Creative Histories Of Witchcraft

How can researchers study magic without destroying its mystery? Drawing on a collaborative project between the playwright Poppy Corbett, the poet Anna Kisby Compton, and the historian William G. Pooley, this Element presents thirteen tools for creative-academic research into magic, illustrated through case studies from France (1790–1940) and examples from creative outputs: write to discover; borrow forms; use the whole page; play with footnotes; erase the sources; write short; accumulate fragments; re-enact; improvise; use dialogue; change perspective; make methods of metaphors; use props. These tools are ways to 'untell' the dominant narratives that shape stereotypes of the 'witch' which frame belief in witchcraft as ignorant and outdated. Writing differently suggests ways to think and feel differently, to stay with the magic, rather than explaining it away. The Element includes practical creative exercises to try as well as research materials from French newspaper and trial sources from the period.

How can researchers study magic without destroying its mystery? Drawing on a collaborative project between the playwright Poppy Corbett, the poet Anna Kisby Compton, and the historian William G. Pooley, this Element presents thirteen tools for creative-academic research into magic, illustrated through case studies from France (1790-1940) and examples from creative outputs: write to discover; borrow forms; use the whole page; play with footnotes; erase the sources; write short; accumulate fragments; re-enact; improvise; use dialogue; change perspective; make methods of metaphors; use props. These tools are ways to 'untell' the dominant narratives that shape stereotypes of the 'witch' which frame belief in witchcraft as ignorant and outdated. Writing differently suggests ways to think and feel differently, to stay with the magic, rather than explaining it away. The Element includes practical creative exercises to try as well as research materials from French newspaper and trial sources from the period.

Corbin recreates the life and world of a man about whom nothing is known except for his entries in the civil registries and historical knowledge about the times in which he lived: Louis-Francois Pinagot, a forester and clog maker who lived during the heart of the nineteenth century--the age of Romanticism, of Hugo and Berlioz--from the Napoleonic Wars to the Third Republic.

Witchcraft unravels the myth from the mystery, the facts from the legends, in this bewitching introduction to witchcraft’s lesser-known history. Spanning several centuries and comprising unbelievable facts and little-known legends, meet all the witches of your imagination and learn why, where and how it all began. Uncover the meanings of their rituals and rites, their lore, and their craft Discover the significance of their sabbats and covens, their chalices and wands, their robes and their religion. Unlock the secrets of the legendary witches of mythology and folk talesand find out how these early stories influenced the persecutions and witch hunts of the Middle Ages. Learn about the people who inspired the pagan revival and how their work in literature and magic rekindled the fires of the sabbats across Europe and the New World today. Features spell-binding historic and contemporary pictures that perfectly capture the key characters, events and wonders of this captivating, colourful and controversial history.

Witchcraft has recently been undergoing a huge popular revival, but does modern pagan witchcraft really bear any resemblance to its historical antecedents? The witch in history was a very different creature from her modern counterpart, and this book sets out to explore the historical background to the European witchcraft phenomenon. It examines in detail the growth of the ideological, cultural and legal concepts that eventually led to the carnage of the Witch Craze in the 16th and 17th centuries, which, it is estimated, may have claimed the lives of around 40,000 people. For both Medieval and Reformation scholars alike the Devil and all his works were a very real threat. Their conviction that witches were the servants of Satan led to the formation of perhaps one of the greatest conspiracy theories of all time: a belief that witches were working in league with the Devil in a diabolical plot against all Christendom. Witches were transformed from poor deluded old women who rode out at night with the pagan goddess Diana into devil-worshipping heretics who became the focus of a centuries-long, Europe-wide campaign determined to seek out and destroy this evil wherever it was to be found, regardless of whether any of its victims were actually guilty or not.

This book presents twenty chapters by experts in their fields, providing a thorough and interdisciplinary overview of the theory and practice of magic in the West. Its chronological scope extends from the Ancient Near East to twenty-first-century North America; its objects of analysis range from Persian curse tablets to U.S. neo-paganism. For comparative purposes, the volume includes chapters on developments in the Jewish and Muslim worlds, evaluated not simply for what they contributed at various points to European notions of magic, but also as models of alternative development in ancient Mediterranean legacy. Similarly, the volume highlights the transformative and challenging encounters of Europeans with non-Europeans, regarding the practice of magic in both early modern colonization and more recent decolonization.

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