell three very different creation stories. These stories will take us on a fascinating journey through science, philosophy, and religion. Join us on this journey as we explore issues such as does God perform miracles, why is there evil in the universe, was Darwin correct, can robots have souls, and if light is a wave, what is waving?

Creation myths are the deepest and most important of all myths because they are concerned with both the basic patterns of existence and the ultimate meaning of life. In this book, an eminent Jungian analyst examines the recurring motifs that appear in creation myths from around the world and shows what they teach us about the mysteries of creativity, the cycles of renewal in human life, and the birth of consciousness in the individual psyche. Among the topics discussed are: • Why the creative process is often accompanied by anxiety, depression, loneliness, and fear of the unknown. • The meaning of creation motifs such as the egg, the seed, the primordial being, the creative fire, the separation of heaven and earth, and the four stages of creation. • Creation symbolism in the alchemical opus of medieval tradition. • How creation-myth motifs appear in the dreams of people who are on the verge of a leap forward in consciousness.