Crisis In Europe 1560 1660 Routledge Revivals

Concerns the changes in the hundred years after 1560 in the nations of Europe. Past and present.

Past and Present began publication in 1952. It has established itself as one of the leading historical journals, publishing in lively and readable form a wide variety of scholarly and original articles. Much important work by English and foreign scholars on the sixteenth and seventeenth centuries first appeared in the form of articles in the journal. Originally published in 1965, this collection brings together a broad selection of these articles which have much common ground in the questions they discuss. Together they cover many aspects of crisis and change in most European countries – in society, government, economics, religion and education. The book will be welcomed by all interested in this much debated period.

First published in 1983, this extraordinary study provides a comprehensive systematic evaluation of cross-national theorizing and quantitative empirical evidence on four interrelated phenomena: Political violenceCrisesMilitary Coups D' ÉtatRevolutions. Findings from social-psychological research on aggression are integrated in this outstanding study, as well as results reported in social-historical studies of revolution. The focus of the book is always on analytical perspectives and correspondi.

First published in 1982, this book is inspired the ideas generated by Eric Hobsbawm, and has taken shape around a unifying preoccupation with the symbolic order and its relationship to political and religious belief. It explores some of the oldest question in Marxist historiography, for example the relationship of ‘base’ and ‘superstructure’, art and social life, and also some of the newest and most problematic questions, such as the relationship of dreams and fantasy to political action, or of past and present — historical consciousness — to the making of ideology. The essays, which range widely over period and place, are intended to break new ground and take on difficult questions.

First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related.