Cries Of The Sea

A treasure lies at the bottom of the oceans. This treasure takes the form of a legal and ethical principle which may illuminate the potential for an enriching international community in a world of growing disparities. It is the principle of the Common Heritage of Humanity. The 1982 United Nations Convention on Law of the Sea delineated an Area and then proclaimed the Area and its resources `the common heritage of mankind'. The author suggests that the terms `common', `heritage', and `humanity' invite a larger perspective on the law underlying the Convention. Cries of the Sea provides a unique view of `the deep blue sea' through the lens of the politics of international ocean law and policy and in particular through the exposition of the Common Heritage of Humanity as a fundamental principle of international law. The book explains why - and how - the Common Heritage principle constitutes an indispensable ingredient in any global programme for sustainable development. Legal philosophers and practitioners alike, in the ocean arena and beyond, will find that this work offers an intriguing intellectual and moral challenge. This book received the first Arvid Pardo Prize for outstanding scholarship on the Law of the Sea.

Life itself could never have been sustainable without seabirds. As Adam Nicolson writes: "They are bringers of fertility, the deliverers of life from ocean to land." A global tragedy is unfolding. Even as we are coming to understand them, the number of seabirds on our planet is in freefall, dropping by nearly 70% in the last sixty years, a billion fewer now than there were in 1950. Of the ten birds in this book, seven are in decline, at least in part of their range. Extinction stalks the ocean and there is a danger that the grand cry of the seabird colony, rolling around the bays and headlands of high latitudes, will this century become little but a memory. Seabirds have always entranced the human imagination and NYT best-selling author Adam Nicolson has been in love with them all his life: for their mastery of wind and ocean, their aerial beauty and the unmatched wildness of the coasts and islands where every summer they return to breed. The seabird’s cry comes from an elemental layer in the story of the world. Over the last couple of decades, modern science has begun to understand their epic voyages, their astonishing abilities to navigate for tens of thousands of miles on featureless seas, their ability to smell their way towards fish and home. Only the poets in the past would have thought of seabirds as creatures riding the ripples and currents of the entire planet, but that is what the scientists are seeing now today.

A personal companion for life's hardest time - the days immediately following a bereavement. Gentle and kind, it nevertheless encourages people on to building the future.

In days of stereotyped thinking, when almost every utterance is a repetition of something that has oft been said before, it is refreshing to meet a stream of originality. Those of us who know and love Robert Moyer, however, could expect nothing less than brilliant originality when he puts his thoughts in the concrete form of a printed page. The student of the Word of God will find food for meditation in these paragraphs from his gifted pen. There is no man in America whose works and words should count more for the spread of God’s kingdom in the hearts of men, than the man whose writing you now hold in your hand. It is our hope and confident trust that this volume is but the first of many that shall come from this source. If this hope is fulfilled, the religious thinking of America is about to be enriched with the infusions of a choice soul expressing itself through the medium of print. May the blessing of God rest upon the heart and life of every reader of these pages. Harry Rimmer

Originally published in 1982, this brilliant study provides a perceptive and up-to-date assessment of the novels of Iris Murdoch, up to and including Nuns and Soldiers, published in 1980. The Fire and the Sun, her book on Plato, is also considered in depth. It is not a critical biography, but rather shows how massive Murdoch’s literary career was at the time and what her contribution has been to aesthetics, literary criticism, the realistic novel, and to the possibilities of ethical and religious action in a horror-filled and secular age. Above all, the book is interested in forwarding Murdoch’s cause among her readers. It is not aimed simply at those who have read and studied all of her novels, the text will appeal to the readers of only a few of them, as well as literary scholars and students of contemporary fiction and modern culture.