Crime Grime And Gumption

A 1983 batch Indian Police Service (IPS) officer, O.P. Singh donned various roles in the state and central services. Through his tenure, he witnessed several challenges, from the tackling of militancy in Kheri to managing disasters such as the April 2015 Nepal earthquake and the Srinagar and Chennai floods of 2014 and 2015, respectively. The Ayodhya verdict, Citizenship Amendment Act protests, the Kumbh Mela and Lok Sabha polls of 2019 all tested this officer's mettle. From the dusty plains of Gaya, Bihar, to the swampy and terror-infested wetlands of Lakhimpur Kheri, Uttar Pradesh, Crime, Grime and Gumption is an honest and hard-hitting account of law enforcement and governance in the Hindi belt of India. As the ‘policewallah’ gives you a peek into the world of the khaki in this memoir, you will be left thirsting for more.

This is the story of the carefully planned resurgence of the State Bank of India (SBI) from a laid-back incumbent under threat from private players to a customer-oriented competitive organization that has outperformed rivals despite several constraints. The leadership at SBI succeeded in reshaping perspectives and profitability at the bank, which employs a staggering 200,000 people, not withstanding salary restrictions and regulatory bottlenecks. While the primary thrust was on changing employee attitude towards their own organization and, of course, its customers, the transformation exercise was broad-based encompassing fundamental changes in technology, processes and business-mix alike. In about three years beginning 2006, SBI not only defended its own lair against the siege of younger, leaner, meaner rivals but actually took the battle to the attacker’ domains. SBI’s size and setting make the story an inspiring example to other organizations, particularly in the public sector. Written in a fluid and engaging style, and backed by facts, figures, analysis and anecdotes, the book challenges several stereotypes and dogmas common in today’s management circles.

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'Human in Khaki' strings together real life incidents and anecdotes of an Indian Police Service officer, who having been born and bred in a rural landscape emerges from IIT Delhi with an intention to serve, finding his true calling as a cop. Written in a 'short stories' mode, the gripping narrative brings to the fore the essence of proactive, people-oriented and effective policing. With the background of real life incidents, the stories bring out different facets of how outcomes could have been much worse, had the police not been sensitive and perceptive to the needs of the ordinary individuals, who do not have the backing of wealthy or influential people. The book addresses contemporary issues that plague modern India such as terror, the widening gap between the haves and have-nots, crime against women, the changing value system and most significantly basic police procedure that is designed to serve the powerless and yet mostly ends up serving a powerful few. It is a very bold and honest book from a serving Police Officer, which depicts stark realities of policing at district level, including the tout culture in Police Stations that keeps common man away from the Police. While the book should serve as a mirror to men in uniform and the public services about their own functioning, it will also allow the public at large a 'peep' into the working of the police and thus encourage and empower the man-on-the street to ensure that he is served with greater efficiency.

The claim that India--uniquely among civilizations--lacks historical writing distracts us from a more pertinent question: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. Romila Thapar, a distinguished scholar of ancient India, guides us through a panoramic survey of the historical traditions of North India, revealing a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature. The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy amid social change. Spanning an epoch from 1000 BCE to 1400 CE, Thapar delineates three strains of historical writing: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina monks and scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptional evidence, regional accounts, and literary forms such as royal biographies and drama are all scrutinized afresh--not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.

The death by gunshot of a powerful and controversial District Magistrate brings in the idealistic and puritanical DSP Arjun Iyer to the District Magistrate’s residence, where his large joint family lives. It seems like a suicide at first glance, but is it really one? And if it isn’t, then… Along with his assistant, the deeply loyal but irascible, devil-may-care Inspector Munuswamy, DSP Arjun leaves no stone unturned in investigating the case where surprise upon labyrinthine surprise awaits them until they arrive at the final conclusion.

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'YES SAM CARRINGTON, YES. This is how you write a thriller... I read this in one three-hour sitting and I regret nothing.' Goodreads reviewer ⭐⭐⭐⭐⭐ From bestselling author Sam Carrington who also writes as Alice Hunter comes another nail-biting thriller. You never really know what goes on behind closed doors...