Crime Writers

100 American Crime Writers features discussion and analysis of the lives of crime writers and their key works, examining the developments in American crime writing from the Golden Age to hardboiled detective fiction. This study is essential to scholars and an ideal introduction to crime fiction for anyone who enjoys this fascinating genre.

Awakening in a hospital with a scar on his head and no memory of being found holding a knife over his ex-fiancée's murdered body, crime novelist Drew Danner struggles to reconstruct clues to determine his own guilt or innocence. By the author of The Tower.

A comprehensive reference for writers of mysteries, thrillers, action/adventure, true crime, police procedurals, romantic suspense, and psychological mysteries--whether novels or scripts--covering numerous aspects of crime, outlining general rules of thumb, as well as specific policies and procedures of various law enforcement agencies. Annotation copyright by Book News, Inc., Portland, OR

This book examines 24 crime novelists who set their work in the Sunshine State. From James W. Hall’s Under Cover of Daylight in the Florida Keys, to Barbara Parker’s Suspicion of Betrayal in Miami to Tim Dorsey’s Florida Roadkill at Cape Canaveral and Tampa, these writers and their works span all of Florida’s 67 counties. A biographical sketch of each author precedes an interview by a critic who has immersed him- or herself in the novelist’s works, producing interview-essays of noteworthy perception and insight.

100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: 'The Victorians, Edwardians, and World War One, 1855-1918; 'The Golden Age and World War Two, 1919-1945; 'Post-War and Cold War, 1946-1989; and 'To the Millennium and Beyond, 1990-2015, each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.

**** Cited in Sheehy and BCL3. The foremost reference in the field, completely revised and updated, and now covering about 600 authors, mainly English-language writers whose work appeared during or since the time of Conan Doyle. The entry for each writer consists of a biography, a bibliography, and a signed critical essay. Living authors were invited to add a comment on their work; many of them accepted, and their remarks are both entertaining and enlightening. Annotation copyrighted by Book News, Inc., Portland, OR

This book is one of the first English-language studies to chart the development of crime fiction in French from the mid-nineteenth century to the present day. It analyses the distinctive features of a French-language tradition and introduces readers to a rich and varied body of work. Each chapter examines a specific period, movement or group of writers, as well as engaging with wider debates on the place of crime fiction within contemporary French and European culture. From early twentieth-century pioneers, such as Gaston Leroux and Maurice Leblanc, to the phenomenal success of Georges Simenon, from May 68 to the gender politics of crime fiction and postmodern reinventions, this collection approaches crime fiction in an interdisciplinary manner, alive to the innovative and often critically informed perspective it provides on French society and culture. The book also includes short extracts in English translation and an extensive bibliography of critical material for further reading. Such resources are aimed at encouraging the reader to gain a greater appreciation and understanding of this potent and formidable narrative of modern times.