Cricket Radio

At a time when night-singing insects have slipped beyond our notice—indeed, are more likely to be heard as NatureSounds than in a backyard—John Himmelman seeks to reconnect us to creatures whose songs form a part of our own natural history. On warm summer evenings, night-singing insects produce a whirring, chirping soundscape—a calming aural tapestry celebrated by poets and naturalists for millennia. But “cricket radio” is not broadcast for the easy-listening pleasure of humans. The nocturnal songs of insects are lures and warnings, full of risks and rewards for these tiny competitive performers. What moves crickets and katydids to sing, how they produce their distinctive sounds, how they hear the songs of others, and how they vary cadence, volume, and pitch to attract potential mates, warn off competitors, and evade predators is part of the engaging story Cricket Radio tells. Himmelman’s narrative weaves together his personal experiences as an amateur naturalist in search of crickets and katydids with the stories of scientists who study these insects professionally. He also offers instructions for bringing a few of the little singers into our homes and gardens. We can, Himmelman suggests, be reawakened to these night songs that have meant so much to the human psyche. The online insect calls that accompany this colorfully illustrated narrative provide a bridge of sound to our past and to our vital connection with other species.

This book focuses on the development of cricket in Australia, with a focus on the commercial and professional aspects of the game. It takes a historical approach and analyses the reasons behind the ebbs and flows of commercialisation in the game. It also applies economic analysis to help provide it with some original insights into the way in which the game is structured and has developed in Australia. The book would be of interest to a range of people both in Australia and abroad, who are interested in the manner in which sport in the modern world has become a commercialised pursuit.

This exercise routine hosted by professional dancer and fitness expert Barbi Powers leads viewers through a complete ballet and classical dance inspired workout, designed to increase core strength, balance, and grace, all while teaching viewers the most popular poses and moves in modern dance and ballet. ~ Cammila Albertson, Rovi

Updated and revised, the fourth edition of The Radio Handbook is a comprehensive guide to the medium of radio and the radio industry in the UK. Featuring new chapters on social media and podcasting, this book offers a thorough breakdown of the knowledge and skills needed to work within the contemporary radio industry. Using examples, case studies and transcripts, it examines the various building blocks that make radio, from music scheduling to news values and from phone-ins to sports commentaries. The latest trends in contemporary audio practice are referenced throughout, including the increased adoption of smartphone technology, further consolidation within commercial radio, and the ongoing debate about the future funding of the BBC against the backdrop of an accelerated move towards remote working, the rise in popularity of podcasting and an ever more crowded media landscape. Combining theory and practice, this textbook is ideally suited for students of radio, media, communications and journalism. It equips readers with the skills they need to not only produce good radio themselves, but to have the knowledge they need to become a critical friend of the medium.

John Osborne has long been a fan of radio - from late night sessions of John Peel to Test Match Special at dawn, he has always enjoyed tuning in to the riches of our best broadcasts. When his dull temporary job became drearier than ever, John decided to remain attached to his headphones all day to listen to some of Britain's more unknown stations as well as revisiting the mainstream to fully experience the breadth of our radio output. The result is a funny, disarming ride through aspects of Britain that are uplifting, informative and sometimes plain bizarre. Throughout his month of intensive radio listening, John flits through talk radio, sports shows, dips into the mainstream and the minority, exalts in specialist music shows, comedy and local radio before expanding his mind with an experimental arts channel. It seems there is something for everyone at the turn of a dial, whether that is the ranting of the permanently enraged, the gentle tinkle of a string quartet, West Indian stomp or the sound of frozen peas being thrown around Elephant and Castle underground station. John also gets under the skin of the radio business by interviewing presenters such as Mark Radcliffe and Nicholas Parsons as well as industry insiders. John's daily life is directly affected by his radio habit as he finds himself organising a poker night during exposure to The Jazz, and Zane Lowe's energy on Radio One goads him into cooking his stir fry at the same speed as Morecambe and Wise prepared their breakfast. Finally, John decides to turn his life around and radio becomes hissaviour.

The book aims to illustrate that what is distinctive about any particular society is not the fact of its modernity, but rather its own unique debates about modernity. Behind the embattled arena of culture in India, for example, lie particular social and political interests such as the growing middle class, the entrepreneurs and commercial institutions, and the state. The contributors address the roles of these various intertwined interests in the making of India's public culture, each examining different sites of consumption. The sites which are explored include cinema, radio, cricket, restaurants and tourism. The book also makes distinct the differences among public, mass and popular culture.

The spirit of the game was first nurtured on the playing fields of the English public school, and in the pages of Tom Brown's Schooldays- this Corinthian spirit was then exported around the world. The competitive spirit, the importance of fairness, the nobility of the gifted amateur seemed to sum up everything that was good about Britishness and the games they played. Today, sport is dominated by corruption, money, celebrity and players who are willing to dive in the box if it wins them a penalty. Yet, we still believe and talk about the game as if it had a higher moral purpose. Since the age of Thomas Arnold, Sport has been used to glorify dictatorships and was at the heart of cold war diplomacy. Prime Ministers, princes and presidents will do whatever they can to ensure that their country holds a major sporting tournament. Nelson Mandela saw the victory of the Rugby World Cup as essential to his hopes for the Rainbow Nation. Mihir Bose has lived his life around sport and in this book he tells the story of how Sport has lost its original spirit and how it has emerged in the 20th century to become the most powerful political tool in the world. With examples and stories from around the world including how the sport-hating Thomas Arnold become an icon; how a German manufacturer gave Jessie Owens a pair of shoes at the Berlin games of 1936 and went on to dominate the world of sport; how India stole cricket from the ICC; how an Essex car dealer become the most powerful man in Formula 1; and who really sold football out. Praise for Mihir Bose: 'Mihir Bose is India's CLR James.' Simon Barnes, The Times. 'Mihir's insider knowledge is unsurpassed' David Welch. 'His Olympic contacts are second to none. He knows everybody.' Sue Mott.

Turning adversity on its head he embarked upon a career in broadcasting that began in South Africa with the South African Broadcasting Corporation (SABC), before returning to Cardiff in September 1987 to anchor BBC Wales’ portfolio of prime time sports programs. By the mid-1990s Alan had gone freelance and, following the end of apartheid, was reunited with the SABC to cover South Africa’s return to world sport with the 1994 cricket tour to England and the 1995 Rugby World Cup. He also began what would become a long association with Singapore-based ESPN Star Sports (ESS) by commentating on the 1996 Indian cricket tour of England. By 1997 Alan had joined the ESS commentary team in India for the One Day International series between India and Sri Lanka where he was part of the commentary team, with Ravi Shastri, Sunil Gavaskar, Navjot Singh Sidhu, Harsha Bhogle and Geoffrey Boycott, otherwise known as A Few Good Men. In February 2000 he re-located to Singapore to work for ESS and for almost 16 years enjoyed broadcasting cricket, golf, rugby, tennis and a host of other sports across the Indian sub-continent. A return home to Wales in 2015 has reignited Alan’s love for rugby but as you’ll read in Easier Said Than Done, his love of sport means the shape or size of the ball is not an issue.